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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 63 / 0 / 68 it is the complementary color CMYK 18 / 0 / 23 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 63 / 0 / 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 13 / 63 / 0 / 68: CMYK 1 / 61 / 0 / 70, CMYK 3 / 50 / 0 / 62, CMYK 4 / 43 / 0 / 55, CMYK 5 / 37 / 0 / 47 and CMYK 6 / 33 / 0 / 40

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 63 / 0 / 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 13 / 63 / 0 / 68: CMYK 13 / 63 / 0 / 68, CMYK 14 / 81 / 0 / 75, CMYK 16 / 100 / 0 / 83, CMYK 20 / 100 / 0 / 90 and CMYK 50 / 100 / 0 / 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 63 / 0 / 68

HEX #471E52

RGB 71 30 82

HSL 287.31, 0.46%, 0.22%

LAB 19.55, 28.81, -23.5

 

Complementary color

CMYK 18 / 0 / 23 / 12

HEX #B8E1AD

RGB 184 225 173

HSL 107.31, 0.46%, 0.78%

LAB 85.53, -22.93, 21.15

 

CMYK 1 / 61 / 0 / 70

HEX #4C1E4D

RGB 76 30 77

HSL 298.72, 0.44%, 0.21%

LAB 20.05, 29.24, -19.28

 

CMYK 3 / 50 / 0 / 62

HEX #5D3060

RGB 93 48 96

HSL 296.25, 0.33%, 0.28%

LAB 27.53, 28.54, -19.98

 

CMYK 4 / 43 / 0 / 55

HEX #6E4273

RGB 110 66 115

HSL 293.88, 0.27%, 0.35%

LAB 34.9, 27.7, -20.45

 

CMYK 5 / 37 / 0 / 47

HEX #7F5486

RGB 127 84 134

HSL 291.6, 0.23%, 0.43%

LAB 42.11, 26.88, -20.83

 

CMYK 6 / 33 / 0 / 40

HEX #906699

RGB 144 102 153

HSL 289.41, 0.2%, 0.5%

LAB 49.17, 26.11, -21.16

 

CMYK 13 / 63 / 0 / 68

HEX #471E52

RGB 71 30 82

HSL 287.31, 0.46%, 0.22%

LAB 19.55, 28.81, -23.5

 

CMYK 14 / 81 / 0 / 75

HEX #360C3F

RGB 54 12 63

HSL 289.41, 0.68%, 0.15%

LAB 12, 29, -22.57

 

CMYK 16 / 100 / 0 / 83

HEX #25002C

RGB 37 0 44

HSL 290.45, 1%, 0.09%

LAB 5.2, 25.63, -19.76

 

CMYK 20 / 100 / 0 / 90

HEX #140019

RGB 20 0 25

HSL 288, 1%, 0.05%

LAB 1.98, 10.48, -10

 

CMYK 50 / 100 / 0 / 98

HEX #030006

RGB 3 0 6

HSL 270, 1%, 0.01%

LAB 0.29, 1.62, -1.99

 

CMYK 13 / 63 / 0 / 68

HEX #471E52

RGB 71 30 82

HSL 287.31, 0.46%, 0.22%

LAB 19.55, 28.81, -23.5

 

CMYK 2 / 63 / 0 / 68

HEX #4F1E51

RGB 79 30 81

HSL 297.65, 0.46%, 0.22%

LAB 20.77, 31, -20.81

 

CMYK 0 / 63 / 7 / 68

HEX #511E4B

RGB 81 30 75

HSL 307.06, 0.46%, 0.22%

LAB 20.77, 30.42, -16.72

 

CMYK 0 / 63 / 17 / 68

HEX #511E43

RGB 81 30 67

HSL 316.47, 0.46%, 0.22%

LAB 20.37, 28.94, -11.88

 

CMYK 0 / 63 / 28 / 68

HEX #511E3A

RGB 81 30 58

HSL 327.06, 0.46%, 0.22%

LAB 19.98, 27.42, -6.26

 

