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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 59 / 0 / 22 it is the complementary color CMYK 49 / 0 / 68 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 59 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 59 / 0 / 22: CMYK 11 / 58 / 0 / 24, CMYK 11 / 53 / 0 / 16, CMYK 11 / 49 / 0 / 9, CMYK 11 / 46 / 0 / 2 and CMYK 6 / 40 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 59 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 59 / 0 / 22: CMYK 16 / 59 / 0 / 22, CMYK 17 / 64 / 0 / 29, CMYK 17 / 71 / 0 / 37, CMYK 18 / 80 / 0 / 44 and CMYK 20 / 92 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 59 / 0 / 22

HEX #A752C7

RGB 167 82 199

HSL 283.59, 0.51%, 0.55%

LAB 49.95, 53.37, -46.58

 

Complementary color

CMYK 49 / 0 / 68 / 32

HEX #58AD38

RGB 88 173 56

HSL 103.59, 0.51%, 0.45%

LAB 63.55, -47.06, 50.26

 

CMYK 11 / 58 / 0 / 24

HEX #AC52C2

RGB 172 82 194

HSL 288.21, 0.48%, 0.54%

LAB 50.33, 53.63, -43.03

 

CMYK 11 / 53 / 0 / 16

HEX #BD64D5

RGB 189 100 213

HSL 287.26, 0.57%, 0.61%

LAB 56.82, 53.02, -43.5

 

CMYK 11 / 49 / 0 / 9

HEX #CE76E8

RGB 206 118 232

HSL 286.32, 0.71%, 0.69%

LAB 63.26, 52.32, -43.85

 

CMYK 11 / 46 / 0 / 2

HEX #DF88FB

RGB 223 136 251

HSL 285.39, 0.93%, 0.76%

LAB 69.66, 51.57, -44.13

 

CMYK 6 / 40 / 0 / 0

HEX #F09AFF

RGB 240 154 255

HSL 291.09, 1%, 0.8%

LAB 75.36, 47.93, -37.26

 

CMYK 16 / 59 / 0 / 22

HEX #A752C7

RGB 167 82 199

HSL 283.59, 0.51%, 0.55%

LAB 49.95, 53.37, -46.58

 

CMYK 17 / 64 / 0 / 29

HEX #9640B4

RGB 150 64 180

HSL 284.48, 0.48%, 0.48%

LAB 43.43, 53.83, -46.05

 

CMYK 17 / 71 / 0 / 37

HEX #852EA1

RGB 133 46 161

HSL 285.39, 0.56%, 0.41%

LAB 36.96, 53.91, -45.25

 

CMYK 18 / 80 / 0 / 44

HEX #741C8E

RGB 116 28 142

HSL 286.32, 0.67%, 0.33%

LAB 30.63, 53.27, -43.98

 

CMYK 20 / 92 / 0 / 52

HEX #630A7B

RGB 99 10 123

HSL 287.26, 0.85%, 0.26%

LAB 24.64, 51.28, -41.9

 

CMYK 16 / 59 / 0 / 22

HEX #A752C7

RGB 167 82 199

HSL 283.59, 0.51%, 0.55%

LAB 49.95, 53.37, -46.58

 

CMYK 7 / 59 / 0 / 22

HEX #B951C6

RGB 185 81 198

HSL 293.33, 0.51%, 0.55%

LAB 52.15, 58.19, -42.35

 

CMYK 0 / 59 / 3 / 22

HEX #C651C0

RGB 198 81 192

HSL 303.08, 0.51%, 0.55%

LAB 53.7, 60.46, -36.33

 

CMYK 0 / 59 / 13 / 22

HEX #C651AD

RGB 198 81 173

HSL 312.82, 0.51%, 0.55%

LAB 52.85, 57.39, -26.64

 

CMYK 0 / 59 / 23 / 22

HEX #C65199

RGB 198 81 153

HSL 323.08, 0.51%, 0.55%

LAB 52.05, 54.44, -16.12

 

