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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 74 / 0 / 65 it is the complementary color CMYK 23 / 0 / 28 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 74 / 0 / 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 74 / 0 / 65: CMYK 4 / 73 / 0 / 67, CMYK 5 / 60 / 0 / 60, CMYK 6 / 52 / 0 / 52, CMYK 6 / 45 / 0 / 45 and CMYK 7 / 41 / 0 / 37

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 74 / 0 / 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 74 / 0 / 65: CMYK 15 / 74 / 0 / 65, CMYK 16 / 93 / 0 / 73, CMYK 18 / 100 / 0 / 80, CMYK 22 / 100 / 0 / 87 and CMYK 38 / 100 / 0 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 74 / 0 / 65

HEX #4C1759

RGB 76 23 89

HSL 288.18, 0.59%, 0.22%

LAB 19.52, 35.37, -28.2

 

Complementary color

CMYK 23 / 0 / 28 / 9

HEX #B3E8A6

RGB 179 232 166

HSL 108.18, 0.59%, 0.78%

LAB 87.02, -29.1, 26.76

 

CMYK 4 / 73 / 0 / 67

HEX #511754

RGB 81 23 84

HSL 297.05, 0.57%, 0.21%

LAB 20.05, 35.62, -23.94

 

CMYK 5 / 60 / 0 / 60

HEX #622967

RGB 98 41 103

HSL 295.16, 0.43%, 0.28%

LAB 27.19, 35.47, -25

 

CMYK 6 / 52 / 0 / 52

HEX #733B7A

RGB 115 59 122

HSL 293.33, 0.35%, 0.35%

LAB 34.35, 34.82, -25.63

 

CMYK 6 / 45 / 0 / 45

HEX #844D8D

RGB 132 77 141

HSL 291.56, 0.29%, 0.43%

LAB 41.43, 34.04, -26.08

 

CMYK 7 / 41 / 0 / 37

HEX #955FA0

RGB 149 95 160

HSL 289.85, 0.25%, 0.5%

LAB 48.4, 33.23, -26.43

 

CMYK 15 / 74 / 0 / 65

HEX #4C1759

RGB 76 23 89

HSL 288.18, 0.59%, 0.22%

LAB 19.52, 35.37, -28.2

 

CMYK 16 / 93 / 0 / 73

HEX #3B0546

RGB 59 5 70

HSL 289.85, 0.87%, 0.15%

LAB 12.48, 34.59, -26.67

 

CMYK 18 / 100 / 0 / 80

HEX #2A0033

RGB 42 0 51

HSL 289.41, 1%, 0.1%

LAB 6.61, 29.42, -22.69

 

CMYK 22 / 100 / 0 / 87

HEX #190020

RGB 25 0 32

HSL 286.88, 1%, 0.06%

LAB 2.81, 15, -14.33

 

CMYK 38 / 100 / 0 / 95

HEX #08000D

RGB 8 0 13

HSL 276.92, 1%, 0.03%

LAB 0.73, 3.94, -4.28

 

CMYK 15 / 74 / 0 / 65

HEX #4C1759

RGB 76 23 89

HSL 288.18, 0.59%, 0.22%

LAB 19.52, 35.37, -28.2

 

CMYK 3 / 74 / 0 / 65

HEX #561759

RGB 86 23 89

HSL 297.27, 0.59%, 0.22%

LAB 21.25, 37.92, -25.33

 

CMYK 0 / 74 / 10 / 65

HEX #591750

RGB 89 23 80

HSL 308.18, 0.59%, 0.22%

LAB 21.27, 37.05, -19.23

 

CMYK 0 / 74 / 22 / 65

HEX #591745

RGB 89 23 69

HSL 318.18, 0.59%, 0.22%

LAB 20.7, 35.22, -12.63

 

CMYK 0 / 74 / 35 / 65

HEX #59173A

RGB 89 23 58

HSL 328.18, 0.59%, 0.22%

LAB 20.21, 33.6, -5.76

 

