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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 0 / 22 / 50 it is the complementary color CMYK 7 / 19 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 0 / 22 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 14 / 0 / 22 / 50: CMYK 10 / 0 / 27 / 50, CMYK 10 / 0 / 23 / 43, CMYK 9 / 0 / 20 / 36, CMYK 9 / 0 / 17 / 29 and CMYK 9 / 0 / 15 / 22

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 0 / 22 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 14 / 0 / 22 / 50: CMYK 14 / 0 / 23 / 50, CMYK 15 / 0 / 27 / 57, CMYK 17 / 0 / 34 / 64, CMYK 20 / 0 / 43 / 71 and CMYK 25 / 0 / 59 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 22 / 50

HEX #6E8063

RGB 110 128 99

HSL 97.24, 0.13%, 0.45%

LAB 51.44, -12.34, 13.6

 

Complementary color

CMYK 7 / 19 / 0 / 39

HEX #917F9C

RGB 145 127 156

HSL 277.24, 0.13%, 0.55%

LAB 55.68, 12.51, -12.99

 

CMYK 10 / 0 / 27 / 50

HEX #73805E

RGB 115 128 94

HSL 82.94, 0.15%, 0.44%

LAB 51.71, -11.21, 16.91

 

CMYK 10 / 0 / 23 / 43

HEX #849271

RGB 132 146 113

HSL 85.45, 0.13%, 0.51%

LAB 58.65, -11.23, 15.85

 

CMYK 9 / 0 / 20 / 36

HEX #95A484

RGB 149 164 132

HSL 88.13, 0.15%, 0.58%

LAB 65.44, -11.23, 14.86

 

CMYK 9 / 0 / 17 / 29

HEX #A6B697

RGB 166 182 151

HSL 90.97, 0.18%, 0.65%

LAB 72.09, -11.24, 13.94

 

CMYK 9 / 0 / 15 / 22

HEX #B7C8AA

RGB 183 200 170

HSL 94, 0.21%, 0.73%

LAB 78.62, -11.25, 13.07

 

CMYK 14 / 0 / 23 / 50

HEX #6E8063

RGB 110 128 99

HSL 97.24, 0.13%, 0.45%

LAB 51.44, -12.34, 13.6

 

CMYK 15 / 0 / 27 / 57

HEX #5D6E50

RGB 93 110 80

HSL 94, 0.16%, 0.37%

LAB 44.32, -12.41, 14.69

 

CMYK 17 / 0 / 34 / 64

HEX #4C5C3D

RGB 76 92 61

HSL 90.97, 0.2%, 0.3%

LAB 36.98, -12.49, 15.88

 

CMYK 20 / 0 / 43 / 71

HEX #3B4A2A

RGB 59 74 42

HSL 88.13, 0.28%, 0.23%

LAB 29.4, -12.55, 17.19

 

CMYK 25 / 0 / 59 / 78

HEX #2A3817

RGB 42 56 23

HSL 85.45, 0.42%, 0.15%

LAB 21.51, -12.54, 18.61

 

CMYK 14 / 0 / 23 / 50

HEX #6E8063

RGB 110 128 99

HSL 97.24, 0.13%, 0.45%

LAB 51.44, -12.34, 13.6

 

CMYK 18 / 0 / 23 / 49

HEX #6A8163

RGB 106 129 99

HSL 106, 0.13%, 0.45%

LAB 51.46, -14.42, 13.58

 

CMYK 22 / 0 / 23 / 49

HEX #658163

RGB 101 129 99

HSL 116, 0.13%, 0.45%

LAB 51.12, -16.3, 13.05

 

CMYK 23 / 0 / 20 / 49

HEX #638167

RGB 99 129 103

HSL 128, 0.13%, 0.45%

LAB 51.07, -16.27, 10.66

 

CMYK 23 / 0 / 16 / 49

HEX #63816C

RGB 99 129 108

HSL 138, 0.13%, 0.45%

LAB 51.19, -15.27, 7.92

 

