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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 37 / 0 / 64 it is the complementary color CMYK 9 / 0 / 17 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 37 / 0 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 37 / 0 / 64: CMYK 7 / 33 / 0 / 66, CMYK 8 / 28 / 0 / 58, CMYK 8 / 25 / 0 / 51, CMYK 8 / 22 / 0 / 44 and CMYK 9 / 20 / 0 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 37 / 0 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 37 / 0 / 64: CMYK 17 / 37 / 0 / 64, CMYK 19 / 45 / 0 / 71, CMYK 22 / 59 / 0 / 79, CMYK 29 / 89 / 0 / 86 and CMYK 50 / 100 / 0 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 37 / 0 / 64

HEX #4C3A5C

RGB 76 58 92

HSL 271.76, 0.23%, 0.29%

LAB 27.67, 15.45, -17.33

 

Complementary color

CMYK 9 / 0 / 17 / 23

HEX #B3C5A3

RGB 179 197 163

HSL 91.76, 0.23%, 0.71%

LAB 77.38, -12.31, 15.02

 

CMYK 7 / 33 / 0 / 66

HEX #513A57

RGB 81 58 87

HSL 287.59, 0.2%, 0.28%

LAB 28.02, 16.06, -13.5

 

CMYK 8 / 28 / 0 / 58

HEX #624C6A

RGB 98 76 106

HSL 284, 0.16%, 0.36%

LAB 35.61, 15.33, -13.84

 

CMYK 8 / 25 / 0 / 51

HEX #735E7D

RGB 115 94 125

HSL 280.65, 0.14%, 0.43%

LAB 42.96, 14.7, -14.19

 

CMYK 8 / 22 / 0 / 44

HEX #847090

RGB 132 112 144

HSL 277.5, 0.13%, 0.5%

LAB 50.11, 14.15, -14.53

 

CMYK 9 / 20 / 0 / 36

HEX #9582A3

RGB 149 130 163

HSL 274.55, 0.15%, 0.57%

LAB 57.07, 13.66, -14.89

 

CMYK 17 / 37 / 0 / 64

HEX #4C3A5C

RGB 76 58 92

HSL 271.76, 0.23%, 0.29%

LAB 27.67, 15.45, -17.33

 

CMYK 19 / 45 / 0 / 71

HEX #3B2849

RGB 59 40 73

HSL 274.55, 0.29%, 0.22%

LAB 19.75, 16.33, -17.2

 

CMYK 22 / 59 / 0 / 79

HEX #2A1636

RGB 42 22 54

HSL 277.5, 0.42%, 0.15%

LAB 11.5, 17.34, -17.05

 

CMYK 29 / 89 / 0 / 86

HEX #190423

RGB 25 4 35

HSL 280.65, 0.79%, 0.08%

LAB 3.75, 14.48, -15.25

 

CMYK 50 / 100 / 0 / 94

HEX #080010

RGB 8 0 16

HSL 270, 1%, 0.03%

LAB 0.8, 4.47, -5.72

 

CMYK 17 / 37 / 0 / 64

HEX #4C3A5C

RGB 76 58 92

HSL 271.76, 0.23%, 0.29%

LAB 27.67, 15.45, -17.33

 

CMYK 11 / 38 / 0 / 65

HEX #50385A

RGB 80 56 90

HSL 282.35, 0.23%, 0.29%

LAB 27.5, 17.7, -16.27

 

CMYK 6 / 38 / 0 / 65

HEX #55385A

RGB 85 56 90

HSL 291.18, 0.23%, 0.29%

LAB 28.11, 19.52, -15.27

 

CMYK 0 / 38 / 0 / 65

HEX #5A385A

RGB 90 56 90

HSL 300, 0.23%, 0.29%

LAB 28.75, 21.35, -14.23

 

CMYK 0 / 38 / 7 / 65

HEX #5A3854

RGB 90 56 84

HSL 310.59, 0.23%, 0.29%

LAB 28.49, 20.09, -10.72

 

