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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 51 / 0 / 26 it is the complementary color CMYK 47 / 0 / 60 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 51 / 0 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 51 / 0 / 26: CMYK 6 / 50 / 0 / 28, CMYK 6 / 46 / 0 / 20, CMYK 7 / 42 / 0 / 13, CMYK 7 / 39 / 0 / 5 and CMYK 5 / 36 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 51 / 0 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 51 / 0 / 26: CMYK 11 / 51 / 0 / 26, CMYK 11 / 56 / 0 / 33, CMYK 11 / 63 / 0 / 41, CMYK 11 / 71 / 0 / 48 and CMYK 12 / 82 / 0 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 51 / 0 / 26

HEX #A85CBD

RGB 168 92 189

HSL 287.01, 0.42%, 0.55%

LAB 51.44, 46.53, -38.43

 

Complementary color

CMYK 47 / 0 / 60 / 36

HEX #57A342

RGB 87 163 66

HSL 107.01, 0.42%, 0.45%

LAB 60.44, -42.29, 42.38

 

CMYK 6 / 50 / 0 / 28

HEX #AD5CB8

RGB 173 92 184

HSL 292.83, 0.39%, 0.54%

LAB 51.84, 46.94, -34.88

 

CMYK 6 / 46 / 0 / 20

HEX #BE6ECB

RGB 190 110 203

HSL 291.61, 0.47%, 0.61%

LAB 58.42, 46.22, -35.3

 

CMYK 7 / 42 / 0 / 13

HEX #CF80DE

RGB 207 128 222

HSL 290.43, 0.59%, 0.69%

LAB 64.94, 45.46, -35.65

 

CMYK 7 / 39 / 0 / 5

HEX #E092F1

RGB 224 146 241

HSL 289.26, 0.77%, 0.76%

LAB 71.39, 44.71, -35.96

 

CMYK 5 / 36 / 0 / 0

HEX #F1A4FF

RGB 241 164 255

HSL 290.77, 1%, 0.82%

LAB 77.56, 43.03, -33.85

 

CMYK 11 / 51 / 0 / 26

HEX #A85CBD

RGB 168 92 189

HSL 287.01, 0.42%, 0.55%

LAB 51.44, 46.53, -38.43

 

CMYK 11 / 56 / 0 / 33

HEX #974AAA

RGB 151 74 170

HSL 288.13, 0.39%, 0.48%

LAB 44.77, 47.2, -38.01

 

CMYK 11 / 63 / 0 / 41

HEX #863897

RGB 134 56 151

HSL 289.26, 0.46%, 0.41%

LAB 38.08, 47.69, -37.41

 

CMYK 11 / 71 / 0 / 48

HEX #752684

RGB 117 38 132

HSL 290.43, 0.55%, 0.33%

LAB 31.43, 47.75, -36.48

 

CMYK 12 / 82 / 0 / 56

HEX #641471

RGB 100 20 113

HSL 291.61, 0.7%, 0.26%

LAB 24.96, 46.93, -34.98

 

CMYK 11 / 51 / 0 / 26

HEX #A85CBD

RGB 168 92 189

HSL 287.01, 0.42%, 0.55%

LAB 51.44, 46.53, -38.43

 

CMYK 3 / 51 / 0 / 26

HEX #B75CBC

RGB 183 92 188

HSL 296.88, 0.42%, 0.55%

LAB 53.33, 50.55, -34.75

 

CMYK 0 / 51 / 6 / 26

HEX #BC5CB1

RGB 188 92 177

HSL 306.88, 0.42%, 0.55%

LAB 53.51, 50.02, -28.05

 

CMYK 0 / 51 / 14 / 26

HEX #BC5CA1

RGB 188 92 161

HSL 316.88, 0.42%, 0.55%

LAB 52.86, 47.36, -19.73

 

CMYK 0 / 51 / 23 / 26

HEX #BC5C91

RGB 188 92 145

HSL 326.88, 0.42%, 0.55%

LAB 52.28, 44.92, -11.2

 

