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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 26 / 0 / 35 it is the complementary color CMYK 12 / 0 / 33 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 26 / 0 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 26 / 0 / 35: CMYK 11 / 24 / 0 / 37, CMYK 11 / 22 / 0 / 29, CMYK 11 / 20 / 0 / 22, CMYK 11 / 19 / 0 / 15 and CMYK 11 / 18 / 0 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 26 / 0 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 26 / 0 / 35: CMYK 16 / 26 / 0 / 35, CMYK 17 / 29 / 0 / 42, CMYK 18 / 32 / 0 / 50, CMYK 19 / 37 / 0 / 57 and CMYK 21 / 43 / 0 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 26 / 0 / 35

HEX #8B7BA6

RGB 139 123 166

HSL 262.33, 0.19%, 0.57%

LAB 54.46, 15, -20.68

 

Complementary color

CMYK 12 / 0 / 33 / 48

HEX #748459

RGB 116 132 89

HSL 82.33, 0.19%, 0.43%

LAB 52.88, -13.77, 21.34

 

CMYK 11 / 24 / 0 / 37

HEX #907BA1

RGB 144 123 161

HSL 273.16, 0.17%, 0.56%

LAB 54.73, 15.57, -17.34

 

CMYK 11 / 22 / 0 / 29

HEX #A18DB4

RGB 161 141 180

HSL 270.77, 0.21%, 0.63%

LAB 61.59, 15.07, -17.64

 

CMYK 11 / 20 / 0 / 22

HEX #B29FC7

RGB 178 159 199

HSL 268.5, 0.26%, 0.7%

LAB 68.3, 14.62, -17.96

 

CMYK 11 / 19 / 0 / 15

HEX #C3B1DA

RGB 195 177 218

HSL 266.34, 0.36%, 0.77%

LAB 74.89, 14.21, -18.28

 

CMYK 11 / 18 / 0 / 7

HEX #D4C3ED

RGB 212 195 237

HSL 264.29, 0.54%, 0.85%

LAB 81.37, 13.83, -18.61

 

CMYK 16 / 26 / 0 / 35

HEX #8B7BA6

RGB 139 123 166

HSL 262.33, 0.19%, 0.57%

LAB 54.46, 15, -20.68

 

CMYK 17 / 29 / 0 / 42

HEX #7A6993

RGB 122 105 147

HSL 264.29, 0.17%, 0.49%

LAB 47.43, 15.56, -20.48

 

CMYK 18 / 32 / 0 / 50

HEX #695780

RGB 105 87 128

HSL 266.34, 0.19%, 0.42%

LAB 40.21, 16.19, -20.31

 

CMYK 19 / 37 / 0 / 57

HEX #58456D

RGB 88 69 109

HSL 268.5, 0.22%, 0.35%

LAB 32.78, 16.91, -20.18

 

CMYK 21 / 43 / 0 / 65

HEX #47335A

RGB 71 51 90

HSL 270.77, 0.28%, 0.28%

LAB 25.09, 17.76, -20.09

 

CMYK 16 / 26 / 0 / 35

HEX #8B7BA6

RGB 139 123 166

HSL 262.33, 0.19%, 0.57%

LAB 54.46, 15, -20.68

 

CMYK 12 / 25 / 0 / 35

HEX #927CA6

RGB 146 124 166

HSL 271.43, 0.19%, 0.57%

LAB 55.36, 16.76, -19.25

 

CMYK 8 / 25 / 0 / 35

HEX #997CA6

RGB 153 124 166

HSL 281.43, 0.19%, 0.57%

LAB 56.03, 19.14, -18.17

 

CMYK 4 / 25 / 0 / 35

HEX #A07CA6

RGB 160 124 166

HSL 291.43, 0.19%, 0.57%

LAB 56.72, 21.53, -17.04

 

CMYK 0 / 25 / 1 / 35

HEX #A67CA4

RGB 166 124 164

HSL 302.86, 0.19%, 0.57%

LAB 57.27, 23.21, -15

 

