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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 9 / 68 / 37 it is the complementary color CMYK 54 / 47 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 9 / 68 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 9 / 68 / 37: CMYK 0 / 12 / 72 / 35, CMYK 0 / 10 / 64 / 28, CMYK 0 / 9 / 58 / 22, CMYK 0 / 8 / 53 / 15 and CMYK 0 / 7 / 48 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 9 / 68 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 9 / 68 / 37: CMYK 0 / 9 / 68 / 37, CMYK 0 / 11 / 78 / 44, CMYK 0 / 13 / 90 / 50, CMYK 0 / 16 / 100 / 57 and CMYK 0 / 20 / 100 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 68 / 37

HEX #A19233

RGB 161 146 51

HSL 51.82, 0.52%, 0.42%

LAB 60.22, -5.76, 50.32

 

Complementary color

CMYK 54 / 47 / 0 / 20

HEX #5E6DCC

RGB 94 109 204

HSL 231.82, 0.52%, 0.58%

LAB 49.1, 21.58, -51.21

 

CMYK 0 / 12 / 72 / 35

HEX #A6922E

RGB 166 146 46

HSL 50, 0.57%, 0.42%

LAB 60.66, -3.8, 52.98

 

CMYK 0 / 10 / 64 / 28

HEX #B7A441

RGB 183 164 65

HSL 50.34, 0.48%, 0.49%

LAB 67.28, -4.86, 52.27

 

CMYK 0 / 9 / 58 / 22

HEX #C8B654

RGB 200 182 84

HSL 50.69, 0.51%, 0.56%

LAB 73.79, -5.74, 51.25

 

CMYK 0 / 8 / 53 / 15

HEX #D9C867

RGB 217 200 103

HSL 51.05, 0.6%, 0.63%

LAB 80.2, -6.47, 50.1

 

CMYK 0 / 7 / 48 / 8

HEX #EADA7A

RGB 234 218 122

HSL 51.43, 0.73%, 0.7%

LAB 86.52, -7.08, 48.91

 

CMYK 0 / 9 / 68 / 37

HEX #A19233

RGB 161 146 51

HSL 51.82, 0.52%, 0.42%

LAB 60.22, -5.76, 50.32

 

CMYK 0 / 11 / 78 / 44

HEX #908020

RGB 144 128 32

HSL 51.43, 0.64%, 0.35%

LAB 53.46, -4.6, 50.7

 

CMYK 0 / 13 / 90 / 50

HEX #7F6E0D

RGB 127 110 13

HSL 51.05, 0.81%, 0.27%

LAB 46.57, -3.14, 49.91

 

CMYK 0 / 16 / 100 / 57

HEX #6E5C00

RGB 110 92 0

HSL 50.18, 1%, 0.22%

LAB 39.53, -1.3, 46.99

 

CMYK 0 / 20 / 100 / 64

HEX #5D4A00

RGB 93 74 0

HSL 47.74, 1%, 0.18%

LAB 32.31, 0.97, 41.03

 

CMYK 0 / 9 / 68 / 37

HEX #A19233

RGB 161 146 51

HSL 51.82, 0.52%, 0.42%

LAB 60.22, -5.76, 50.32

 

CMYK 1 / 0 / 69 / 36

HEX #A0A233

RGB 160 162 51

HSL 61.08, 0.52%, 0.42%

LAB 64.61, -14.69, 54.75

 

CMYK 12 / 0 / 69 / 36

HEX #8EA233

RGB 142 162 51

HSL 70.81, 0.52%, 0.42%

LAB 63.2, -22.43, 52.87

 

CMYK 24 / 0 / 69 / 36

HEX #7BA233

RGB 123 162 51

HSL 81.08, 0.52%, 0.42%

LAB 61.9, -30.27, 51.13

 

CMYK 35 / 0 / 69 / 36

HEX #69A233

RGB 105 162 51

HSL 90.81, 0.52%, 0.42%

LAB 60.85, -37.17, 49.71

 

