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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 0 / 8 / 49 it is the complementary color CMYK 0 / 13 / 6 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 0 / 8 / 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 14 / 0 / 8 / 49: CMYK 10 / 0 / 12 / 49, CMYK 9 / 0 / 9 / 42, CMYK 9 / 0 / 8 / 35, CMYK 9 / 0 / 7 / 28 and CMYK 8 / 0 / 5 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 0 / 8 / 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 14 / 0 / 8 / 49: CMYK 14 / 0 / 8 / 49, CMYK 15 / 0 / 10 / 56, CMYK 17 / 0 / 13 / 63, CMYK 20 / 0 / 17 / 70 and CMYK 24 / 0 / 24 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 8 / 49

HEX #708278

RGB 112 130 120

HSL 146.67, 0.07%, 0.47%

LAB 52.69, -8.67, 3.2

 

Complementary color

CMYK 0 / 13 / 6 / 44

HEX #8F7D87

RGB 143 125 135

HSL 326.67, 0.07%, 0.53%

LAB 54.3, 8.73, -2.88

 

CMYK 10 / 0 / 12 / 49

HEX #758273

RGB 117 130 115

HSL 112, 0.06%, 0.48%

LAB 52.93, -7.81, 6.5

 

CMYK 9 / 0 / 9 / 42

HEX #869486

RGB 134 148 134

HSL 120, 0.06%, 0.55%

LAB 59.86, -7.81, 5.69

 

CMYK 9 / 0 / 8 / 35

HEX #97A699

RGB 151 166 153

HSL 128, 0.08%, 0.62%

LAB 66.64, -7.82, 4.92

 

CMYK 9 / 0 / 7 / 28

HEX #A8B8AC

RGB 168 184 172

HSL 135, 0.1%, 0.69%

LAB 73.28, -7.83, 4.2

 

CMYK 8 / 0 / 5 / 21

HEX #B9CABF

RGB 185 202 191

HSL 141.18, 0.14%, 0.76%

LAB 79.79, -7.85, 3.51

 

CMYK 14 / 0 / 8 / 49

HEX #708278

RGB 112 130 120

HSL 146.67, 0.07%, 0.47%

LAB 52.69, -8.67, 3.2

 

CMYK 15 / 0 / 10 / 56

HEX #5F7065

RGB 95 112 101

HSL 141.18, 0.08%, 0.41%

LAB 45.58, -8.73, 3.99

 

CMYK 17 / 0 / 13 / 63

HEX #4E5E52

RGB 78 94 82

HSL 135, 0.09%, 0.34%

LAB 38.26, -8.82, 4.84

 

CMYK 20 / 0 / 17 / 70

HEX #3D4C3F

RGB 61 76 63

HSL 128, 0.11%, 0.27%

LAB 30.69, -8.95, 5.78

 

CMYK 24 / 0 / 24 / 77

HEX #2C3A2C

RGB 44 58 44

HSL 120, 0.14%, 0.2%

LAB 22.8, -9.13, 6.86

 

CMYK 14 / 0 / 8 / 49

HEX #708278

RGB 112 130 120

HSL 146.67, 0.07%, 0.47%

LAB 52.69, -8.67, 3.2

 

CMYK 13 / 0 / 5 / 50

HEX #6F8079

RGB 111 128 121

HSL 155.29, 0.07%, 0.47%

LAB 52.06, -7.7, 1.69

 

CMYK 13 / 0 / 3 / 50

HEX #6F807C

RGB 111 128 124

HSL 165.88, 0.07%, 0.47%

LAB 52.14, -7.06, 0.06

 

CMYK 13 / 0 / 1 / 50

HEX #6F807F

RGB 111 128 127

HSL 176.47, 0.07%, 0.47%

LAB 52.23, -6.41, -1.56

 

CMYK 13 / 2 / 0 / 50

HEX #6F7E80

RGB 111 126 128

HSL 187.06, 0.07%, 0.47%

LAB 51.68, -5.05, -2.96

 