CMYK 16 / 26 / 0 / 35

HEX #8B7BA6

RGB 139 123 166

HSL 262.33, 0.19%, 0.57%

LAB 54.46, 15, -20.68

 

CMYK 16 / 26 / 0 / 15

HEX #B6A1D9

RGB 182 161 217

HSL 262.5, 0.42%, 0.74%

LAB 69.79, 18.66, -25.61

 

CMYK 15 / 23 / 0 / 95

HEX #0B0A0D

RGB 11 10 13

HSL 260, 0.13%, 0.05%

LAB 2.87, 0.72, -1.14

 

CMYK 16 / 27 / 0 / 75

HEX #362F40

RGB 54 47 64

HSL 264.71, 0.15%, 0.22%

LAB 20.78, 7.23, -9.53

 

CMYK 17 / 26 / 0 / 55

HEX #605573

RGB 96 85 115

HSL 262, 0.15%, 0.39%

LAB 38.24, 11.11, -15.44

 

CMYK 16 / 26 / 0 / 35

HEX #8B7BA6

RGB 139 123 166

HSL 262.33, 0.19%, 0.57%

LAB 54.46, 15, -20.68

 

CMYK 0 / 25 / 14 / 35

HEX #A67C8E

RGB 166 124 142

HSL 334.29, 0.19%, 0.57%

LAB 56.56, 19.2, -3.35

 

CMYK 25 / 0 / 25 / 35

HEX #7DA67C

RGB 125 166 124

HSL 118.57, 0.19%, 0.57%

LAB 64.23, -22.37, 17.35

 

CMYK 16 / 26 / 0 / 35

HEX #8B7BA6

RGB 139 123 166

HSL 262.33, 0.19%, 0.57%

LAB 54.46, 15, -20.68

 

CMYK 0 / 16 / 25 / 35

HEX #A68B7C

RGB 166 139 124

HSL 21.43, 0.19%, 0.57%

LAB 59.91, 7.83, 11.82

 

CMYK 25 / 0 / 16 / 35

HEX #7CA68B

RGB 124 166 139

HSL 141.43, 0.19%, 0.57%

LAB 64.5, -19.9, 9.42

 

CMYK 16 / 26 / 0 / 35

HEX #8B7BA6

RGB 139 123 166

HSL 262.33, 0.19%, 0.57%

LAB 54.46, 15, -20.68

 

CMYK 0 / 25 / 14 / 35

HEX #A67C8E

RGB 166 124 142

HSL 334.29, 0.19%, 0.57%

LAB 56.56, 19.2, -3.35

 

CMYK 10 / 0 / 25 / 35

HEX #96A67C

RGB 150 166 124

HSL 82.86, 0.19%, 0.57%

LAB 65.91, -13.2, 19.93

 

CMYK 25 / 0 / 11 / 35

HEX #7CA694

RGB 124 166 148

HSL 154.29, 0.19%, 0.57%

LAB 64.72, -18.06, 4.72

 

CMYK 16 / 26 / 0 / 35

HEX #8B7BA6

RGB 139 123 166

HSL 262.33, 0.19%, 0.57%

LAB 54.46, 15, -20.68

 

CMYK 0 / 25 / 22 / 35

HEX #A67C82

RGB 166 124 130

HSL 351.43, 0.19%, 0.57%

LAB 56.22, 17.23, 3.11

 

CMYK 10 / 0 / 25 / 35

HEX #96A67C

RGB 150 166 124

HSL 82.86, 0.19%, 0.57%

LAB 65.91, -13.2, 19.93

 

CMYK 25 / 0 / 4 / 35

HEX #7CA6A0

RGB 124 166 160

HSL 171.43, 0.19%, 0.57%

LAB 65.04, -15.45, -1.52

 

Description

Color code: CMYK 16 / 26 / 0 / 35 | qconv.com Color code: CMYK 16 / 26 / 0 / 35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 123 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 123 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 26 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 26% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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