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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 28 / 0 / 44 it is the complementary color CMYK 13 / 0 / 26 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 28 / 0 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 14 / 28 / 0 / 44: CMYK 7 / 25 / 0 / 46, CMYK 8 / 23 / 0 / 38, CMYK 8 / 21 / 0 / 31, CMYK 8 / 19 / 0 / 24 and CMYK 8 / 18 / 0 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 28 / 0 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 14 / 28 / 0 / 44: CMYK 14 / 28 / 0 / 44, CMYK 15 / 31 / 0 / 51, CMYK 15 / 36 / 0 / 59, CMYK 16 / 43 / 0 / 66 and CMYK 18 / 54 / 0 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 28 / 0 / 44

HEX #7B678F

RGB 123 103 143

HSL 270, 0.16%, 0.48%

LAB 46.84, 16.16, -19.01

 

Complementary color

CMYK 13 / 0 / 26 / 40

HEX #849870

RGB 132 152 112

HSL 90, 0.16%, 0.52%

LAB 60.37, -14.6, 18.76

 

CMYK 7 / 25 / 0 / 46

HEX #80678A

RGB 128 103 138

HSL 282.86, 0.15%, 0.47%

LAB 47.14, 16.78, -15.52

 

CMYK 8 / 23 / 0 / 38

HEX #91799D

RGB 145 121 157

HSL 280, 0.16%, 0.55%

LAB 54.16, 16.21, -15.87

 

CMYK 8 / 21 / 0 / 31

HEX #A28BB0

RGB 162 139 176

HSL 277.3, 0.19%, 0.62%

LAB 61.03, 15.7, -16.21

 

CMYK 8 / 19 / 0 / 24

HEX #B39DC3

RGB 179 157 195

HSL 274.74, 0.24%, 0.69%

LAB 67.75, 15.24, -16.56

 

CMYK 8 / 18 / 0 / 16

HEX #C4AFD6

RGB 196 175 214

HSL 272.31, 0.32%, 0.76%

LAB 74.35, 14.81, -16.91

 

CMYK 14 / 28 / 0 / 44

HEX #7B678F

RGB 123 103 143

HSL 270, 0.16%, 0.48%

LAB 46.84, 16.16, -19.01

 

CMYK 15 / 31 / 0 / 51

HEX #6A557C

RGB 106 85 124

HSL 272.31, 0.19%, 0.41%

LAB 39.61, 16.8, -18.79

 

CMYK 15 / 36 / 0 / 59

HEX #594369

RGB 89 67 105

HSL 274.74, 0.22%, 0.34%

LAB 32.16, 17.53, -18.59

 

CMYK 16 / 43 / 0 / 66

HEX #483156

RGB 72 49 86

HSL 277.3, 0.27%, 0.26%

LAB 24.47, 18.38, -18.42

 

CMYK 18 / 54 / 0 / 74

HEX #371F43

RGB 55 31 67

HSL 280, 0.37%, 0.19%

LAB 16.49, 19.34, -18.23

 

CMYK 14 / 28 / 0 / 44

HEX #7B678F

RGB 123 103 143

HSL 270, 0.16%, 0.48%

LAB 46.84, 16.16, -19.01

 

CMYK 9 / 28 / 0 / 45

HEX #80668D

RGB 128 102 141

HSL 280, 0.16%, 0.48%

LAB 46.99, 18.04, -17.53

 

CMYK 4 / 28 / 0 / 45

HEX #87668D

RGB 135 102 141

HSL 290.77, 0.16%, 0.48%

LAB 47.72, 20.49, -16.35

 

CMYK 0 / 28 / 0 / 45

HEX #8D668D

RGB 141 102 141

HSL 300, 0.16%, 0.48%

LAB 48.37, 22.6, -15.31

 

CMYK 0 / 28 / 4 / 45

HEX #8D6687

RGB 141 102 135

HSL 309.23, 0.16%, 0.48%

LAB 48.15, 21.42, -12.07

 