CMYK 15 / 74 / 0 / 65

HEX #4C1759

RGB 76 23 89

HSL 288.18, 0.59%, 0.22%

LAB 19.52, 35.37, -28.2

 

CMYK 14 / 74 / 0 / 45

HEX #78248C

RGB 120 36 140

HSL 288.46, 0.59%, 0.35%

LAB 32.14, 50.83, -40.28

 

CMYK 15 / 74 / 0 / 25

HEX #A331BF

RGB 163 49 191

HSL 288.17, 0.59%, 0.47%

LAB 43.86, 64.89, -51.69

 

CMYK 14 / 74 / 0 / 5

HEX #CF3FF2

RGB 207 63 242

HSL 288.27, 0.87%, 0.6%

LAB 55.31, 78.06, -62.07

 

CMYK 16 / 74 / 0 / 85

HEX #200A26

RGB 32 10 38

HSL 287.14, 0.58%, 0.09%

LAB 6, 16.68, -14

 

CMYK 15 / 74 / 0 / 65

HEX #4C1759

RGB 76 23 89

HSL 288.18, 0.59%, 0.22%

LAB 19.52, 35.37, -28.2

 

CMYK 0 / 74 / 74 / 65

HEX #591717

RGB 89 23 23

HSL 0, 0.59%, 0.22%

LAB 19.22, 30.16, 17.36

 

CMYK 74 / 0 / 45 / 65

HEX #175931

RGB 23 89 49

HSL 143.64, 0.59%, 0.22%

LAB 33.02, -30.7, 17.34

 

CMYK 15 / 74 / 0 / 65

HEX #4C1759

RGB 76 23 89

HSL 288.18, 0.59%, 0.22%

LAB 19.52, 35.37, -28.2

 

CMYK 0 / 16 / 74 / 65

HEX #594B17

RGB 89 75 23

HSL 47.27, 0.59%, 0.22%

LAB 32.3, -0.71, 31.89

 

CMYK 74 / 0 / 16 / 65

HEX #17594B

RGB 23 89 75

HSL 167.27, 0.59%, 0.22%

LAB 33.64, -24.19, 2.18

 

CMYK 15 / 74 / 0 / 65

HEX #4C1759

RGB 76 23 89

HSL 288.18, 0.59%, 0.22%

LAB 19.52, 35.37, -28.2

 

CMYK 0 / 74 / 74 / 65

HEX #591717

RGB 89 23 23

HSL 0, 0.59%, 0.22%

LAB 19.22, 30.16, 17.36

 

CMYK 60 / 0 / 74 / 65

HEX #245917

RGB 36 89 23

HSL 108.18, 0.59%, 0.22%

LAB 33.1, -31.35, 31.54

 

CMYK 74 / 0 / 0 / 65

HEX #175959

RGB 23 89 89

HSL 180, 0.59%, 0.22%

LAB 34.08, -19.83, -5.95

 

CMYK 15 / 74 / 0 / 65

HEX #4C1759

RGB 76 23 89

HSL 288.18, 0.59%, 0.22%

LAB 19.52, 35.37, -28.2

 

CMYK 0 / 53 / 74 / 65

HEX #592A17

RGB 89 42 23

HSL 17.27, 0.59%, 0.22%

LAB 23.14, 19.91, 21.97

 

CMYK 60 / 0 / 74 / 65

HEX #245917

RGB 36 89 23

HSL 108.18, 0.59%, 0.22%

LAB 33.1, -31.35, 31.54

 

CMYK 74 / 22 / 0 / 65

HEX #174559

RGB 23 69 89

HSL 198.18, 0.59%, 0.22%

LAB 27.18, -8.19, -16.44

 

Description

Color code: CMYK 15 / 74 / 0 / 65 | qconv.com Color code: CMYK 15 / 74 / 0 / 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 23 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 23 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 74 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 74% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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