CMYK 16 / 59 / 0 / 22

HEX #A752C7

RGB 167 82 199

HSL 283.59, 0.51%, 0.55%

LAB 49.95, 53.37, -46.58

 

CMYK 16 / 59 / 0 / 2

HEX #D267FA

RGB 210 103 250

HSL 283.67, 0.94%, 0.69%

LAB 61.92, 64.21, -55.91

 

CMYK 15 / 59 / 0 / 82

HEX #27132E

RGB 39 19 46

HSL 284.44, 0.42%, 0.13%

LAB 9.75, 16.13, -14.02

 

CMYK 16 / 59 / 0 / 62

HEX #512861

RGB 81 40 97

HSL 283.16, 0.42%, 0.27%

LAB 24.1, 29.63, -26.15

 

CMYK 16 / 59 / 0 / 42

HEX #7C3D94

RGB 124 61 148

HSL 283.45, 0.42%, 0.41%

LAB 37.41, 41.93, -36.73

 

CMYK 16 / 59 / 0 / 22

HEX #A752C7

RGB 167 82 199

HSL 283.59, 0.51%, 0.55%

LAB 49.95, 53.37, -46.58

 

CMYK 0 / 59 / 54 / 22

HEX #C6515B

RGB 198 81 91

HSL 354.87, 0.51%, 0.55%

LAB 50.27, 47.52, 18.33

 

CMYK 59 / 0 / 40 / 22

HEX #51C676

RGB 81 198 118

HSL 138.97, 0.51%, 0.55%

LAB 71.86, -50.59, 30.48

 

CMYK 16 / 59 / 0 / 22

HEX #A752C7

RGB 167 82 199

HSL 283.59, 0.51%, 0.55%

LAB 49.95, 53.37, -46.58

 

CMYK 0 / 17 / 59 / 22

HEX #C6A551

RGB 198 165 81

HSL 43.08, 0.51%, 0.55%

LAB 69.12, 2.19, 47.29

 

CMYK 59 / 0 / 17 / 22

HEX #51C6A5

RGB 81 198 165

HSL 163.08, 0.51%, 0.55%

LAB 72.8, -40.88, 6.76

 

CMYK 16 / 59 / 0 / 22

HEX #A752C7

RGB 167 82 199

HSL 283.59, 0.51%, 0.55%

LAB 49.95, 53.37, -46.58

 

CMYK 0 / 59 / 54 / 22

HEX #C6515B

RGB 198 81 91

HSL 354.87, 0.51%, 0.55%

LAB 50.27, 47.52, 18.33

 

CMYK 42 / 0 / 59 / 22

HEX #72C651

RGB 114 198 81

HSL 103.08, 0.51%, 0.55%

LAB 72.6, -46.78, 49.75

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BD

RGB 81 198 189

HSL 175.38, 0.51%, 0.55%

LAB 73.42, -34.83, -5.35

 

CMYK 16 / 59 / 0 / 22

HEX #A752C7

RGB 167 82 199

HSL 283.59, 0.51%, 0.55%

LAB 49.95, 53.37, -46.58

 

CMYK 0 / 46 / 59 / 22

HEX #C66B51

RGB 198 107 81

HSL 13.33, 0.51%, 0.55%

LAB 55.19, 33.69, 30.55

 

CMYK 42 / 0 / 59 / 22

HEX #72C651

RGB 114 198 81

HSL 103.08, 0.51%, 0.55%

LAB 72.6, -46.78, 49.75

 

CMYK 59 / 13 / 0 / 22

HEX #51ADC6

RGB 81 173 198

HSL 192.82, 0.51%, 0.55%

LAB 66.3, -19.97, -20.99

 

Description

Color code: CMYK 16 / 59 / 0 / 22 | qconv.com Color code: CMYK 16 / 59 / 0 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 82 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 82 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 59 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 59% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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