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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 2 / 0 / 42 it is the complementary color CMYK 0 / 11 / 13 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 2 / 0 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 2 / 0 / 42: CMYK 6 / 0 / 1 / 43, CMYK 6 / 0 / 1 / 36, CMYK 6 / 0 / 0 / 29, CMYK 6 / 0 / 0 / 22 and CMYK 6 / 1 / 0 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 2 / 0 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 2 / 0 / 42: CMYK 11 / 2 / 0 / 42, CMYK 11 / 2 / 0 / 49, CMYK 11 / 1 / 0 / 57, CMYK 11 / 0 / 0 / 64 and CMYK 12 / 0 / 1 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 2 / 0 / 42

HEX #849194

RGB 132 145 148

HSL 191.25, 0.07%, 0.55%

LAB 59.25, -4.03, -3.19

 

Complementary color

CMYK 0 / 11 / 13 / 52

HEX #7B6E6B

RGB 123 110 107

HSL 11.25, 0.07%, 0.45%

LAB 47.53, 4.53, 3.52

 

CMYK 6 / 0 / 1 / 43

HEX #89918F

RGB 137 145 143

HSL 165, 0.04%, 0.55%

LAB 59.48, -3.3, 0.05

 

CMYK 6 / 0 / 1 / 36

HEX #9AA3A2

RGB 154 163 162

HSL 173.33, 0.05%, 0.62%

LAB 66.27, -3.38, -0.59

 

CMYK 6 / 0 / 0 / 29

HEX #ABB5B5

RGB 171 181 181

HSL 180, 0.06%, 0.69%

LAB 72.92, -3.47, -1.21

 

CMYK 6 / 0 / 0 / 22

HEX #BCC7C8

RGB 188 199 200

HSL 185, 0.1%, 0.76%

LAB 79.45, -3.56, -1.81

 

CMYK 6 / 1 / 0 / 14

HEX #CDD9DB

RGB 205 217 219

HSL 188.57, 0.16%, 0.83%

LAB 85.87, -3.64, -2.39

 

CMYK 11 / 2 / 0 / 42

HEX #849194

RGB 132 145 148

HSL 191.25, 0.07%, 0.55%

LAB 59.25, -4.03, -3.19

 

CMYK 11 / 2 / 0 / 49

HEX #737F81

RGB 115 127 129

HSL 188.57, 0.06%, 0.48%

LAB 52.3, -3.98, -2.6

 

CMYK 11 / 1 / 0 / 57

HEX #626D6E

RGB 98 109 110

HSL 185, 0.06%, 0.41%

LAB 45.16, -3.93, -1.98

 

CMYK 11 / 0 / 0 / 64

HEX #515B5B

RGB 81 91 91

HSL 180, 0.06%, 0.34%

LAB 37.82, -3.89, -1.33

 

CMYK 12 / 0 / 1 / 71

HEX #404948

RGB 64 73 72

HSL 173.33, 0.07%, 0.27%

LAB 30.21, -3.87, -0.64

 

CMYK 11 / 2 / 0 / 42

HEX #849194

RGB 132 145 148

HSL 191.25, 0.07%, 0.55%

LAB 59.25, -4.03, -3.19

 

CMYK 11 / 4 / 0 / 42

HEX #848E94

RGB 132 142 148

HSL 202.5, 0.07%, 0.55%

LAB 58.41, -2.36, -4.43

 

CMYK 11 / 6 / 0 / 42

HEX #848B94

RGB 132 139 148

HSL 213.75, 0.07%, 0.55%

LAB 57.57, -0.66, -5.67

 

CMYK 11 / 7 / 0 / 42

HEX #848994

RGB 132 137 148

HSL 221.25, 0.07%, 0.55%

LAB 57.01, 0.47, -6.5

 

CMYK 11 / 9 / 0 / 42

HEX #848694

RGB 132 134 148

HSL 232.5, 0.07%, 0.55%

LAB 56.18, 2.18, -7.73

 

