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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 67 / 0 / 42 it is the complementary color CMYK 36 / 0 / 48 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 67 / 0 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 67 / 0 / 42: CMYK 10 / 66 / 0 / 44, CMYK 10 / 59 / 0 / 36, CMYK 10 / 53 / 0 / 29, CMYK 11 / 49 / 0 / 22 and CMYK 11 / 45 / 0 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 67 / 0 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 67 / 0 / 42: CMYK 17 / 67 / 0 / 42, CMYK 18 / 76 / 0 / 49, CMYK 19 / 88 / 0 / 57, CMYK 21 / 100 / 0 / 64 and CMYK 24 / 100 / 0 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 67 / 0 / 42

HEX #7B3194

RGB 123 49 148

HSL 284.85, 0.5%, 0.39%

LAB 35.09, 47.62, -40.43

 

Complementary color

CMYK 36 / 0 / 48 / 19

HEX #84CE6B

RGB 132 206 107

HSL 104.85, 0.5%, 0.61%

LAB 76.14, -41.37, 41.89

 

CMYK 10 / 66 / 0 / 44

HEX #80318F

RGB 128 49 143

HSL 290.43, 0.49%, 0.38%

LAB 35.54, 47.81, -36.63

 

CMYK 10 / 59 / 0 / 36

HEX #9143A2

RGB 145 67 162

HSL 289.26, 0.41%, 0.45%

LAB 42.22, 47.46, -37.35

 

CMYK 10 / 53 / 0 / 29

HEX #A255B5

RGB 162 85 181

HSL 288.13, 0.39%, 0.52%

LAB 48.9, 46.85, -37.84

 

CMYK 11 / 49 / 0 / 22

HEX #B367C8

RGB 179 103 200

HSL 287.01, 0.47%, 0.59%

LAB 55.54, 46.12, -38.21

 

CMYK 11 / 45 / 0 / 14

HEX #C479DB

RGB 196 121 219

HSL 285.92, 0.58%, 0.67%

LAB 62.1, 45.35, -38.5

 

CMYK 17 / 67 / 0 / 42

HEX #7B3194

RGB 123 49 148

HSL 284.85, 0.5%, 0.39%

LAB 35.09, 47.62, -40.43

 

CMYK 18 / 76 / 0 / 49

HEX #6A1F81

RGB 106 31 129

HSL 285.92, 0.61%, 0.31%

LAB 28.46, 47.5, -39.47

 

CMYK 19 / 88 / 0 / 57

HEX #590D6E

RGB 89 13 110

HSL 287.01, 0.79%, 0.24%

LAB 22.08, 46.23, -37.78

 

CMYK 21 / 100 / 0 / 64

HEX #48005B

RGB 72 0 91

HSL 287.47, 1%, 0.18%

LAB 16.17, 43.03, -34.98

 

CMYK 24 / 100 / 0 / 72

HEX #370048

RGB 55 0 72

HSL 285.83, 1%, 0.14%

LAB 11.14, 36.45, -30.3

 

CMYK 17 / 67 / 0 / 42

HEX #7B3194

RGB 123 49 148

HSL 284.85, 0.5%, 0.39%

LAB 35.09, 47.62, -40.43

 

CMYK 7 / 67 / 0 / 42

HEX #8B3195

RGB 139 49 149

HSL 294, 0.51%, 0.39%

LAB 37.58, 51.7, -36.93

 

CMYK 0 / 67 / 5 / 42

HEX #95318E

RGB 149 49 142

HSL 304.2, 0.51%, 0.39%

LAB 38.79, 52.94, -30.65

 

CMYK 0 / 67 / 16 / 42

HEX #95317D

RGB 149 49 125

HSL 314.4, 0.51%, 0.39%

LAB 37.96, 50.19, -21.48

 

CMYK 0 / 67 / 27 / 42

HEX #95316D

RGB 149 49 109

HSL 324, 0.51%, 0.39%

LAB 37.28, 47.87, -12.52

 