CMYK 11 / 51 / 0 / 26

HEX #A85CBD

RGB 168 92 189

HSL 287.01, 0.42%, 0.55%

LAB 51.44, 46.53, -38.43

 

CMYK 11 / 51 / 0 / 6

HEX #D575F0

RGB 213 117 240

HSL 286.83, 0.8%, 0.7%

LAB 64.29, 56.28, -46.61

 

CMYK 11 / 50 / 0 / 86

HEX #201224

RGB 32 18 36

HSL 286.67, 0.33%, 0.11%

LAB 7.83, 11.41, -9.64

 

CMYK 11 / 52 / 0 / 66

HEX #4D2A57

RGB 77 42 87

HSL 286.67, 0.35%, 0.25%

LAB 23.41, 24.79, -20.69

 

CMYK 11 / 51 / 0 / 46

HEX #7B438A

RGB 123 67 138

HSL 287.32, 0.35%, 0.4%

LAB 37.95, 36.23, -29.79

 

CMYK 11 / 51 / 0 / 26

HEX #A85CBD

RGB 168 92 189

HSL 287.01, 0.42%, 0.55%

LAB 51.44, 46.53, -38.43

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5D

RGB 188 92 93

HSL 359.38, 0.42%, 0.55%

LAB 50.85, 38.69, 17.66

 

CMYK 51 / 0 / 31 / 26

HEX #5CBC81

RGB 92 188 129

HSL 143.13, 0.42%, 0.55%

LAB 69.35, -41.81, 21.39

 

CMYK 11 / 51 / 0 / 26

HEX #A85CBD

RGB 168 92 189

HSL 287.01, 0.42%, 0.55%

LAB 51.44, 46.53, -38.43

 

CMYK 0 / 11 / 51 / 26

HEX #BCA75C

RGB 188 167 92

HSL 46.88, 0.42%, 0.55%

LAB 68.82, -2.23, 41.26

 

CMYK 51 / 0 / 11 / 26

HEX #5CBCA7

RGB 92 188 167

HSL 166.88, 0.42%, 0.55%

LAB 70.2, -33.5, 1.96

 

CMYK 11 / 51 / 0 / 26

HEX #A85CBD

RGB 168 92 189

HSL 287.01, 0.42%, 0.55%

LAB 51.44, 46.53, -38.43

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5D

RGB 188 92 93

HSL 359.38, 0.42%, 0.55%

LAB 50.85, 38.69, 17.66

 

CMYK 40 / 0 / 51 / 26

HEX #70BC5C

RGB 112 188 92

HSL 107.5, 0.42%, 0.55%

LAB 69.6, -41.93, 41

 

CMYK 51 / 0 / 1 / 26

HEX #5CBCBA

RGB 92 188 186

HSL 178.75, 0.42%, 0.55%

LAB 70.72, -28.68, -7.68

 

CMYK 11 / 51 / 0 / 26

HEX #A85CBD

RGB 168 92 189

HSL 287.01, 0.42%, 0.55%

LAB 51.44, 46.53, -38.43

 

CMYK 0 / 37 / 51 / 26

HEX #BC775C

RGB 188 119 92

HSL 16.88, 0.42%, 0.55%

LAB 56.74, 24.1, 26.08

 

CMYK 40 / 0 / 51 / 26

HEX #70BC5C

RGB 112 188 92

HSL 107.5, 0.42%, 0.55%

LAB 69.6, -41.93, 41

 

CMYK 51 / 14 / 0 / 26

HEX #5CA1BC

RGB 92 161 188

HSL 196.88, 0.42%, 0.55%

LAB 62.84, -14.28, -20.65

 

Description

Color code: CMYK 11 / 51 / 0 / 26 | qconv.com Color code: CMYK 11 / 51 / 0 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 92 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 92 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 51 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 51% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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