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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 0 / 34 / 24 it is the complementary color CMYK 36 / 52 / 0 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 0 / 34 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 0 / 34 / 24: CMYK 8 / 0 / 37 / 24, CMYK 8 / 0 / 33 / 17, CMYK 7 / 0 / 30 / 10, CMYK 7 / 0 / 27 / 3 and CMYK 3 / 0 / 22 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 0 / 34 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 0 / 34 / 24: CMYK 10 / 0 / 34 / 24, CMYK 11 / 0 / 38 / 31, CMYK 11 / 0 / 43 / 38, CMYK 12 / 0 / 49 / 45 and CMYK 13 / 0 / 57 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 34 / 24

HEX #AEC280

RGB 174 194 128

HSL 78.18, 0.35%, 0.63%

LAB 75.54, -17.87, 31

 

Complementary color

CMYK 36 / 52 / 0 / 50

HEX #513D7F

RGB 81 61 127

HSL 258.18, 0.35%, 0.37%

LAB 30.92, 24.73, -34.44

 

CMYK 8 / 0 / 37 / 24

HEX #B3C27B

RGB 179 194 123

HSL 72.68, 0.37%, 0.62%

LAB 75.82, -16.59, 34.03

 

CMYK 8 / 0 / 33 / 17

HEX #C4D48E

RGB 196 212 142

HSL 73.71, 0.45%, 0.69%

LAB 82.26, -16.72, 32.9

 

CMYK 7 / 0 / 30 / 10

HEX #D5E6A1

RGB 213 230 161

HSL 74.78, 0.58%, 0.77%

LAB 88.6, -16.82, 31.82

 

CMYK 7 / 0 / 27 / 3

HEX #E6F8B4

RGB 230 248 180

HSL 75.88, 0.83%, 0.84%

LAB 94.85, -16.9, 30.78

 

CMYK 3 / 0 / 22 / 0

HEX #F7FFC7

RGB 247 255 199

HSL 68.57, 1%, 0.89%

LAB 98.2, -11.61, 25.94

 

CMYK 10 / 0 / 34 / 24

HEX #AEC280

RGB 174 194 128

HSL 78.18, 0.35%, 0.63%

LAB 75.54, -17.87, 31

 

CMYK 11 / 0 / 38 / 31

HEX #9DB06D

RGB 157 176 109

HSL 77.01, 0.3%, 0.56%

LAB 68.98, -17.79, 32.15

 

CMYK 11 / 0 / 43 / 38

HEX #8C9E5A

RGB 140 158 90

HSL 75.88, 0.27%, 0.49%

LAB 62.31, -17.67, 33.36

 

CMYK 12 / 0 / 49 / 45

HEX #7B8C47

RGB 123 140 71

HSL 74.78, 0.33%, 0.41%

LAB 55.5, -17.49, 34.59

 

CMYK 13 / 0 / 57 / 52

HEX #6A7A34

RGB 106 122 52

HSL 73.71, 0.4%, 0.34%

LAB 48.55, -17.21, 35.77

 

CMYK 10 / 0 / 34 / 24

HEX #AEC280

RGB 174 194 128

HSL 78.18, 0.35%, 0.63%

LAB 75.54, -17.87, 31

 

CMYK 16 / 0 / 34 / 24

HEX #A2C17F

RGB 162 193 127

HSL 88.18, 0.35%, 0.63%

LAB 74.42, -22.02, 29.89

 

CMYK 22 / 0 / 34 / 24

HEX #97C17F

RGB 151 193 127

HSL 98.18, 0.35%, 0.63%

LAB 73.71, -26.04, 28.82

 

CMYK 27 / 0 / 34 / 24

HEX #8CC17F

RGB 140 193 127

HSL 108.18, 0.35%, 0.63%

LAB 73.05, -29.91, 27.84

 

CMYK 33 / 0 / 34 / 24

HEX #81C17F

RGB 129 193 127

HSL 118.18, 0.35%, 0.63%

LAB 72.45, -33.6, 26.93

 

