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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 12 / 51 / 0 / 64 it is the complementary color CMYK 17 / 0 / 22 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 12 / 51 / 0 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 12 / 51 / 0 / 64: CMYK 1 / 48 / 0 / 66, CMYK 3 / 41 / 0 / 58, CMYK 4 / 35 / 0 / 51, CMYK 5 / 31 / 0 / 44 and CMYK 6 / 28 / 0 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 12 / 51 / 0 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 12 / 51 / 0 / 64: CMYK 12 / 51 / 0 / 64, CMYK 12 / 63 / 0 / 71, CMYK 13 / 83 / 0 / 79, CMYK 14 / 100 / 0 / 86 and CMYK 19 / 100 / 0 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 51 / 0 / 64

HEX #512D5C

RGB 81 45 92

HSL 285.96, 0.34%, 0.27%

LAB 24.95, 25.46, -21.53

 

Complementary color

CMYK 17 / 0 / 22 / 18

HEX #AED2A3

RGB 174 210 163

HSL 105.96, 0.34%, 0.73%

LAB 80.59, -20.64, 19.45

 

CMYK 1 / 48 / 0 / 66

HEX #562D57

RGB 86 45 87

HSL 298.57, 0.32%, 0.26%

LAB 25.39, 26.02, -17.5

 

CMYK 3 / 41 / 0 / 58

HEX #673F6A

RGB 103 63 106

HSL 295.81, 0.25%, 0.33%

LAB 32.87, 25.16, -17.99

 

CMYK 4 / 35 / 0 / 51

HEX #78517D

RGB 120 81 125

HSL 293.18, 0.21%, 0.4%

LAB 40.18, 24.34, -18.39

 

CMYK 5 / 31 / 0 / 44

HEX #896390

RGB 137 99 144

HSL 290.67, 0.19%, 0.48%

LAB 47.31, 23.58, -18.75

 

CMYK 6 / 28 / 0 / 36

HEX #9A75A3

RGB 154 117 163

HSL 288.26, 0.2%, 0.55%

LAB 54.28, 22.89, -19.09

 

CMYK 12 / 51 / 0 / 64

HEX #512D5C

RGB 81 45 92

HSL 285.96, 0.34%, 0.27%

LAB 24.95, 25.46, -21.53

 

CMYK 12 / 63 / 0 / 71

HEX #401B49

RGB 64 27 73

HSL 288.26, 0.46%, 0.2%

LAB 17.25, 26.28, -21.09

 

CMYK 13 / 83 / 0 / 79

HEX #2F0936

RGB 47 9 54

HSL 290.67, 0.71%, 0.12%

LAB 9.53, 26.5, -20.14

 

CMYK 14 / 100 / 0 / 86

HEX #1E0023

RGB 30 0 35

HSL 291.43, 1%, 0.07%

LAB 3.59, 18.89, -15.44

 

CMYK 19 / 100 / 0 / 94

HEX #0D0010

RGB 13 0 16

HSL 288.75, 1%, 0.03%

LAB 1.11, 5.84, -5.24

 

CMYK 12 / 51 / 0 / 64

HEX #512D5C

RGB 81 45 92

HSL 285.96, 0.34%, 0.27%

LAB 24.95, 25.46, -21.53

 

CMYK 4 / 51 / 0 / 64

HEX #582D5C

RGB 88 45 92

HSL 294.89, 0.34%, 0.27%

LAB 25.93, 27.78, -19.92

 

CMYK 0 / 51 / 4 / 64

HEX #5C2D58

RGB 92 45 88

HSL 305.11, 0.34%, 0.27%

LAB 26.32, 28.29, -16.64

 

CMYK 0 / 51 / 13 / 64

HEX #5C2D50

RGB 92 45 80

HSL 315.32, 0.34%, 0.27%

LAB 25.96, 26.73, -11.93

 

CMYK 0 / 51 / 22 / 64

HEX #5C2D48

RGB 92 45 72

HSL 325.53, 0.34%, 0.27%

LAB 25.62, 25.29, -7.11

 