CMYK 14 / 28 / 0 / 44

HEX #7B678F

RGB 123 103 143

HSL 270, 0.16%, 0.48%

LAB 46.84, 16.16, -19.01

 

CMYK 14 / 28 / 0 / 24

HEX #A78CC2

RGB 167 140 194

HSL 270, 0.31%, 0.65%

LAB 62.39, 20.65, -24.26

 

CMYK 14 / 28 / 0 / 4

HEX #D3B0F5

RGB 211 176 245

HSL 270.43, 0.78%, 0.83%

LAB 76.98, 25.45, -29.61

 

CMYK 15 / 27 / 0 / 84

HEX #231E29

RGB 35 30 41

HSL 267.27, 0.15%, 0.14%

LAB 12.26, 5.19, -6.52

 

CMYK 14 / 28 / 0 / 64

HEX #4F425C

RGB 79 66 92

HSL 270, 0.16%, 0.31%

LAB 30.23, 11.34, -13.36

 

CMYK 14 / 28 / 0 / 44

HEX #7B678F

RGB 123 103 143

HSL 270, 0.16%, 0.48%

LAB 46.84, 16.16, -19.01

 

CMYK 0 / 28 / 19 / 45

HEX #8D6672

RGB 141 102 114

HSL 341.54, 0.16%, 0.48%

LAB 47.47, 17.61, -0.52

 

CMYK 28 / 0 / 25 / 45

HEX #668D6A

RGB 102 141 106

HSL 126.15, 0.16%, 0.48%

LAB 54.98, -20.95, 14.42

 

CMYK 14 / 28 / 0 / 44

HEX #7B678F

RGB 123 103 143

HSL 270, 0.16%, 0.48%

LAB 46.84, 16.16, -19.01

 

CMYK 0 / 13 / 28 / 45

HEX #8D7A66

RGB 141 122 102

HSL 30.77, 0.16%, 0.48%

LAB 52.44, 4.07, 13.66

 

CMYK 28 / 0 / 13 / 45

HEX #668D7A

RGB 102 141 122

HSL 150.77, 0.16%, 0.48%

LAB 55.36, -17.73, 5.8

 

CMYK 14 / 28 / 0 / 44

HEX #7B678F

RGB 123 103 143

HSL 270, 0.16%, 0.48%

LAB 46.84, 16.16, -19.01

 

CMYK 0 / 28 / 19 / 45

HEX #8D6672

RGB 141 102 114

HSL 341.54, 0.16%, 0.48%

LAB 47.47, 17.61, -0.52

 

CMYK 13 / 0 / 28 / 45

HEX #7A8D66

RGB 122 141 102

HSL 89.23, 0.16%, 0.48%

LAB 56.23, -14.21, 18.61

 

CMYK 28 / 0 / 8 / 45

HEX #668D82

RGB 102 141 130

HSL 163.08, 0.16%, 0.48%

LAB 55.57, -15.96, 1.5

 

CMYK 14 / 28 / 0 / 44

HEX #7B678F

RGB 123 103 143

HSL 270, 0.16%, 0.48%

LAB 46.84, 16.16, -19.01

 

CMYK 0 / 28 / 28 / 45

HEX #8D6666

RGB 141 102 102

HSL 0, 0.16%, 0.48%

LAB 47.14, 15.7, 6.2

 

CMYK 13 / 0 / 28 / 45

HEX #7A8D66

RGB 122 141 102

HSL 89.23, 0.16%, 0.48%

LAB 56.23, -14.21, 18.61

 

CMYK 28 / 0 / 0 / 45

HEX #668D8D

RGB 102 141 141

HSL 180, 0.16%, 0.48%

LAB 55.88, -13.39, -4.37

 

Description

Color code: CMYK 14 / 28 / 0 / 44 | qconv.com Color code: CMYK 14 / 28 / 0 / 44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 103 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 103 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 28 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 28% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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