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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 0 / 36 / 42 it is the complementary color CMYK 18 / 33 / 0 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 0 / 36 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 0 / 36 / 42: CMYK 14 / 0 / 39 / 42, CMYK 13 / 0 / 34 / 35, CMYK 12 / 0 / 30 / 28, CMYK 11 / 0 / 27 / 21 and CMYK 11 / 0 / 25 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 0 / 36 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 0 / 36 / 42: CMYK 17 / 0 / 36 / 42, CMYK 18 / 0 / 42 / 49, CMYK 21 / 0 / 49 / 56, CMYK 23 / 0 / 60 / 63 and CMYK 28 / 0 / 75 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 36 / 42

HEX #7B945F

RGB 123 148 95

HSL 88.3, 0.22%, 0.48%

LAB 58.24, -18.59, 25.2

 

Complementary color

CMYK 18 / 33 / 0 / 37

HEX #846BA0

RGB 132 107 160

HSL 268.3, 0.22%, 0.52%

LAB 49.45, 20.74, -24.96

 

CMYK 14 / 0 / 39 / 42

HEX #80945A

RGB 128 148 90

HSL 80.69, 0.24%, 0.47%

LAB 58.52, -17.31, 28.34

 

CMYK 13 / 0 / 34 / 35

HEX #91A66D

RGB 145 166 109

HSL 82.11, 0.24%, 0.54%

LAB 65.28, -17.34, 27.15

 

CMYK 12 / 0 / 30 / 28

HEX #A2B880

RGB 162 184 128

HSL 83.57, 0.28%, 0.61%

LAB 71.91, -17.36, 26.02

 

CMYK 11 / 0 / 27 / 21

HEX #B3CA93

RGB 179 202 147

HSL 85.09, 0.34%, 0.68%

LAB 78.42, -17.36, 24.96

 

CMYK 11 / 0 / 25 / 14

HEX #C4DCA6

RGB 196 220 166

HSL 86.67, 0.44%, 0.76%

LAB 84.83, -17.35, 23.95

 

CMYK 17 / 0 / 36 / 42

HEX #7B945F

RGB 123 148 95

HSL 88.3, 0.22%, 0.48%

LAB 58.24, -18.59, 25.2

 

CMYK 18 / 0 / 42 / 49

HEX #6A824C

RGB 106 130 76

HSL 86.67, 0.26%, 0.4%

LAB 51.33, -18.62, 26.42

 

CMYK 21 / 0 / 49 / 56

HEX #597039

RGB 89 112 57

HSL 85.09, 0.33%, 0.33%

LAB 44.24, -18.6, 27.71

 

CMYK 23 / 0 / 60 / 63

HEX #485E26

RGB 72 94 38

HSL 83.57, 0.42%, 0.26%

LAB 36.97, -18.5, 28.97

 

CMYK 28 / 0 / 75 / 70

HEX #374C13

RGB 55 76 19

HSL 82.11, 0.6%, 0.19%

LAB 29.48, -18.2, 29.9

 

CMYK 17 / 0 / 36 / 42

HEX #7B945F

RGB 123 148 95

HSL 88.3, 0.22%, 0.48%

LAB 58.24, -18.59, 25.2

 

CMYK 23 / 0 / 36 / 42

HEX #73955F

RGB 115 149 95

HSL 97.78, 0.22%, 0.48%

LAB 58, -22.17, 24.78

 

CMYK 29 / 0 / 36 / 42

HEX #6A955F

RGB 106 149 95

HSL 107.78, 0.22%, 0.48%

LAB 57.45, -25.49, 23.95

 

CMYK 35 / 0 / 36 / 42

HEX #61955F

RGB 97 149 95

HSL 117.78, 0.22%, 0.48%

LAB 56.94, -28.64, 23.18

 

CMYK 36 / 0 / 32 / 42

HEX #5F9566

RGB 95 149 102

HSL 127.78, 0.22%, 0.48%

LAB 56.97, -28.09, 19.32

 

