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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 14 / 0 / 15 it is the complementary color CMYK 13 / 0 / 45 / 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 14 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 14 / 0 / 15: CMYK 6 / 12 / 0 / 17, CMYK 6 / 12 / 0 / 9, CMYK 6 / 11 / 0 / 2, CMYK 2 / 6 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 14 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 14 / 0 / 15: CMYK 10 / 14 / 0 / 15, CMYK 10 / 15 / 0 / 22, CMYK 10 / 16 / 0 / 30, CMYK 10 / 18 / 0 / 37 and CMYK 10 / 19 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 14 / 0 / 15

HEX #C3BAD9

RGB 195 186 217

HSL 257.42, 0.29%, 0.79%

LAB 77.12, 9.1, -14.38

 

Complementary color

CMYK 13 / 0 / 45 / 73

HEX #3C4526

RGB 60 69 38

HSL 77.42, 0.29%, 0.21%

LAB 27.73, -9.75, 17.51

 

CMYK 6 / 12 / 0 / 17

HEX #C8BAD4

RGB 200 186 212

HSL 272.31, 0.23%, 0.78%

LAB 77.37, 9.76, -11.26

 

CMYK 6 / 12 / 0 / 9

HEX #D9CCE7

RGB 217 204 231

HSL 268.89, 0.36%, 0.85%

LAB 83.81, 9.45, -11.7

 

CMYK 6 / 11 / 0 / 2

HEX #EADEFA

RGB 234 222 250

HSL 265.71, 0.74%, 0.93%

LAB 90.15, 9.17, -12.13

 

CMYK 2 / 6 / 0 / 0

HEX #FBF0FF

RGB 251 240 255

HSL 284, 1%, 0.97%

LAB 96.02, 6.32, -5.89

 

CMYK 10 / 14 / 0 / 15

HEX #C3BAD9

RGB 195 186 217

HSL 257.42, 0.29%, 0.79%

LAB 77.12, 9.1, -14.38

 

CMYK 10 / 15 / 0 / 22

HEX #B2A8C6

RGB 178 168 198

HSL 260, 0.21%, 0.72%

LAB 70.56, 9.42, -14

 

CMYK 10 / 16 / 0 / 30

HEX #A196B3

RGB 161 150 179

HSL 262.76, 0.16%, 0.65%

LAB 63.87, 9.76, -13.62

 

CMYK 10 / 18 / 0 / 37

HEX #9084A0

RGB 144 132 160

HSL 265.71, 0.13%, 0.57%

LAB 57.05, 10.13, -13.25

 

CMYK 10 / 19 / 0 / 45

HEX #7F728D

RGB 127 114 141

HSL 268.89, 0.11%, 0.5%

LAB 50.06, 10.54, -12.88

 

CMYK 10 / 14 / 0 / 15

HEX #C3BAD9

RGB 195 186 217

HSL 257.42, 0.29%, 0.79%

LAB 77.12, 9.1, -14.38

 

CMYK 8 / 14 / 0 / 15

HEX #C7B9D8

RGB 199 185 216

HSL 267.1, 0.28%, 0.79%

LAB 77.16, 10.76, -13.75

 

CMYK 5 / 14 / 0 / 15

HEX #CDB9D8

RGB 205 185 216

HSL 278.71, 0.28%, 0.79%

LAB 77.66, 12.75, -12.95

 

CMYK 3 / 14 / 0 / 15

HEX #D2B9D8

RGB 210 185 216

HSL 288.39, 0.28%, 0.79%

LAB 78.09, 14.43, -12.26

 

CMYK 0 / 14 / 0 / 15

HEX #D7B9D8

RGB 215 185 216

HSL 298.06, 0.28%, 0.79%

LAB 78.52, 16.11, -11.57

 

CMYK 10 / 14 / 0 / 15

HEX #C3BAD9

RGB 195 186 217

HSL 257.42, 0.29%, 0.79%

LAB 77.12, 9.1, -14.38

 

CMYK 8 / 15 / 0 / 95

HEX #0C0B0D

RGB 12 11 13

HSL 270, 0.08%, 0.05%

LAB 3.13, 0.6, -0.75

 

CMYK 9 / 14 / 0 / 75

HEX #3A3740

RGB 58 55 64

HSL 260, 0.08%, 0.23%

LAB 23.68, 3.42, -5.12

 

CMYK 10 / 14 / 0 / 55

HEX #676373

RGB 103 99 115

HSL 255, 0.07%, 0.42%

LAB 42.83, 5.02, -8.42

 

CMYK 10 / 14 / 0 / 35

HEX #958EA6

RGB 149 142 166

HSL 257.5, 0.12%, 0.6%

LAB 60.33, 7.42, -11.7

 

CMYK 10 / 14 / 0 / 15

HEX #C3BAD9

RGB 195 186 217

HSL 257.42, 0.29%, 0.79%

LAB 77.12, 9.1, -14.38

 

CMYK 0 / 14 / 7 / 15

HEX #D8B9C9

RGB 216 185 201

HSL 329.03, 0.28%, 0.79%

LAB 78.18, 13.75, -3.95

 

CMYK 13 / 0 / 14 / 15

HEX #BDD8B9

RGB 189 216 185

HSL 112.26, 0.28%, 0.79%

LAB 83.67, -14.73, 12.29

 

CMYK 10 / 14 / 0 / 15

HEX #C3BAD9

RGB 195 186 217

HSL 257.42, 0.29%, 0.79%

LAB 77.12, 9.1, -14.38

 

CMYK 0 / 10 / 14 / 15

HEX #D8C2B9

RGB 216 194 185

HSL 17.42, 0.28%, 0.79%

LAB 80, 6.28, 7.34

 

CMYK 14 / 0 / 10 / 15

HEX #B9D8C2

RGB 185 216 194

HSL 137.42, 0.28%, 0.79%

LAB 83.61, -14.47, 7.41

 

CMYK 10 / 14 / 0 / 15

HEX #C3BAD9

RGB 195 186 217

HSL 257.42, 0.29%, 0.79%

LAB 77.12, 9.1, -14.38

 

CMYK 0 / 14 / 7 / 15

HEX #D8B9C9

RGB 216 185 201

HSL 329.03, 0.28%, 0.79%

LAB 78.18, 13.75, -3.95

 

CMYK 4 / 0 / 14 / 15

HEX #D0D8B9

RGB 208 216 185

HSL 75.48, 0.28%, 0.79%

LAB 85.01, -8.08, 14.38

 

CMYK 14 / 0 / 7 / 15

HEX #B9D8C8

RGB 185 216 200

HSL 149.03, 0.28%, 0.79%

LAB 83.76, -13.35, 4.44

 

CMYK 10 / 14 / 0 / 15

HEX #C3BAD9

RGB 195 186 217

HSL 257.42, 0.29%, 0.79%

LAB 77.12, 9.1, -14.38

 

CMYK 0 / 14 / 11 / 15

HEX #D8B9C0

RGB 216 185 192

HSL 346.45, 0.28%, 0.79%

LAB 77.94, 12.22, 0.57

 

CMYK 4 / 0 / 14 / 15

HEX #D0D8B9

RGB 208 216 185

HSL 75.48, 0.28%, 0.79%

LAB 85.01, -8.08, 14.38

 

CMYK 14 / 0 / 3 / 15

HEX #B9D8D2

RGB 185 216 210

HSL 168.39, 0.28%, 0.79%

LAB 84.01, -11.41, -0.5

 

Description

Color code: CMYK 10 / 14 / 0 / 15 | qconv.com Color code: CMYK 10 / 14 / 0 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 186 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 186 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 14 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 14% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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