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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 0 / 8 / 17 it is the complementary color CMYK 0 / 46 / 24 / 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 0 / 8 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 0 / 8 / 17: CMYK 15 / 0 / 10 / 17, CMYK 14 / 0 / 9 / 10, CMYK 13 / 0 / 8 / 3, CMYK 9 / 0 / 3 / 0 and CMYK 2 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 0 / 8 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 0 / 8 / 17: CMYK 17 / 0 / 8 / 17, CMYK 18 / 0 / 9 / 24, CMYK 19 / 0 / 11 / 31, CMYK 21 / 0 / 13 / 38 and CMYK 23 / 0 / 15 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 8 / 17

HEX #B0D4C3

RGB 176 212 195

HSL 151.67, 0.3%, 0.76%

LAB 81.98, -15.23, 4.45

 

Complementary color

CMYK 0 / 46 / 24 / 69

HEX #4F2B3C

RGB 79 43 60

HSL 331.67, 0.3%, 0.24%

LAB 22.71, 19.28, -3.58

 

CMYK 15 / 0 / 10 / 17

HEX #B5D4BE

RGB 181 212 190

HSL 137.42, 0.26%, 0.77%

LAB 82.18, -14.52, 7.44

 

CMYK 14 / 0 / 9 / 10

HEX #C6E6D1

RGB 198 230 209

HSL 140.63, 0.39%, 0.84%

LAB 88.54, -14.45, 6.71

 

CMYK 13 / 0 / 8 / 3

HEX #D7F8E4

RGB 215 248 228

HSL 143.64, 0.7%, 0.91%

LAB 94.82, -14.4, 6.01

 

CMYK 9 / 0 / 3 / 0

HEX #E8FFF7

RGB 232 255 247

HSL 159.13, 1%, 0.95%

LAB 98.19, -8.92, 1.26

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 17 / 0 / 8 / 17

HEX #B0D4C3

RGB 176 212 195

HSL 151.67, 0.3%, 0.76%

LAB 81.98, -15.23, 4.45

 

CMYK 18 / 0 / 9 / 24

HEX #9FC2B0

RGB 159 194 176

HSL 149.14, 0.22%, 0.69%

LAB 75.51, -15.33, 5.17

 

CMYK 19 / 0 / 11 / 31

HEX #8EB09D

RGB 142 176 157

HSL 146.47, 0.18%, 0.62%

LAB 68.92, -15.45, 5.92

 

CMYK 21 / 0 / 13 / 38

HEX #7D9E8A

RGB 125 158 138

HSL 143.64, 0.15%, 0.55%

LAB 62.21, -15.6, 6.72

 

CMYK 23 / 0 / 15 / 45

HEX #6C8C77

RGB 108 140 119

HSL 140.63, 0.13%, 0.49%

LAB 55.36, -15.77, 7.57

 

CMYK 17 / 0 / 8 / 17

HEX #B0D4C3

RGB 176 212 195

HSL 151.67, 0.3%, 0.76%

LAB 81.98, -15.23, 4.45

 

CMYK 17 / 0 / 6 / 17

HEX #AFD4C8

RGB 175 212 200

HSL 160.54, 0.3%, 0.76%

LAB 82.04, -14.57, 1.87

 

CMYK 17 / 0 / 3 / 17

HEX #AFD4CE

RGB 175 212 206

HSL 170.27, 0.3%, 0.76%

LAB 82.19, -13.36, -1.1

 

CMYK 17 / 0 / 0 / 17

HEX #AFD3D4

RGB 175 211 212

HSL 181.62, 0.3%, 0.76%

LAB 82.09, -11.61, -4.46

 

CMYK 17 / 3 / 0 / 17

HEX #AFCDD4

RGB 175 205 212

HSL 191.35, 0.3%, 0.76%

LAB 80.48, -8.5, -6.83

 