CMYK 17 / 0 / 36 / 42

HEX #7B945F

RGB 123 148 95

HSL 88.3, 0.22%, 0.48%

LAB 58.24, -18.59, 25.2

 

CMYK 17 / 0 / 36 / 22

HEX #A5C780

RGB 165 199 128

HSL 88.73, 0.39%, 0.64%

LAB 76.32, -23.73, 31.91

 

CMYK 17 / 0 / 36 / 2

HEX #D0FAA0

RGB 208 250 160

HSL 88, 0.9%, 0.8%

LAB 93.59, -28.39, 38.85

 

CMYK 17 / 0 / 35 / 82

HEX #262E1E

RGB 38 46 30

HSL 90, 0.21%, 0.15%

LAB 17.74, -7.13, 9.21

 

CMYK 16 / 0 / 36 / 62

HEX #51613E

RGB 81 97 62

HSL 87.43, 0.22%, 0.31%

LAB 38.98, -13.05, 18

 

CMYK 17 / 0 / 36 / 42

HEX #7B945F

RGB 123 148 95

HSL 88.3, 0.22%, 0.48%

LAB 58.24, -18.59, 25.2

 

CMYK 36 / 0 / 12 / 42

HEX #5F9583

RGB 95 149 131

HSL 160, 0.22%, 0.48%

LAB 57.62, -22.13, 3.86

 

CMYK 0 / 36 / 3 / 42

HEX #955F91

RGB 149 95 145

HSL 304.44, 0.22%, 0.48%

LAB 47.78, 30.22, -18.51

 

CMYK 17 / 0 / 36 / 42

HEX #7B945F

RGB 123 148 95

HSL 88.3, 0.22%, 0.48%

LAB 58.24, -18.59, 25.2

 

CMYK 36 / 17 / 0 / 42

HEX #5F7C95

RGB 95 124 149

HSL 207.78, 0.22%, 0.48%

LAB 50.71, -3.89, -16.83

 

CMYK 0 / 36 / 17 / 42

HEX #955F7C

RGB 149 95 124

HSL 327.78, 0.22%, 0.48%

LAB 47.01, 26.41, -7.1

 

CMYK 17 / 0 / 36 / 42

HEX #7B945F

RGB 123 148 95

HSL 88.3, 0.22%, 0.48%

LAB 58.24, -18.59, 25.2

 

CMYK 36 / 0 / 12 / 42

HEX #5F9583

RGB 95 149 131

HSL 160, 0.22%, 0.48%

LAB 57.62, -22.13, 3.86

 

CMYK 19 / 36 / 0 / 42

HEX #785F95

RGB 120 95 149

HSL 267.78, 0.22%, 0.48%

LAB 44.73, 21.4, -25.86

 

CMYK 0 / 36 / 24 / 42

HEX #955F71

RGB 149 95 113

HSL 340, 0.22%, 0.48%

LAB 46.67, 24.62, -0.98

 

CMYK 17 / 0 / 36 / 42

HEX #7B945F

RGB 123 148 95

HSL 88.3, 0.22%, 0.48%

LAB 58.24, -18.59, 25.2

 

CMYK 36 / 0 / 1 / 42

HEX #5F9593

RGB 95 149 147

HSL 177.78, 0.22%, 0.48%

LAB 58.07, -18.28, -4.62

 

CMYK 19 / 36 / 0 / 42

HEX #785F95

RGB 120 95 149

HSL 267.78, 0.22%, 0.48%

LAB 44.73, 21.4, -25.86

 

CMYK 0 / 36 / 35 / 42

HEX #955F61

RGB 149 95 97

HSL 357.78, 0.22%, 0.48%

LAB 46.23, 22.3, 8.04

 

Description

Color code: CMYK 17 / 0 / 36 / 42 | qconv.com Color code: CMYK 17 / 0 / 36 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 148 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 148 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 36 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 36% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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