CMYK 12 / 51 / 0 / 64

HEX #512D5C

RGB 81 45 92

HSL 285.96, 0.34%, 0.27%

LAB 24.95, 25.46, -21.53

 

CMYK 12 / 51 / 0 / 44

HEX #7E468F

RGB 126 70 143

HSL 286.03, 0.34%, 0.42%

LAB 39.24, 36.54, -30.78

 

CMYK 12 / 51 / 0 / 24

HEX #AB5FC2

RGB 171 95 194

HSL 286.06, 0.45%, 0.57%

LAB 52.66, 46.83, -39.37

 

CMYK 12 / 51 / 0 / 4

HEX #D878F5

RGB 216 120 245

HSL 286.08, 0.86%, 0.72%

LAB 65.46, 56.57, -47.5

 

CMYK 12 / 51 / 0 / 84

HEX #241429

RGB 36 20 41

HSL 285.71, 0.34%, 0.12%

LAB 9.28, 12.94, -11.09

 

CMYK 12 / 51 / 0 / 64

HEX #512D5C

RGB 81 45 92

HSL 285.96, 0.34%, 0.27%

LAB 24.95, 25.46, -21.53

 

CMYK 0 / 51 / 49 / 64

HEX #5C2D2F

RGB 92 45 47

HSL 357.45, 0.34%, 0.27%

LAB 24.82, 21.64, 8.52

 

CMYK 51 / 0 / 34 / 64

HEX #2D5C3D

RGB 45 92 61

HSL 140.43, 0.34%, 0.27%

LAB 35.1, -23.96, 13.02

 

CMYK 12 / 51 / 0 / 64

HEX #512D5C

RGB 81 45 92

HSL 285.96, 0.34%, 0.27%

LAB 24.95, 25.46, -21.53

 

CMYK 0 / 13 / 51 / 64

HEX #5C502D

RGB 92 80 45

HSL 44.68, 0.34%, 0.27%

LAB 34.4, -0.37, 22.37

 

CMYK 51 / 0 / 13 / 64

HEX #2D5C50

RGB 45 92 80

HSL 164.68, 0.34%, 0.27%

LAB 35.58, -19.36, 1.97

 

CMYK 12 / 51 / 0 / 64

HEX #512D5C

RGB 81 45 92

HSL 285.96, 0.34%, 0.27%

LAB 24.95, 25.46, -21.53

 

CMYK 0 / 51 / 49 / 64

HEX #5C2D2F

RGB 92 45 47

HSL 357.45, 0.34%, 0.27%

LAB 24.82, 21.64, 8.52

 

CMYK 38 / 0 / 51 / 64

HEX #395C2D

RGB 57 92 45

HSL 104.68, 0.34%, 0.27%

LAB 35.43, -22.71, 23.03

 

CMYK 51 / 0 / 3 / 64

HEX #2D5C59

RGB 45 92 89

HSL 176.17, 0.34%, 0.27%

LAB 35.86, -16.84, -3.24

 

CMYK 12 / 51 / 0 / 64

HEX #512D5C

RGB 81 45 92

HSL 285.96, 0.34%, 0.27%

LAB 24.95, 25.46, -21.53

 

CMYK 0 / 38 / 51 / 64

HEX #5C392D

RGB 92 57 45

HSL 15.32, 0.34%, 0.27%

LAB 27.82, 14.01, 13.91

 

CMYK 38 / 0 / 51 / 64

HEX #395C2D

RGB 57 92 45

HSL 104.68, 0.34%, 0.27%

LAB 35.43, -22.71, 23.03

 

CMYK 51 / 13 / 0 / 64

HEX #2D505C

RGB 45 80 92

HSL 195.32, 0.34%, 0.27%

LAB 31.96, -8.95, -10.96

 

Description

Color code: CMYK 12 / 51 / 0 / 64 | qconv.com Color code: CMYK 12 / 51 / 0 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 45 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 45 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 51 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 51% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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