CMYK 14 / 0 / 8 / 49

HEX #708278

RGB 112 130 120

HSL 146.67, 0.07%, 0.47%

LAB 52.69, -8.67, 3.2

 

CMYK 14 / 0 / 8 / 29

HEX #9CB5A7

RGB 156 181 167

HSL 146.4, 0.14%, 0.66%

LAB 71.49, -11.35, 4.25

 

CMYK 14 / 0 / 8 / 9

HEX #C8E8D6

RGB 200 232 214

HSL 146.25, 0.41%, 0.85%

LAB 89.32, -13.88, 5.23

 

CMYK 14 / 0 / 7 / 89

HEX #181C1A

RGB 24 28 26

HSL 150, 0.08%, 0.1%

LAB 9.79, -2.41, 0.74

 

CMYK 14 / 0 / 8 / 69

HEX #444F49

RGB 68 79 73

HSL 147.27, 0.07%, 0.29%

LAB 32.48, -5.76, 2.06

 

CMYK 14 / 0 / 8 / 49

HEX #708278

RGB 112 130 120

HSL 146.67, 0.07%, 0.47%

LAB 52.69, -8.67, 3.2

 

CMYK 13 / 9 / 0 / 50

HEX #6F7580

RGB 111 117 128

HSL 218.82, 0.07%, 0.47%

LAB 49.08, 0.15, -6.81

 

CMYK 0 / 13 / 13 / 50

HEX #80706F

RGB 128 112 111

HSL 3.53, 0.07%, 0.47%

LAB 48.67, 6.06, 2.84

 

CMYK 14 / 0 / 8 / 49

HEX #708278

RGB 112 130 120

HSL 146.67, 0.07%, 0.47%

LAB 52.69, -8.67, 3.2

 

CMYK 8 / 13 / 0 / 50

HEX #766F80

RGB 118 111 128

HSL 264.71, 0.07%, 0.47%

LAB 47.98, 6.22, -8.39

 

CMYK 0 / 8 / 13 / 50

HEX #80766F

RGB 128 118 111

HSL 24.71, 0.07%, 0.47%

LAB 50.33, 2.56, 5.23

 

CMYK 14 / 0 / 8 / 49

HEX #708278

RGB 112 130 120

HSL 146.67, 0.07%, 0.47%

LAB 52.69, -8.67, 3.2

 

CMYK 13 / 9 / 0 / 50

HEX #6F7580

RGB 111 117 128

HSL 218.82, 0.07%, 0.47%

LAB 49.08, 0.15, -6.81

 

CMYK 0 / 13 / 6 / 50

HEX #806F78

RGB 128 111 120

HSL 328.24, 0.07%, 0.47%

LAB 48.65, 8.33, -2.53

 

CMYK 0 / 5 / 13 / 50

HEX #807A6F

RGB 128 122 111

HSL 38.82, 0.07%, 0.47%

LAB 51.45, 0.25, 6.83

 

CMYK 14 / 0 / 8 / 49

HEX #708278

RGB 112 130 120

HSL 146.67, 0.07%, 0.47%

LAB 52.69, -8.67, 3.2

 

CMYK 13 / 13 / 0 / 50

HEX #6F7080

RGB 111 112 128

HSL 236.47, 0.07%, 0.47%

LAB 47.66, 3.1, -8.93

 

CMYK 0 / 13 / 6 / 50

HEX #806F78

RGB 128 111 120

HSL 328.24, 0.07%, 0.47%

LAB 48.65, 8.33, -2.53

 

CMYK 0 / 1 / 13 / 50

HEX #807F6F

RGB 128 127 111

HSL 56.47, 0.07%, 0.47%

LAB 52.86, -2.61, 8.84

 

Description

Color code: CMYK 14 / 0 / 8 / 49 | qconv.com Color code: CMYK 14 / 0 / 8 / 49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 130 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 130 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 8 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 8% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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