CMYK 17 / 37 / 0 / 64

HEX #4C3A5C

RGB 76 58 92

HSL 271.76, 0.23%, 0.29%

LAB 27.67, 15.45, -17.33

 

CMYK 17 / 37 / 0 / 44

HEX #765A8F

RGB 118 90 143

HSL 271.7, 0.23%, 0.46%

LAB 42.98, 22.33, -24.99

 

CMYK 18 / 37 / 0 / 24

HEX #A07AC2

RGB 160 122 194

HSL 271.67, 0.37%, 0.62%

LAB 57.35, 28.71, -32.11

 

CMYK 18 / 37 / 0 / 4

HEX #CA9AF5

RGB 202 154 245

HSL 271.65, 0.82%, 0.78%

LAB 71.05, 34.75, -38.84

 

CMYK 17 / 37 / 0 / 84

HEX #221A29

RGB 34 26 41

HSL 272, 0.22%, 0.13%

LAB 10.84, 7.72, -8.7

 

CMYK 17 / 37 / 0 / 64

HEX #4C3A5C

RGB 76 58 92

HSL 271.76, 0.23%, 0.29%

LAB 27.67, 15.45, -17.33

 

CMYK 0 / 38 / 27 / 65

HEX #5A3842

RGB 90 56 66

HSL 342.35, 0.23%, 0.29%

LAB 27.83, 16.72, 0.12

 

CMYK 38 / 0 / 33 / 65

HEX #385A3C

RGB 56 90 60

HSL 127.06, 0.23%, 0.29%

LAB 34.96, -19.45, 13.53

 

CMYK 17 / 37 / 0 / 64

HEX #4C3A5C

RGB 76 58 92

HSL 271.76, 0.23%, 0.29%

LAB 27.67, 15.45, -17.33

 

CMYK 0 / 18 / 38 / 65

HEX #5A4A38

RGB 90 74 56

HSL 31.76, 0.23%, 0.29%

LAB 32.61, 3.79, 13.29

 

CMYK 38 / 0 / 18 / 65

HEX #385A4A

RGB 56 90 74

HSL 151.76, 0.23%, 0.29%

LAB 35.3, -16.39, 5.37

 

CMYK 17 / 37 / 0 / 64

HEX #4C3A5C

RGB 76 58 92

HSL 271.76, 0.23%, 0.29%

LAB 27.67, 15.45, -17.33

 

CMYK 0 / 38 / 27 / 65

HEX #5A3842

RGB 90 56 66

HSL 342.35, 0.23%, 0.29%

LAB 27.83, 16.72, 0.12

 

CMYK 19 / 0 / 38 / 65

HEX #495A38

RGB 73 90 56

HSL 90, 0.23%, 0.29%

LAB 36.01, -13.44, 17.55

 

CMYK 38 / 0 / 10 / 65

HEX #385A51

RGB 56 90 81

HSL 164.12, 0.23%, 0.29%

LAB 35.49, -14.67, 1.29

 

CMYK 17 / 37 / 0 / 64

HEX #4C3A5C

RGB 76 58 92

HSL 271.76, 0.23%, 0.29%

LAB 27.67, 15.45, -17.33

 

CMYK 0 / 37 / 38 / 65

HEX #5A3938

RGB 90 57 56

HSL 1.76, 0.23%, 0.29%

LAB 27.81, 14.53, 6.67

 

CMYK 19 / 0 / 38 / 65

HEX #495A38

RGB 73 90 56

HSL 90, 0.23%, 0.29%

LAB 36.01, -13.44, 17.55

 

CMYK 38 / 0 / 0 / 65

HEX #385A5A

RGB 56 90 90

HSL 180, 0.23%, 0.29%

LAB 35.77, -12.27, -3.92

 

Description

Color code: CMYK 17 / 37 / 0 / 64 | qconv.com Color code: CMYK 17 / 37 / 0 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 58 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 58 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 37 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 37% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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