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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 45 / 0 / 41 it is the complementary color CMYK 24 / 0 / 39 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 45 / 0 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 45 / 0 / 41: CMYK 10 / 43 / 0 / 43, CMYK 10 / 38 / 0 / 36, CMYK 10 / 35 / 0 / 28, CMYK 10 / 32 / 0 / 21 and CMYK 10 / 30 / 0 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 45 / 0 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 45 / 0 / 41: CMYK 17 / 45 / 0 / 41, CMYK 18 / 50 / 0 / 49, CMYK 19 / 58 / 0 / 56, CMYK 20 / 69 / 0 / 64 and CMYK 23 / 85 / 0 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

Complementary color

CMYK 24 / 0 / 39 / 33

HEX #82AC69

RGB 130 172 105

HSL 97.61, 0.29%, 0.54%

LAB 65.96, -26.6, 29.99

 

CMYK 10 / 43 / 0 / 43

HEX #825391

RGB 130 83 145

HSL 285.48, 0.27%, 0.45%

LAB 42.73, 30.82, -26.49

 

CMYK 10 / 38 / 0 / 36

HEX #9365A4

RGB 147 101 164

HSL 283.81, 0.26%, 0.52%

LAB 49.73, 30.01, -26.75

 

CMYK 10 / 35 / 0 / 28

HEX #A477B7

RGB 164 119 183

HSL 282.19, 0.31%, 0.59%

LAB 56.59, 29.25, -26.98

 

CMYK 10 / 32 / 0 / 21

HEX #B589CA

RGB 181 137 202

HSL 280.62, 0.38%, 0.66%

LAB 63.33, 28.55, -27.21

 

CMYK 10 / 30 / 0 / 13

HEX #C69BDD

RGB 198 155 221

HSL 279.09, 0.49%, 0.74%

LAB 69.94, 27.9, -27.44

 

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

CMYK 18 / 50 / 0 / 49

HEX #6C4183

RGB 108 65 131

HSL 279.09, 0.34%, 0.38%

LAB 35.22, 31.26, -29.92

 

CMYK 19 / 58 / 0 / 56

HEX #5B2F70

RGB 91 47 112

HSL 280.62, 0.41%, 0.31%

LAB 27.92, 32.13, -29.69

 

CMYK 20 / 69 / 0 / 64

HEX #4A1D5D

RGB 74 29 93

HSL 282.19, 0.52%, 0.24%

LAB 20.54, 32.8, -29.25

 

CMYK 23 / 85 / 0 / 71

HEX #390B4A

RGB 57 11 74

HSL 283.81, 0.74%, 0.17%

LAB 13.25, 32.68, -28.24

 

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

CMYK 10 / 45 / 0 / 41

HEX #885397

RGB 136 83 151

HSL 286.76, 0.29%, 0.46%

LAB 43.73, 34.02, -28.47

 

CMYK 3 / 45 / 0 / 41

HEX #935397

RGB 147 83 151

HSL 296.47, 0.29%, 0.46%

LAB 45.11, 37.46, -26.21

 

CMYK 0 / 45 / 5 / 41

HEX #97538F

RGB 151 83 143

HSL 307.06, 0.29%, 0.46%

LAB 45.29, 37.2, -21.11

 

CMYK 0 / 45 / 13 / 41

HEX #975384

RGB 151 83 132

HSL 316.76, 0.29%, 0.46%

LAB 44.85, 35.23, -15.16

 

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

CMYK 16 / 45 / 0 / 21

HEX #A86FC9

RGB 168 111 201

HSL 278, 0.45%, 0.61%

LAB 56, 38.85, -38.15

 

CMYK 17 / 45 / 0 / 1

HEX #D28BFC

RGB 210 139 252

HSL 277.7, 0.95%, 0.77%

LAB 68.89, 46.61, -45.98

 

CMYK 17 / 44 / 0 / 81

HEX #281B30

RGB 40 27 48

HSL 277.14, 0.28%, 0.15%

LAB 12.28, 11.41, -11.53

 

CMYK 16 / 44 / 0 / 61

HEX #533763

RGB 83 55 99

HSL 278.18, 0.29%, 0.3%

LAB 28.04, 21.59, -21.23

 

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

CMYK 0 / 45 / 37 / 41

HEX #97535F

RGB 151 83 95

HSL 349.41, 0.29%, 0.46%

LAB 43.64, 29.63, 5.61

 

CMYK 45 / 0 / 35 / 41

HEX #539762

RGB 83 151 98

HSL 133.24, 0.29%, 0.46%

LAB 56.93, -33.55, 21.4

 

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

CMYK 0 / 17 / 45 / 41

HEX #977D53

RGB 151 125 83

HSL 37.06, 0.29%, 0.46%

LAB 53.89, 4.14, 26.61

 

CMYK 45 / 0 / 17 / 41

HEX #53977D

RGB 83 151 125

HSL 157.06, 0.29%, 0.46%

LAB 57.51, -27.97, 7.04

 

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

CMYK 0 / 45 / 37 / 41

HEX #97535F

RGB 151 83 95

HSL 349.41, 0.29%, 0.46%

LAB 43.64, 29.63, 5.61

 

CMYK 28 / 0 / 45 / 41

HEX #6D9753

RGB 109 151 83

HSL 97.06, 0.29%, 0.46%

LAB 58.05, -27.14, 31.23

 

CMYK 45 / 0 / 9 / 41

HEX #53978A

RGB 83 151 138

HSL 168.53, 0.29%, 0.46%

LAB 57.85, -24.85, 0.13

 

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

CMYK 0 / 40 / 45 / 41

HEX #975B53

RGB 151 91 83

HSL 7.06, 0.29%, 0.46%

LAB 45.2, 23.68, 15.09

 

CMYK 28 / 0 / 45 / 41

HEX #6D9753

RGB 109 151 83

HSL 97.06, 0.29%, 0.46%

LAB 58.05, -27.14, 31.23

 

CMYK 45 / 5 / 0 / 41

HEX #538F97

RGB 83 143 151

HSL 187.06, 0.29%, 0.46%

LAB 55.8, -17.27, -10.35

 

Description

Color code: CMYK 17 / 45 / 0 / 41 | qconv.com Color code: CMYK 17 / 45 / 0 / 41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 83 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 83 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 45 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 45% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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