CMYK 11 / 2 / 0 / 42

HEX #849194

RGB 132 145 148

HSL 191.25, 0.07%, 0.55%

LAB 59.25, -4.03, -3.19

 

CMYK 11 / 2 / 0 / 22

HEX #B1C3C7

RGB 177 195 199

HSL 190.91, 0.16%, 0.74%

LAB 77.58, -5.31, -4.1

 

CMYK 11 / 2 / 0 / 2

HEX #DFF5FA

RGB 223 245 250

HSL 191.11, 0.73%, 0.93%

LAB 95.12, -6.2, -4.86

 

CMYK 11 / 2 / 0 / 82

HEX #292D2E

RGB 41 45 46

HSL 192, 0.06%, 0.17%

LAB 18.12, -1.5, -1.25

 

CMYK 10 / 2 / 0 / 62

HEX #575F61

RGB 87 95 97

HSL 192, 0.05%, 0.36%

LAB 39.7, -2.65, -2.21

 

CMYK 11 / 2 / 0 / 42

HEX #849194

RGB 132 145 148

HSL 191.25, 0.07%, 0.55%

LAB 59.25, -4.03, -3.19

 

CMYK 7 / 11 / 0 / 42

HEX #8A8494

RGB 138 132 148

HSL 262.5, 0.07%, 0.55%

LAB 56.13, 5.46, -7.75

 

CMYK 0 / 3 / 11 / 42

HEX #949084

RGB 148 144 132

HSL 45, 0.07%, 0.55%

LAB 59.81, -0.72, 6.89

 

CMYK 11 / 2 / 0 / 42

HEX #849194

RGB 132 145 148

HSL 191.25, 0.07%, 0.55%

LAB 59.25, -4.03, -3.19

 

CMYK 0 / 11 / 2 / 42

HEX #948491

RGB 148 132 145

HSL 311.25, 0.07%, 0.55%

LAB 56.92, 8.48, -4.75

 

CMYK 2 / 0 / 11 / 42

HEX #919484

RGB 145 148 132

HSL 71.25, 0.07%, 0.55%

LAB 60.66, -4.08, 8.08

 

CMYK 11 / 2 / 0 / 42

HEX #849194

RGB 132 145 148

HSL 191.25, 0.07%, 0.55%

LAB 59.25, -4.03, -3.19

 

CMYK 7 / 11 / 0 / 42

HEX #8A8494

RGB 138 132 148

HSL 262.5, 0.07%, 0.55%

LAB 56.13, 5.46, -7.75

 

CMYK 0 / 9 / 11 / 42

HEX #948784

RGB 148 135 132

HSL 11.25, 0.07%, 0.55%

LAB 57.36, 4.34, 3.37

 

CMYK 4 / 0 / 11 / 42

HEX #8E9484

RGB 142 148 132

HSL 82.5, 0.07%, 0.55%

LAB 60.42, -5.21, 7.71

 

CMYK 11 / 2 / 0 / 42

HEX #849194

RGB 132 145 148

HSL 191.25, 0.07%, 0.55%

LAB 59.25, -4.03, -3.19

 

CMYK 3 / 11 / 0 / 42

HEX #8F8494

RGB 143 132 148

HSL 281.25, 0.07%, 0.55%

LAB 56.57, 7.25, -7.06

 

CMYK 0 / 9 / 11 / 42

HEX #948784

RGB 148 135 132

HSL 11.25, 0.07%, 0.55%

LAB 57.36, 4.34, 3.37

 

CMYK 7 / 0 / 11 / 42

HEX #899484

RGB 137 148 132

HSL 101.25, 0.07%, 0.55%

LAB 60.04, -7.08, 7.11

 

Description

Color code: CMYK 11 / 2 / 0 / 42 | qconv.com Color code: CMYK 11 / 2 / 0 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 145 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 145 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 2 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 2% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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