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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 9 / 87 / 36 it is the complementary color CMYK 61 / 55 / 0 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 9 / 87 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 9 / 87 / 36: CMYK 0 / 11 / 90 / 34, CMYK 0 / 10 / 81 / 27, CMYK 0 / 8 / 73 / 21, CMYK 0 / 7 / 67 / 14 and CMYK 0 / 6 / 61 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 9 / 87 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 9 / 87 / 36: CMYK 0 / 9 / 87 / 36, CMYK 0 / 10 / 99 / 43, CMYK 0 / 12 / 100 / 49, CMYK 0 / 15 / 100 / 56 and CMYK 0 / 19 / 100 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 87 / 36

HEX #A39515

RGB 163 149 21

HSL 54.08, 0.77%, 0.36%

LAB 61.08, -7.71, 61.26

 

Complementary color

CMYK 61 / 55 / 0 / 8

HEX #5C6AEA

RGB 92 106 234

HSL 234.08, 0.77%, 0.64%

LAB 50.13, 32.83, -66.56

 

CMYK 0 / 11 / 90 / 34

HEX #A89510

RGB 168 149 16

HSL 52.5, 0.83%, 0.36%

LAB 61.53, -5.54, 62.87

 

CMYK 0 / 10 / 81 / 27

HEX #B9A723

RGB 185 167 35

HSL 52.8, 0.68%, 0.43%

LAB 68.07, -7, 64.3

 

CMYK 0 / 8 / 73 / 21

HEX #CAB936

RGB 202 185 54

HSL 53.11, 0.58%, 0.5%

LAB 74.52, -8.22, 64.56

 

CMYK 0 / 7 / 67 / 14

HEX #DBCB49

RGB 219 203 73

HSL 53.42, 0.67%, 0.57%

LAB 80.88, -9.24, 64.16

 

CMYK 0 / 6 / 61 / 7

HEX #ECDD5C

RGB 236 221 92

HSL 53.75, 0.79%, 0.64%

LAB 87.15, -10.11, 63.39

 

CMYK 0 / 9 / 87 / 36

HEX #A39515

RGB 163 149 21

HSL 54.08, 0.77%, 0.36%

LAB 61.08, -7.71, 61.26

 

CMYK 0 / 10 / 99 / 43

HEX #928302

RGB 146 131 2

HSL 53.75, 0.97%, 0.29%

LAB 54.39, -6.12, 58.9

 

CMYK 0 / 12 / 100 / 49

HEX #817100

RGB 129 113 0

HSL 52.56, 1%, 0.25%

LAB 47.59, -4.16, 53.63

 

CMYK 0 / 15 / 100 / 56

HEX #705F00

RGB 112 95 0

HSL 50.89, 1%, 0.22%

LAB 40.62, -2.07, 47.86

 

CMYK 0 / 19 / 100 / 63

HEX #5F4D00

RGB 95 77 0

HSL 48.63, 1%, 0.19%

LAB 33.44, 0.15, 41.93

 

CMYK 0 / 9 / 87 / 36

HEX #A39515

RGB 163 149 21

HSL 54.08, 0.77%, 0.36%

LAB 61.08, -7.71, 61.26

 

CMYK 6 / 0 / 87 / 36

HEX #99A215

RGB 153 162 21

HSL 63.83, 0.77%, 0.36%

LAB 63.89, -18.98, 63.21

 

CMYK 20 / 0 / 87 / 36

HEX #81A215

RGB 129 162 21

HSL 74.04, 0.77%, 0.36%

LAB 62.14, -29.29, 61.04

 

CMYK 35 / 0 / 87 / 36

HEX #69A215

RGB 105 162 21

HSL 84.26, 0.77%, 0.36%

LAB 60.69, -38.82, 59.24

 

CMYK 49 / 0 / 87 / 36

HEX #52A215

RGB 82 162 21

HSL 94.04, 0.77%, 0.36%

LAB 59.61, -46.77, 57.88

 