CMYK 17 / 0 / 8 / 17

HEX #B0D4C3

RGB 176 212 195

HSL 151.67, 0.3%, 0.76%

LAB 81.98, -15.23, 4.45

 

CMYK 13 / 0 / 13 / 97

HEX #070807

RGB 7 8 7

HSL 120, 0.07%, 0.03%

LAB 2.12, -0.4, 0.29

 

CMYK 17 / 0 / 8 / 77

HEX #313B36

RGB 49 59 54

HSL 150, 0.09%, 0.21%

LAB 23.83, -5.38, 1.7

 

CMYK 17 / 0 / 8 / 57

HEX #5B6E65

RGB 91 110 101

HSL 151.58, 0.09%, 0.39%

LAB 44.68, -9.07, 2.66

 

CMYK 17 / 0 / 8 / 37

HEX #86A194

RGB 134 161 148

HSL 151.11, 0.13%, 0.58%

LAB 63.91, -12.08, 3.64

 

CMYK 17 / 0 / 8 / 17

HEX #B0D4C3

RGB 176 212 195

HSL 151.67, 0.3%, 0.76%

LAB 81.98, -15.23, 4.45

 

CMYK 17 / 13 / 0 / 17

HEX #AFB9D4

RGB 175 185 212

HSL 223.78, 0.3%, 0.76%

LAB 75.18, 2.12, -14.74

 

CMYK 0 / 16 / 17 / 17

HEX #D4B3AF

RGB 212 179 175

HSL 6.49, 0.3%, 0.76%

LAB 75.66, 11.25, 6.46

 

CMYK 17 / 0 / 8 / 17

HEX #B0D4C3

RGB 176 212 195

HSL 151.67, 0.3%, 0.76%

LAB 81.98, -15.23, 4.45

 

CMYK 8 / 17 / 0 / 17

HEX #C2AFD4

RGB 194 175 212

HSL 270.81, 0.3%, 0.76%

LAB 74.11, 13.75, -16.19

 

CMYK 0 / 8 / 17 / 17

HEX #D4C2AF

RGB 212 194 175

HSL 30.81, 0.3%, 0.76%

LAB 79.43, 3.25, 11.85

 

CMYK 17 / 0 / 8 / 17

HEX #B0D4C3

RGB 176 212 195

HSL 151.67, 0.3%, 0.76%

LAB 81.98, -15.23, 4.45

 

CMYK 17 / 13 / 0 / 17

HEX #AFB9D4

RGB 175 185 212

HSL 223.78, 0.3%, 0.76%

LAB 75.18, 2.12, -14.74

 

CMYK 0 / 17 / 9 / 17

HEX #D4AFC1

RGB 212 175 193

HSL 330.81, 0.3%, 0.76%

LAB 75.14, 16.36, -4.11

 

CMYK 0 / 5 / 17 / 17

HEX #D4C9AF

RGB 212 201 175

HSL 42.16, 0.3%, 0.76%

LAB 81.22, -0.43, 14.37

 

CMYK 17 / 0 / 8 / 17

HEX #B0D4C3

RGB 176 212 195

HSL 151.67, 0.3%, 0.76%

LAB 81.98, -15.23, 4.45

 

CMYK 17 / 17 / 0 / 17

HEX #B0AFD4

RGB 176 175 212

HSL 241.62, 0.3%, 0.76%

LAB 72.66, 7.9, -18.54

 

CMYK 0 / 17 / 9 / 17

HEX #D4AFC1

RGB 212 175 193

HSL 330.81, 0.3%, 0.76%

LAB 75.14, 16.36, -4.11

 

CMYK 0 / 0 / 17 / 17

HEX #D3D4AF

RGB 211 212 175

HSL 61.62, 0.3%, 0.76%

LAB 83.98, -6.5, 18.23

 

Description

Color code: CMYK 17 / 0 / 8 / 17 | qconv.com Color code: CMYK 17 / 0 / 8 / 17 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 212 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 212 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 8 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 8% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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