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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 0 / 9 / 10 it is the complementary color CMYK 0 / 62 / 29 / 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 0 / 9 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 0 / 9 / 10: CMYK 15 / 0 / 11 / 10, CMYK 15 / 0 / 10 / 3, CMYK 10 / 0 / 5 / 0, CMYK 4 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 0 / 9 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 0 / 9 / 10: CMYK 17 / 0 / 9 / 10, CMYK 18 / 0 / 10 / 17, CMYK 20 / 0 / 12 / 24, CMYK 21 / 0 / 14 / 31 and CMYK 23 / 0 / 16 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 9 / 10

HEX #BEE6D1

RGB 190 230 209

HSL 148.5, 0.44%, 0.82%

LAB 88.04, -17.06, 5.92

 

Complementary color

CMYK 0 / 62 / 29 / 75

HEX #41192E

RGB 65 25 46

HSL 328.5, 0.44%, 0.18%

LAB 15.57, 22.29, -4.7

 

CMYK 15 / 0 / 11 / 10

HEX #C3E6CC

RGB 195 230 204

HSL 135.43, 0.41%, 0.83%

LAB 88.24, -16.35, 8.86

 

CMYK 15 / 0 / 10 / 3

HEX #D4F8DF

RGB 212 248 223

HSL 138.33, 0.72%, 0.9%

LAB 94.51, -16.28, 8.13

 

CMYK 10 / 0 / 5 / 0

HEX #E5FFF2

RGB 229 255 242

HSL 150, 1%, 0.95%

LAB 97.87, -10.8, 3.34

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 17 / 0 / 9 / 10

HEX #BEE6D1

RGB 190 230 209

HSL 148.5, 0.44%, 0.82%

LAB 88.04, -17.06, 5.92

 

CMYK 18 / 0 / 10 / 17

HEX #ADD4BE

RGB 173 212 190

HSL 146.15, 0.31%, 0.75%

LAB 81.67, -17.17, 6.64

 

CMYK 20 / 0 / 12 / 24

HEX #9CC2AB

RGB 156 194 171

HSL 143.68, 0.24%, 0.69%

LAB 75.2, -17.3, 7.4

 

CMYK 21 / 0 / 14 / 31

HEX #8BB098

RGB 139 176 152

HSL 141.08, 0.19%, 0.62%

LAB 68.61, -17.45, 8.2

 

CMYK 23 / 0 / 16 / 38

HEX #7A9E85

RGB 122 158 133

HSL 138.33, 0.16%, 0.55%

LAB 61.9, -17.62, 9.05

 

CMYK 17 / 0 / 9 / 10

HEX #BEE6D1

RGB 190 230 209

HSL 148.5, 0.44%, 0.82%

LAB 88.04, -17.06, 5.92

 

CMYK 18 / 0 / 7 / 10

HEX #BCE5D6

RGB 188 229 214

HSL 158.05, 0.44%, 0.82%

LAB 87.77, -16.24, 2.89

 

CMYK 18 / 0 / 3 / 10

HEX #BCE5DD

RGB 188 229 221

HSL 168.29, 0.44%, 0.82%

LAB 87.94, -14.85, -0.53

 

CMYK 18 / 0 / 1 / 10

HEX #BCE5E3

RGB 188 229 227

HSL 177.07, 0.44%, 0.82%

LAB 88.1, -13.63, -3.45

 

CMYK 18 / 3 / 0 / 10

HEX #BCDFE5

RGB 188 223 229

HSL 188.78, 0.44%, 0.82%

LAB 86.57, -10.17, -6.77

 

CMYK 17 / 0 / 9 / 10

HEX #BEE6D1

RGB 190 230 209

HSL 148.5, 0.44%, 0.82%

LAB 88.04, -17.06, 5.92

 

CMYK 19 / 0 / 8 / 90

HEX #151A18

RGB 21 26 24

HSL 156, 0.11%, 0.09%

LAB 8.69, -2.9, 0.6

 

CMYK 17 / 0 / 9 / 70

HEX #404D46

RGB 64 77 70

HSL 147.69, 0.09%, 0.28%

LAB 31.44, -6.8, 2.42

 

CMYK 17 / 0 / 9 / 50

HEX #6A8074

RGB 106 128 116

HSL 147.27, 0.09%, 0.46%

LAB 51.57, -10.55, 3.86

 

CMYK 17 / 0 / 9 / 30

HEX #94B3A3

RGB 148 179 163

HSL 149.03, 0.17%, 0.64%

LAB 70.3, -13.8, 4.66

 

CMYK 17 / 0 / 9 / 10

HEX #BEE6D1

RGB 190 230 209

HSL 148.5, 0.44%, 0.82%

LAB 88.04, -17.06, 5.92

 

CMYK 18 / 12 / 0 / 10

HEX #BCCAE5

RGB 188 202 229

HSL 219.51, 0.44%, 0.82%

LAB 81.07, 0.79, -14.97

 

CMYK 0 / 17 / 18 / 10

HEX #E5BFBC

RGB 229 191 188

HSL 4.39, 0.44%, 0.82%

LAB 80.49, 13.07, 6.58

 

CMYK 17 / 0 / 9 / 10

HEX #BEE6D1

RGB 190 230 209

HSL 148.5, 0.44%, 0.82%

LAB 88.04, -17.06, 5.92

 

CMYK 10 / 18 / 0 / 10

HEX #CFBCE5

RGB 207 188 229

HSL 267.8, 0.44%, 0.82%

LAB 78.98, 14.37, -17.97

 

CMYK 0 / 10 / 18 / 10

HEX #E5CFBC

RGB 229 207 188

HSL 27.8, 0.44%, 0.82%

LAB 84.44, 4.64, 12.22

 

CMYK 17 / 0 / 9 / 10

HEX #BEE6D1

RGB 190 230 209

HSL 148.5, 0.44%, 0.82%

LAB 88.04, -17.06, 5.92

 

CMYK 18 / 12 / 0 / 10

HEX #BCCAE5

RGB 188 202 229

HSL 219.51, 0.44%, 0.82%

LAB 81.07, 0.79, -14.97

 

CMYK 0 / 18 / 8 / 10

HEX #E5BCD2

RGB 229 188 210

HSL 327.8, 0.44%, 0.82%

LAB 80.34, 18.23, -5.5

 

CMYK 0 / 6 / 18 / 10

HEX #E5D7BC

RGB 229 215 188

HSL 39.51, 0.44%, 0.82%

LAB 86.45, 0.48, 15.06

 

CMYK 17 / 0 / 9 / 10

HEX #BEE6D1

RGB 190 230 209

HSL 148.5, 0.44%, 0.82%

LAB 88.04, -17.06, 5.92

 

CMYK 18 / 17 / 0 / 10

HEX #BCBEE5

RGB 188 190 229

HSL 237.07, 0.44%, 0.82%

LAB 77.98, 7.23, -19.62

 

CMYK 0 / 18 / 8 / 10

HEX #E5BCD2

RGB 229 188 210

HSL 327.8, 0.44%, 0.82%

LAB 80.34, 18.23, -5.5

 

CMYK 0 / 1 / 18 / 10

HEX #E5E3BC

RGB 229 227 188

HSL 57.07, 0.44%, 0.82%

LAB 89.5, -5.67, 19.33

 

Description

Color code: CMYK 17 / 0 / 9 / 10 | qconv.com Color code: CMYK 17 / 0 / 9 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 230 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 230 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 9 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 9% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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