CMYK 0 / 9 / 68 / 37

HEX #A19233

RGB 161 146 51

HSL 51.82, 0.52%, 0.42%

LAB 60.22, -5.76, 50.32

 

CMYK 0 / 9 / 68 / 17

HEX #D4C043

RGB 212 192 67

HSL 51.72, 0.63%, 0.55%

LAB 77.34, -6.91, 62.73

 

CMYK 0 / 13 / 63 / 97

HEX #080703

RGB 8 7 3

HSL 48, 0.45%, 0.02%

LAB 1.9, -0.29, 1.61

 

CMYK 0 / 8 / 68 / 77

HEX #3B3613

RGB 59 54 19

HSL 52.5, 0.51%, 0.15%

LAB 22.36, -3.2, 22.34

 

CMYK 0 / 9 / 68 / 57

HEX #6E6423

RGB 110 100 35

HSL 52, 0.52%, 0.28%

LAB 42.08, -4.55, 37.05

 

CMYK 0 / 9 / 68 / 37

HEX #A19233

RGB 161 146 51

HSL 51.82, 0.52%, 0.42%

LAB 60.22, -5.76, 50.32

 

CMYK 69 / 0 / 65 / 36

HEX #33A238

RGB 51 162 56

HSL 122.7, 0.52%, 0.42%

LAB 58.82, -52.29, 44.78

 

CMYK 38 / 69 / 0 / 36

HEX #6533A2

RGB 101 51 162

HSL 267.03, 0.52%, 0.42%

LAB 33.44, 44.98, -51.74

 

CMYK 0 / 9 / 68 / 37

HEX #A19233

RGB 161 146 51

HSL 51.82, 0.52%, 0.42%

LAB 60.22, -5.76, 50.32

 

CMYK 69 / 0 / 10 / 36

HEX #33A292

RGB 51 162 146

HSL 171.35, 0.52%, 0.42%

LAB 60.44, -34.74, -0.74

 

CMYK 10 / 69 / 0 / 36

HEX #9233A2

RGB 146 51 162

HSL 291.35, 0.52%, 0.42%

LAB 39.73, 54.99, -41.3

 

CMYK 0 / 9 / 68 / 37

HEX #A19233

RGB 161 146 51

HSL 51.82, 0.52%, 0.42%

LAB 60.22, -5.76, 50.32

 

CMYK 69 / 0 / 65 / 36

HEX #33A238

RGB 51 162 56

HSL 122.7, 0.52%, 0.42%

LAB 58.82, -52.29, 44.78

 

CMYK 69 / 58 / 0 / 36

HEX #3344A2

RGB 51 68 162

HSL 230.81, 0.52%, 0.42%

LAB 32.8, 25.32, -52.98

 

CMYK 0 / 69 / 3 / 36

HEX #A2339D

RGB 162 51 157

HSL 302.7, 0.52%, 0.42%

LAB 41.97, 57.89, -34.58

 

CMYK 0 / 9 / 68 / 37

HEX #A19233

RGB 161 146 51

HSL 51.82, 0.52%, 0.42%

LAB 60.22, -5.76, 50.32

 

CMYK 69 / 0 / 44 / 36

HEX #33A25A

RGB 51 162 90

HSL 141.08, 0.52%, 0.42%

LAB 59.24, -47.46, 28.56

 

CMYK 69 / 58 / 0 / 36

HEX #3344A2

RGB 51 68 162

HSL 230.81, 0.52%, 0.42%

LAB 32.8, 25.32, -52.98

 

CMYK 0 / 69 / 24 / 36

HEX #A2337B

RGB 162 51 123

HSL 321.08, 0.52%, 0.42%

LAB 40.38, 52.7, -16.33

 

Description

Color code: CMYK 0 / 9 / 68 / 37 | qconv.com Color code: CMYK 0 / 9 / 68 / 37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 146 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 146 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 68 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 68% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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