CMYK 10 / 0 / 34 / 24

HEX #AEC280

RGB 174 194 128

HSL 78.18, 0.35%, 0.63%

LAB 75.54, -17.87, 31

 

CMYK 10 / 0 / 34 / 4

HEX #DCF5A2

RGB 220 245 162

HSL 78.07, 0.81%, 0.8%

LAB 93.07, -21.44, 37.32

 

CMYK 10 / 0 / 34 / 84

HEX #25291B

RGB 37 41 27

HSL 77.14, 0.21%, 0.13%

LAB 15.79, -4.9, 8.62

 

CMYK 10 / 0 / 34 / 64

HEX #535C3D

RGB 83 92 61

HSL 77.42, 0.2%, 0.3%

LAB 37.54, -9.5, 16.71

 

CMYK 10 / 0 / 34 / 44

HEX #808F5E

RGB 128 143 94

HSL 78.37, 0.21%, 0.46%

LAB 57.12, -14.12, 24.33

 

CMYK 10 / 0 / 34 / 24

HEX #AEC280

RGB 174 194 128

HSL 78.18, 0.35%, 0.63%

LAB 75.54, -17.87, 31

 

CMYK 34 / 0 / 17 / 24

HEX #7FC1A0

RGB 127 193 160

HSL 150, 0.35%, 0.63%

LAB 73.02, -28.18, 10.02

 

CMYK 3 / 34 / 0 / 24

HEX #BB7FC1

RGB 187 127 193

HSL 294.55, 0.35%, 0.63%

LAB 61.3, 34.2, -25.2

 

CMYK 10 / 0 / 34 / 24

HEX #AEC280

RGB 174 194 128

HSL 78.18, 0.35%, 0.63%

LAB 75.54, -17.87, 31

 

CMYK 34 / 10 / 0 / 24

HEX #7FADC1

RGB 127 173 193

HSL 198.18, 0.35%, 0.63%

LAB 68.2, -10.39, -15.14

 

CMYK 0 / 34 / 10 / 24

HEX #C17FAD

RGB 193 127 173

HSL 318.18, 0.35%, 0.63%

LAB 61.25, 32.52, -13.86

 

CMYK 10 / 0 / 34 / 24

HEX #AEC280

RGB 174 194 128

HSL 78.18, 0.35%, 0.63%

LAB 75.54, -17.87, 31

 

CMYK 34 / 0 / 17 / 24

HEX #7FC1A0

RGB 127 193 160

HSL 150, 0.35%, 0.63%

LAB 73.02, -28.18, 10.02

 

CMYK 24 / 34 / 0 / 24

HEX #937FC1

RGB 147 127 193

HSL 258.18, 0.35%, 0.63%

LAB 57.3, 21.61, -31.71

 

CMYK 0 / 34 / 17 / 24

HEX #C17FA0

RGB 193 127 160

HSL 330, 0.35%, 0.63%

LAB 60.83, 30.36, -7.07

 

CMYK 10 / 0 / 34 / 24

HEX #AEC280

RGB 174 194 128

HSL 78.18, 0.35%, 0.63%

LAB 75.54, -17.87, 31

 

CMYK 34 / 0 / 7 / 24

HEX #7FC1B4

RGB 127 193 180

HSL 168.18, 0.35%, 0.63%

LAB 73.51, -23.86, -0.12

 

CMYK 24 / 34 / 0 / 24

HEX #937FC1

RGB 147 127 193

HSL 258.18, 0.35%, 0.63%

LAB 57.3, 21.61, -31.71

 

CMYK 0 / 34 / 27 / 24

HEX #C17F8C

RGB 193 127 140

HSL 348.18, 0.35%, 0.63%

LAB 60.26, 27.34, 3.56

 

Description

Color code: CMYK 10 / 0 / 34 / 24 | qconv.com Color code: CMYK 10 / 0 / 34 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 194 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 194 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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