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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 0 / 27 / 64 it is the complementary color CMYK 8 / 13 / 0 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 0 / 27 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 0 / 27 / 64: CMYK 5 / 0 / 33 / 64, CMYK 5 / 0 / 26 / 57, CMYK 5 / 0 / 22 / 50, CMYK 5 / 0 / 18 / 43 and CMYK 5 / 0 / 16 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 0 / 27 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 0 / 27 / 64: CMYK 11 / 0 / 27 / 64, CMYK 12 / 0 / 35 / 71, CMYK 14 / 0 / 48 / 78, CMYK 18 / 0 / 74 / 85 and CMYK 30 / 0 / 100 / 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 27 / 64

HEX #525C43

RGB 82 92 67

HSL 84, 0.16%, 0.31%

LAB 37.58, -8.93, 13.13

 

Complementary color

CMYK 8 / 13 / 0 / 26

HEX #ADA3BC

RGB 173 163 188

HSL 264, 0.16%, 0.69%

LAB 68.54, 8.44, -11.54

 

CMYK 5 / 0 / 33 / 64

HEX #575C3E

RGB 87 92 62

HSL 70, 0.19%, 0.3%

LAB 37.89, -7.59, 16.65

 

CMYK 5 / 0 / 26 / 57

HEX #686E51

RGB 104 110 81

HSL 72.41, 0.15%, 0.37%

LAB 45.21, -7.73, 15.45

 

CMYK 5 / 0 / 22 / 50

HEX #798064

RGB 121 128 100

HSL 75, 0.12%, 0.45%

LAB 52.31, -7.83, 14.36

 

CMYK 5 / 0 / 18 / 43

HEX #8A9277

RGB 138 146 119

HSL 77.78, 0.11%, 0.52%

LAB 59.24, -7.91, 13.36

 

CMYK 5 / 0 / 16 / 36

HEX #9BA48A

RGB 155 164 138

HSL 80.77, 0.13%, 0.59%

LAB 66.02, -7.97, 12.42

 

CMYK 11 / 0 / 27 / 64

HEX #525C43

RGB 82 92 67

HSL 84, 0.16%, 0.31%

LAB 37.58, -8.93, 13.13

 

CMYK 12 / 0 / 35 / 71

HEX #414A30

RGB 65 74 48

HSL 80.77, 0.21%, 0.24%

LAB 30, -8.91, 14.36

 

CMYK 14 / 0 / 48 / 78

HEX #30381D

RGB 48 56 29

HSL 77.78, 0.32%, 0.17%

LAB 22.11, -8.83, 15.75

 

CMYK 18 / 0 / 74 / 85

HEX #1F260A

RGB 31 38 10

HSL 75, 0.58%, 0.09%

LAB 13.82, -8.58, 16.02

 

CMYK 30 / 0 / 100 / 92

HEX #0E1400

RGB 14 20 0

HSL 78, 1%, 0.04%

LAB 5.36, -5.45, 7.93

 

CMYK 11 / 0 / 27 / 64

HEX #525C43

RGB 82 92 67

HSL 84, 0.16%, 0.31%

LAB 37.58, -8.93, 13.13

 

CMYK 15 / 0 / 27 / 64

HEX #4D5B42

RGB 77 91 66

HSL 93.6, 0.16%, 0.31%

LAB 36.84, -10.63, 12.67

 

CMYK 20 / 0 / 27 / 64

HEX #495B42

RGB 73 91 66

HSL 103.2, 0.16%, 0.31%

LAB 36.54, -12.27, 12.21

 

CMYK 25 / 0 / 27 / 64

HEX #445B42

RGB 68 91 66

HSL 115.2, 0.16%, 0.31%

LAB 36.18, -14.27, 11.66

 

CMYK 27 / 0 / 25 / 64

HEX #425B44

RGB 66 91 68

HSL 124.8, 0.16%, 0.31%

LAB 36.1, -14.65, 10.29

 