CMYK 17 / 67 / 0 / 42

HEX #7B3194

RGB 123 49 148

HSL 284.85, 0.5%, 0.39%

LAB 35.09, 47.62, -40.43

 

CMYK 17 / 67 / 0 / 22

HEX #A542C7

RGB 165 66 199

HSL 284.66, 0.54%, 0.52%

LAB 47, 60.24, -51.3

 

CMYK 17 / 67 / 0 / 2

HEX #D053FA

RGB 208 83 250

HSL 284.91, 0.94%, 0.65%

LAB 58.51, 72.44, -61.38

 

CMYK 17 / 67 / 0 / 82

HEX #260F2E

RGB 38 15 46

HSL 284.52, 0.51%, 0.12%

LAB 8.58, 18.45, -15.89

 

CMYK 16 / 67 / 0 / 62

HEX #512061

RGB 81 32 97

HSL 285.23, 0.5%, 0.25%

LAB 22.46, 34.04, -28.75

 

CMYK 17 / 67 / 0 / 42

HEX #7B3194

RGB 123 49 148

HSL 284.85, 0.5%, 0.39%

LAB 35.09, 47.62, -40.43

 

CMYK 0 / 67 / 62 / 42

HEX #953138

RGB 149 49 56

HSL 355.8, 0.51%, 0.39%

LAB 35.74, 42.35, 19.02

 

CMYK 67 / 0 / 45 / 42

HEX #319552

RGB 49 149 82

HSL 139.8, 0.51%, 0.39%

LAB 54.82, -44.15, 27.13

 

CMYK 17 / 67 / 0 / 42

HEX #7B3194

RGB 123 49 148

HSL 284.85, 0.5%, 0.39%

LAB 35.09, 47.62, -40.43

 

CMYK 0 / 18 / 67 / 42

HEX #957A31

RGB 149 122 49

HSL 43.8, 0.51%, 0.39%

LAB 52.43, 1.98, 42.65

 

CMYK 67 / 0 / 18 / 42

HEX #31957A

RGB 49 149 122

HSL 163.8, 0.51%, 0.39%

LAB 55.64, -35.45, 5.9

 

CMYK 17 / 67 / 0 / 42

HEX #7B3194

RGB 123 49 148

HSL 284.85, 0.5%, 0.39%

LAB 35.09, 47.62, -40.43

 

CMYK 0 / 67 / 62 / 42

HEX #953138

RGB 149 49 56

HSL 355.8, 0.51%, 0.39%

LAB 35.74, 42.35, 19.02

 

CMYK 49 / 0 / 67 / 42

HEX #4C9531

RGB 76 149 49

HSL 103.8, 0.51%, 0.39%

LAB 55.33, -41.64, 44.26

 

CMYK 67 / 0 / 5 / 42

HEX #31958E

RGB 49 149 142

HSL 175.8, 0.51%, 0.39%

LAB 56.19, -30.02, -4.74

 

CMYK 17 / 67 / 0 / 42

HEX #7B3194

RGB 123 49 148

HSL 284.85, 0.5%, 0.39%

LAB 35.09, 47.62, -40.43

 

CMYK 0 / 52 / 67 / 42

HEX #954831

RGB 149 72 49

HSL 13.8, 0.51%, 0.39%

LAB 39.99, 30.45, 28.58

 

CMYK 49 / 0 / 67 / 42

HEX #4C9531

RGB 76 149 49

HSL 103.8, 0.51%, 0.39%

LAB 55.33, -41.64, 44.26

 

CMYK 67 / 16 / 0 / 42

HEX #317D95

RGB 49 125 149

HSL 194.4, 0.51%, 0.39%

LAB 48.87, -15.4, -19.82

 

Description

Color code: CMYK 17 / 67 / 0 / 42 | qconv.com Color code: CMYK 17 / 67 / 0 / 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 49 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 49 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 67 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 67% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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