CMYK 14 / 0 / 23 / 50

HEX #6E8063

RGB 110 128 99

HSL 97.24, 0.13%, 0.45%

LAB 51.44, -12.34, 13.6

 

CMYK 14 / 0 / 23 / 30

HEX #9AB38A

RGB 154 179 138

HSL 96.59, 0.21%, 0.62%

LAB 70.14, -16.23, 18.15

 

CMYK 14 / 0 / 23 / 10

HEX #C6E6B2

RGB 198 230 178

HSL 96.92, 0.51%, 0.8%

LAB 87.88, -19.74, 21.93

 

CMYK 15 / 0 / 23 / 90

HEX #161A14

RGB 22 26 20

HSL 100, 0.13%, 0.09%

LAB 8.65, -3.44, 3.42

 

CMYK 14 / 0 / 22 / 70

HEX #424D3C

RGB 66 77 60

HSL 98.82, 0.12%, 0.27%

LAB 31.33, -8.11, 8.65

 

CMYK 14 / 0 / 23 / 50

HEX #6E8063

RGB 110 128 99

HSL 97.24, 0.13%, 0.45%

LAB 51.44, -12.34, 13.6

 

CMYK 23 / 0 / 4 / 49

HEX #63817C

RGB 99 129 124

HSL 170, 0.13%, 0.45%

LAB 51.62, -11.79, -0.8

 

CMYK 0 / 23 / 5 / 49

HEX #81637B

RGB 129 99 123

HSL 312, 0.13%, 0.45%

LAB 45.66, 16.42, -8.75

 

CMYK 14 / 0 / 23 / 50

HEX #6E8063

RGB 110 128 99

HSL 97.24, 0.13%, 0.45%

LAB 51.44, -12.34, 13.6

 

CMYK 23 / 14 / 0 / 49

HEX #636F81

RGB 99 111 129

HSL 216, 0.13%, 0.45%

LAB 46.45, -0.25, -11.43

 

CMYK 0 / 23 / 14 / 49

HEX #81636F

RGB 129 99 111

HSL 336, 0.13%, 0.45%

LAB 45.27, 14.16, -2.09

 

CMYK 14 / 0 / 23 / 50

HEX #6E8063

RGB 110 128 99

HSL 97.24, 0.13%, 0.45%

LAB 51.44, -12.34, 13.6

 

CMYK 23 / 0 / 4 / 49

HEX #63817C

RGB 99 129 124

HSL 170, 0.13%, 0.45%

LAB 51.62, -11.79, -0.8

 

CMYK 9 / 23 / 0 / 49

HEX #766381

RGB 118 99 129

HSL 278, 0.13%, 0.45%

LAB 44.75, 13.64, -13.86

 

CMYK 0 / 23 / 19 / 49

HEX #816369

RGB 129 99 105

HSL 348, 0.13%, 0.45%

LAB 45.1, 13.1, 1.27

 

CMYK 14 / 0 / 23 / 50

HEX #6E8063

RGB 110 128 99

HSL 97.24, 0.13%, 0.45%

LAB 51.44, -12.34, 13.6

 

CMYK 23 / 2 / 0 / 49

HEX #637E81

RGB 99 126 129

HSL 186, 0.13%, 0.45%

LAB 50.87, -8.93, -4.83

 

CMYK 9 / 23 / 0 / 49

HEX #766381

RGB 118 99 129

HSL 278, 0.13%, 0.45%

LAB 44.75, 13.64, -13.86

 

CMYK 0 / 20 / 23 / 49

HEX #816763

RGB 129 103 99

HSL 8, 0.13%, 0.45%

LAB 46, 9.73, 6.19

 

Description

Color code: CMYK 14 / 0 / 22 / 50 | qconv.com Color code: CMYK 14 / 0 / 22 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 128 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 128 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 22 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 22% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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