CMYK 11 / 0 / 27 / 64

HEX #525C43

RGB 82 92 67

HSL 84, 0.16%, 0.31%

LAB 37.58, -8.93, 13.13

 

CMYK 11 / 0 / 27 / 44

HEX #7F8F68

RGB 127 143 104

HSL 84.62, 0.16%, 0.48%

LAB 57.23, -13.01, 18.9

 

CMYK 11 / 0 / 27 / 24

HEX #ADC28D

RGB 173 194 141

HSL 83.77, 0.3%, 0.66%

LAB 75.69, -16.42, 24.36

 

CMYK 11 / 0 / 27 / 4

HEX #DAF5B2

RGB 218 245 178

HSL 84.18, 0.77%, 0.83%

LAB 93.2, -20.01, 29.43

 

CMYK 10 / 0 / 27 / 84

HEX #25291E

RGB 37 41 30

HSL 81.82, 0.15%, 0.14%

LAB 15.87, -4.32, 6.64

 

CMYK 11 / 0 / 27 / 64

HEX #525C43

RGB 82 92 67

HSL 84, 0.16%, 0.31%

LAB 37.58, -8.93, 13.13

 

CMYK 27 / 0 / 11 / 64

HEX #425B51

RGB 66 91 81

HSL 156, 0.16%, 0.31%

LAB 36.43, -11.8, 2.72

 

CMYK 0 / 27 / 0 / 64

HEX #5B425B

RGB 91 66 91

HSL 300, 0.16%, 0.31%

LAB 31.52, 15.65, -10.63

 

CMYK 11 / 0 / 27 / 64

HEX #525C43

RGB 82 92 67

HSL 84, 0.16%, 0.31%

LAB 37.58, -8.93, 13.13

 

CMYK 27 / 11 / 0 / 64

HEX #42515B

RGB 66 81 91

HSL 204, 0.16%, 0.31%

LAB 33.56, -3.26, -7.78

 

CMYK 0 / 27 / 11 / 64

HEX #5B4251

RGB 91 66 81

HSL 324, 0.16%, 0.31%

LAB 31.15, 13.57, -4.76

 

CMYK 11 / 0 / 27 / 64

HEX #525C43

RGB 82 92 67

HSL 84, 0.16%, 0.31%

LAB 37.58, -8.93, 13.13

 

CMYK 27 / 0 / 11 / 64

HEX #425B51

RGB 66 91 81

HSL 156, 0.16%, 0.31%

LAB 36.43, -11.8, 2.72

 

CMYK 16 / 27 / 0 / 64

HEX #4C425B

RGB 76 66 91

HSL 264, 0.16%, 0.31%

LAB 29.88, 9.97, -13.28

 

CMYK 0 / 27 / 16 / 64

HEX #5B424C

RGB 91 66 76

HSL 336, 0.16%, 0.31%

LAB 30.98, 12.6, -1.78

 

CMYK 11 / 0 / 27 / 64

HEX #525C43

RGB 82 92 67

HSL 84, 0.16%, 0.31%

LAB 37.58, -8.93, 13.13

 

CMYK 27 / 0 / 2 / 64

HEX #425B59

RGB 66 91 89

HSL 175.2, 0.16%, 0.31%

LAB 36.67, -9.83, -1.9

 

CMYK 16 / 27 / 0 / 64

HEX #4C425B

RGB 76 66 91

HSL 264, 0.16%, 0.31%

LAB 29.88, 9.97, -13.28

 

CMYK 0 / 27 / 25 / 64

HEX #5B4244

RGB 91 66 68

HSL 355.2, 0.16%, 0.31%

LAB 30.73, 11.17, 3.03

 

Description

Color code: CMYK 11 / 0 / 27 / 64 | qconv.com Color code: CMYK 11 / 0 / 27 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 92 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 92 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 27 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 27% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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