CMYK 13 / 63 / 0 / 68

HEX #471E52

RGB 71 30 82

HSL 287.31, 0.46%, 0.22%

LAB 19.55, 28.81, -23.5

 

CMYK 14 / 63 / 0 / 48

HEX #733185

RGB 115 49 133

HSL 287.14, 0.46%, 0.36%

LAB 32.99, 42.42, -34.62

 

CMYK 14 / 64 / 0 / 28

HEX #9F43B8

RGB 159 67 184

HSL 287.18, 0.47%, 0.49%

LAB 45.42, 55.42, -45.14

 

CMYK 14 / 63 / 0 / 8

HEX #CB56EB

RGB 203 86 235

HSL 287.11, 0.79%, 0.63%

LAB 57.42, 67.25, -54.81

 

CMYK 13 / 65 / 0 / 88

HEX #1B0B1F

RGB 27 11 31

HSL 288, 0.48%, 0.08%

LAB 5.16, 11.31, -9.96

 

CMYK 13 / 63 / 0 / 68

HEX #471E52

RGB 71 30 82

HSL 287.31, 0.46%, 0.22%

LAB 19.55, 28.81, -23.5

 

CMYK 0 / 63 / 62 / 68

HEX #511E1F

RGB 81 30 31

HSL 358.82, 0.46%, 0.22%

LAB 19.13, 24.02, 11.41

 

CMYK 63 / 0 / 38 / 68

HEX #1E5132

RGB 30 81 50

HSL 143.53, 0.46%, 0.22%

LAB 30.38, -25.22, 13.27

 

CMYK 13 / 63 / 0 / 68

HEX #471E52

RGB 71 30 82

HSL 287.31, 0.46%, 0.22%

LAB 19.55, 28.81, -23.5

 

CMYK 0 / 14 / 63 / 68

HEX #51461E

RGB 81 70 30

HSL 47.06, 0.46%, 0.22%

LAB 29.97, -1.09, 25.43

 

CMYK 63 / 0 / 14 / 68

HEX #1E5146

RGB 30 81 70

HSL 167.06, 0.46%, 0.22%

LAB 30.89, -20.1, 1.38

 

CMYK 13 / 63 / 0 / 68

HEX #471E52

RGB 71 30 82

HSL 287.31, 0.46%, 0.22%

LAB 19.55, 28.81, -23.5

 

CMYK 0 / 63 / 62 / 68

HEX #511E1F

RGB 81 30 31

HSL 358.82, 0.46%, 0.22%

LAB 19.13, 24.02, 11.41

 

CMYK 49 / 0 / 63 / 68

HEX #29511E

RGB 41 81 30

HSL 107.06, 0.46%, 0.22%

LAB 30.52, -25.29, 25.26

 

CMYK 63 / 0 / 0 / 68

HEX #1E5151

RGB 30 81 81

HSL 180, 0.46%, 0.22%

LAB 31.24, -16.75, -5.11

 

CMYK 13 / 63 / 0 / 68

HEX #471E52

RGB 71 30 82

HSL 287.31, 0.46%, 0.22%

LAB 19.55, 28.81, -23.5

 

CMYK 0 / 46 / 63 / 68

HEX #512C1E

RGB 81 44 30

HSL 16.47, 0.46%, 0.22%

LAB 22.46, 15.49, 16.39

 

CMYK 49 / 0 / 63 / 68

HEX #29511E

RGB 41 81 30

HSL 107.06, 0.46%, 0.22%

LAB 30.52, -25.29, 25.26

 

CMYK 63 / 17 / 0 / 68

HEX #1E4351

RGB 30 67 81

HSL 196.47, 0.46%, 0.22%

LAB 26.4, -8.45, -12.42

 

Description

Color code: CMYK 13 / 63 / 0 / 68 | qconv.com Color code: CMYK 13 / 63 / 0 / 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 30 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 30 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 63 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 63% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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