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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 100 / 0 / 73 / 16 it is the complementary color CMYK 0 / 84 / 23 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 100 / 0 / 73 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 100 / 0 / 73 / 16: CMYK 98 / 0 / 75 / 16, CMYK 91 / 0 / 69 / 9, CMYK 84 / 0 / 64 / 2, CMYK 78 / 0 / 57 / 0 and CMYK 71 / 0 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 100 / 0 / 73 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 100 / 0 / 73 / 16: CMYK 100 / 0 / 73 / 16, CMYK 100 / 0 / 80 / 23, CMYK 100 / 0 / 89 / 30, CMYK 100 / 0 / 99 / 37 and CMYK 100 / 0 / 100 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 73 / 16

HEX #00D63A

RGB 0 214 58

HSL 136.26, 1%, 0.42%

LAB 75.08, -73.02, 61.04

 

Complementary color

CMYK 0 / 84 / 23 / 0

HEX #FF29C5

RGB 255 41 197

HSL 316.26, 1%, 0.58%

LAB 58.86, 86.56, -30.47

 

CMYK 98 / 0 / 75 / 16

HEX #05D635

RGB 5 214 53

HSL 133.78, 0.95%, 0.43%

LAB 75.07, -73.23, 62.74

 

CMYK 91 / 0 / 69 / 9

HEX #16E848

RGB 22 232 72

HSL 134.29, 0.83%, 0.5%

LAB 80.93, -76.04, 62.04

 

CMYK 84 / 0 / 64 / 2

HEX #27FA5B

RGB 39 250 91

HSL 134.79, 0.95%, 0.57%

LAB 86.78, -78.23, 60.96

 

CMYK 78 / 0 / 57 / 0

HEX #38FF6E

RGB 56 255 110

HSL 136.28, 1%, 0.61%

LAB 88.68, -75.87, 55.12

 

CMYK 71 / 0 / 49 / 0

HEX #49FF81

RGB 73 255 129

HSL 138.46, 1%, 0.64%

LAB 89.17, -71.06, 47.1

 

CMYK 100 / 0 / 73 / 16

HEX #00D63A

RGB 0 214 58

HSL 136.26, 1%, 0.42%

LAB 75.08, -73.02, 61.04

 

CMYK 100 / 0 / 80 / 23

HEX #00C427

RGB 0 196 39

HSL 131.94, 1%, 0.38%

LAB 69.2, -69.33, 61.4

 

CMYK 100 / 0 / 89 / 30

HEX #00B214

RGB 0 178 20

HSL 126.74, 1%, 0.35%

LAB 63.25, -65.26, 60.66

 

CMYK 100 / 0 / 99 / 37

HEX #00A001

RGB 0 160 1

HSL 120.38, 1%, 0.31%

LAB 57.22, -60.8, 58.55

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 100 / 0 / 73 / 16

HEX #00D63A

RGB 0 214 58

HSL 136.26, 1%, 0.42%

LAB 75.08, -73.02, 61.04

 

CMYK 100 / 0 / 57 / 16

HEX #00D65C

RGB 0 214 92

HSL 145.79, 1%, 0.42%

LAB 75.37, -69.34, 47.38

 

CMYK 100 / 0 / 40 / 16

HEX #00D680

RGB 0 214 128

HSL 155.89, 1%, 0.42%

LAB 75.85, -63.46, 30.39

 

CMYK 100 / 0 / 23 / 16

HEX #00D6A4

RGB 0 214 164

HSL 165.98, 1%, 0.42%

LAB 76.54, -55.65, 12.48

 

CMYK 100 / 0 / 7 / 16

HEX #00D6C7

RGB 0 214 199

HSL 175.79, 1%, 0.42%

LAB 77.41, -46.46, -4.99

 

CMYK 100 / 0 / 73 / 16

HEX #00D63A

RGB 0 214 58

HSL 136.26, 1%, 0.42%

LAB 75.08, -73.02, 61.04

 

CMYK 100 / 0 / 70 / 96

HEX #000A03

RGB 0 10 3

HSL 138, 1%, 0.02%

LAB 2.02, -3.59, 1.73

 

CMYK 100 / 0 / 72 / 76

HEX #003D11

RGB 0 61 17

HSL 136.72, 1%, 0.12%

LAB 21.5, -29.1, 21.56

 

CMYK 100 / 0 / 73 / 56

HEX #00701E

RGB 0 112 30

HSL 136.07, 1%, 0.22%

LAB 40.71, -45.02, 36.27

 

CMYK 100 / 0 / 73 / 36

HEX #00A32C

RGB 0 163 44

HSL 136.2, 1%, 0.32%

LAB 58.39, -59.45, 49.07

 

CMYK 100 / 0 / 73 / 16

HEX #00D63A

RGB 0 214 58

HSL 136.26, 1%, 0.42%

LAB 75.08, -73.02, 61.04

 

CMYK 100 / 47 / 0 / 16

HEX #0072D6

RGB 0 114 214

HSL 208.04, 1%, 0.42%

LAB 48.12, 11.57, -58.64

 

CMYK 0 / 100 / 87 / 16

HEX #D6001C

RGB 214 0 28

HSL 352.15, 1%, 0.42%

LAB 44.77, 70.51, 48.69

 

CMYK 100 / 0 / 73 / 16

HEX #00D63A

RGB 0 214 58

HSL 136.26, 1%, 0.42%

LAB 75.08, -73.02, 61.04

 

CMYK 73 / 100 / 0 / 16

HEX #3900D6

RGB 57 0 214

HSL 255.98, 1%, 0.42%

LAB 28.71, 70.25, -90.45

 

CMYK 0 / 73 / 100 / 16

HEX #D63900

RGB 214 57 0

HSL 15.98, 1%, 0.42%

LAB 48.54, 59.17, 60.46

 

CMYK 100 / 0 / 73 / 16

HEX #00D63A

RGB 0 214 58

HSL 136.26, 1%, 0.42%

LAB 75.08, -73.02, 61.04

 

CMYK 100 / 47 / 0 / 16

HEX #0072D6

RGB 0 114 214

HSL 208.04, 1%, 0.42%

LAB 48.12, 11.57, -58.64

 

CMYK 0 / 100 / 27 / 16

HEX #D6009D

RGB 214 0 157

HSL 315.98, 1%, 0.42%

LAB 47.92, 78.79, -24.61

 

CMYK 0 / 54 / 100 / 16

HEX #D66300

RGB 214 99 0

HSL 27.76, 1%, 0.42%

LAB 55.3, 41.22, 64

 

CMYK 100 / 0 / 73 / 16

HEX #00D63A

RGB 0 214 58

HSL 136.26, 1%, 0.42%

LAB 75.08, -73.02, 61.04

 

CMYK 100 / 77 / 0 / 16

HEX #0031D6

RGB 0 49 214

HSL 226.26, 1%, 0.42%

LAB 31.92, 52.59, -85.15

 

CMYK 0 / 100 / 27 / 16

HEX #D6009D

RGB 214 0 157

HSL 315.98, 1%, 0.42%

LAB 47.92, 78.79, -24.61

 

CMYK 0 / 23 / 100 / 16

HEX #D6A400

RGB 214 164 0

HSL 45.98, 1%, 0.42%

LAB 70.07, 6.83, 73.48

 

Description

Color code: CMYK 100 / 0 / 73 / 16 | qconv.com Color code: CMYK 100 / 0 / 73 / 16 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 214 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 214 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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