CMYK 0 / 9 / 87 / 36

HEX #A39515

RGB 163 149 21

HSL 54.08, 0.77%, 0.36%

LAB 61.08, -7.71, 61.26

 

CMYK 0 / 8 / 87 / 16

HEX #D6C41C

RGB 214 196 28

HSL 54.19, 0.77%, 0.47%

LAB 78.38, -9.52, 75.66

 

CMYK 0 / 10 / 90 / 96

HEX #0A0901

RGB 10 9 1

HSL 53.33, 0.82%, 0.02%

LAB 2.37, -0.85, 3.12

 

CMYK 0 / 8 / 87 / 76

HEX #3D3808

RGB 61 56 8

HSL 54.34, 0.77%, 0.14%

LAB 23.13, -4.19, 28.54

 

CMYK 0 / 9 / 88 / 56

HEX #70660E

RGB 112 102 14

HSL 53.88, 0.78%, 0.25%

LAB 42.73, -5.76, 45.86

 

CMYK 0 / 9 / 87 / 36

HEX #A39515

RGB 163 149 21

HSL 54.08, 0.77%, 0.36%

LAB 61.08, -7.71, 61.26

 

CMYK 87 / 0 / 78 / 36

HEX #15A223

RGB 21 162 35

HSL 125.96, 0.77%, 0.36%

LAB 58.15, -58.53, 52.09

 

CMYK 44 / 87 / 0 / 36

HEX #5B15A2

RGB 91 21 162

HSL 269.79, 0.77%, 0.36%

LAB 27.76, 55.8, -61.07

 

CMYK 0 / 9 / 87 / 36

HEX #A39515

RGB 163 149 21

HSL 54.08, 0.77%, 0.36%

LAB 61.08, -7.71, 61.26

 

CMYK 87 / 0 / 9 / 36

HEX #15A294

RGB 21 162 148

HSL 174.04, 0.77%, 0.36%

LAB 60.01, -37.49, -2.56

 

CMYK 9 / 87 / 0 / 36

HEX #9415A2

RGB 148 21 162

HSL 294.04, 0.77%, 0.36%

LAB 36.82, 64.7, -45.94

 

CMYK 0 / 9 / 87 / 36

HEX #A39515

RGB 163 149 21

HSL 54.08, 0.77%, 0.36%

LAB 61.08, -7.71, 61.26

 

CMYK 87 / 0 / 78 / 36

HEX #15A223

RGB 21 162 35

HSL 125.96, 0.77%, 0.36%

LAB 58.15, -58.53, 52.09

 

CMYK 87 / 78 / 0 / 36

HEX #1523A2

RGB 21 35 162

HSL 234.04, 0.77%, 0.36%

LAB 23.57, 43.24, -68.2

 

CMYK 0 / 87 / 9 / 36

HEX #A21594

RGB 162 21 148

HSL 305.96, 0.77%, 0.36%

LAB 38.47, 65.12, -34.66

 

CMYK 0 / 9 / 87 / 36

HEX #A39515

RGB 163 149 21

HSL 54.08, 0.77%, 0.36%

LAB 61.08, -7.71, 61.26

 

CMYK 87 / 0 / 52 / 36

HEX #15A24D

RGB 21 162 77

HSL 143.83, 0.77%, 0.36%

LAB 58.54, -53.71, 34.33

 

CMYK 87 / 78 / 0 / 36

HEX #1523A2

RGB 21 35 162

HSL 234.04, 0.77%, 0.36%

LAB 23.57, 43.24, -68.2

 

CMYK 0 / 87 / 35 / 36

HEX #A21569

RGB 162 21 105

HSL 324.26, 0.77%, 0.36%

LAB 36.44, 59.6, -11.05

 

Description

Color code: CMYK 0 / 9 / 87 / 36 | qconv.com Color code: CMYK 0 / 9 / 87 / 36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 149 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 149 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 87 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 87% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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