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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 98 / 10 / 44 it is the complementary color CMYK 56 / 0 / 50 / 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 98 / 10 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 98 / 10 / 44: CMYK 0 / 98 / 16 / 42, CMYK 0 / 87 / 13 / 35, CMYK 0 / 79 / 11 / 29, CMYK 0 / 71 / 9 / 22 and CMYK 0 / 65 / 7 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 98 / 10 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 98 / 10 / 44: CMYK 0 / 98 / 10 / 44, CMYK 0 / 100 / 13 / 51, CMYK 0 / 100 / 17 / 57, CMYK 0 / 100 / 22 / 64 and CMYK 0 / 100 / 29 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 10 / 44

HEX #8F0381

RGB 143 3 129

HSL 306, 0.96%, 0.29%

LAB 32.9, 61.36, -31.99

 

Complementary color

CMYK 56 / 0 / 50 / 1

HEX #70FC7E

RGB 112 252 126

HSL 126, 0.96%, 0.71%

LAB 89.19, -62.97, 48.74

 

CMYK 0 / 98 / 16 / 42

HEX #94037C

RGB 148 3 124

HSL 309.93, 0.96%, 0.3%

LAB 33.6, 61.62, -27.68

 

CMYK 0 / 87 / 13 / 35

HEX #A5158F

RGB 165 21 143

HSL 309.17, 0.77%, 0.36%

LAB 38.76, 65.01, -31.12

 

CMYK 0 / 79 / 11 / 29

HEX #B627A2

RGB 182 39 162

HSL 308.39, 0.65%, 0.43%

LAB 44.24, 67.15, -33.77

 

CMYK 0 / 71 / 9 / 22

HEX #C739B5

RGB 199 57 181

HSL 307.61, 0.56%, 0.5%

LAB 49.98, 68.27, -35.77

 

CMYK 0 / 65 / 7 / 15

HEX #D84BC8

RGB 216 75 200

HSL 306.81, 0.64%, 0.57%

LAB 55.89, 68.73, -37.3

 

CMYK 0 / 98 / 10 / 44

HEX #8F0381

RGB 143 3 129

HSL 306, 0.96%, 0.29%

LAB 32.9, 61.36, -31.99

 

CMYK 0 / 100 / 13 / 51

HEX #7E006E

RGB 126 0 110

HSL 307.62, 1%, 0.25%

LAB 28.28, 55.86, -27.46

 

CMYK 0 / 100 / 17 / 57

HEX #6D005B

RGB 109 0 91

HSL 309.91, 1%, 0.21%

LAB 23.69, 49.8, -22.51

 

CMYK 0 / 100 / 22 / 64

HEX #5C0048

RGB 92 0 72

HSL 313.04, 1%, 0.18%

LAB 18.98, 43.57, -17.31

 

CMYK 0 / 100 / 29 / 71

HEX #4B0035

RGB 75 0 53

HSL 317.6, 1%, 0.15%

LAB 14.13, 37.16, -11.76

 

CMYK 0 / 98 / 10 / 44

HEX #8F0381

RGB 143 3 129

HSL 306, 0.96%, 0.29%

LAB 32.9, 61.36, -31.99

 

CMYK 0 / 99 / 26 / 44

HEX #90026B

RGB 144 2 107

HSL 315.63, 0.97%, 0.29%

LAB 31.88, 58.77, -19.62

 

CMYK 0 / 99 / 42 / 44

HEX #900253

RGB 144 2 83

HSL 325.77, 0.97%, 0.29%

LAB 30.87, 56.14, -5.55

 

CMYK 0 / 99 / 59 / 44

HEX #90023B

RGB 144 2 59

HSL 335.92, 0.97%, 0.29%

LAB 30.13, 54.16, 9.36

 

CMYK 0 / 99 / 75 / 44

HEX #900224

RGB 144 2 36

HSL 345.63, 0.97%, 0.29%

LAB 29.66, 52.9, 24.07

 

CMYK 0 / 98 / 10 / 44

HEX #8F0381

RGB 143 3 129

HSL 306, 0.96%, 0.29%

LAB 32.9, 61.36, -31.99

 

CMYK 0 / 98 / 10 / 24

HEX #C204AF

RGB 194 4 175

HSL 306, 0.96%, 0.39%

LAB 45.15, 76.95, -39.92

 

CMYK 0 / 98 / 10 / 4

HEX #F505DD

RGB 245 5 221

HSL 306, 0.96%, 0.49%

LAB 56.82, 91.78, -47.47

 

CMYK 0 / 98 / 10 / 84

HEX #290125

RGB 41 1 37

HSL 306, 0.95%, 0.08%

LAB 5.66, 24.95, -13.65

 

CMYK 0 / 98 / 10 / 64

HEX #5C0253

RGB 92 2 83

HSL 306, 0.96%, 0.18%

LAB 19.82, 44.67, -23.51

 

CMYK 0 / 98 / 10 / 44

HEX #8F0381

RGB 143 3 129

HSL 306, 0.96%, 0.29%

LAB 32.9, 61.36, -31.99

 

CMYK 0 / 69 / 99 / 44

HEX #902D02

RGB 144 45 2

HSL 18.17, 0.97%, 0.29%

LAB 33.58, 40.21, 44.91

 

CMYK 99 / 0 / 29 / 44

HEX #029066

RGB 2 144 102

HSL 162.25, 0.97%, 0.29%

LAB 52.86, -43.25, 13.28

 

CMYK 0 / 98 / 10 / 44

HEX #8F0381

RGB 143 3 129

HSL 306, 0.96%, 0.29%

LAB 32.9, 61.36, -31.99

 

CMYK 10 / 0 / 99 / 44

HEX #829002

RGB 130 144 2

HSL 65.92, 0.97%, 0.29%

LAB 56.78, -20.38, 60.05

 

CMYK 99 / 10 / 0 / 44

HEX #028290

RGB 2 130 144

HSL 185.92, 0.97%, 0.29%

LAB 49.49, -24.38, -16.02

 

CMYK 0 / 98 / 10 / 44

HEX #8F0381

RGB 143 3 129

HSL 306, 0.96%, 0.29%

LAB 32.9, 61.36, -31.99

 

CMYK 0 / 69 / 99 / 44

HEX #902D02

RGB 144 45 2

HSL 18.17, 0.97%, 0.29%

LAB 33.58, 40.21, 44.91

 

CMYK 99 / 0 / 88 / 44

HEX #029011

RGB 2 144 17

HSL 126.34, 0.97%, 0.29%

LAB 51.84, -55.58, 51.27

 

CMYK 99 / 29 / 0 / 44

HEX #026690

RGB 2 102 144

HSL 197.75, 0.97%, 0.29%

LAB 40.46, -8.81, -29.98

 

CMYK 0 / 98 / 10 / 44

HEX #8F0381

RGB 143 3 129

HSL 306, 0.96%, 0.29%

LAB 32.9, 61.36, -31.99

 

CMYK 0 / 39 / 99 / 44

HEX #905802

RGB 144 88 2

HSL 36.34, 0.97%, 0.29%

LAB 42.63, 17.49, 50.53

 

CMYK 99 / 0 / 88 / 44

HEX #029011

RGB 2 144 17

HSL 126.34, 0.97%, 0.29%

LAB 51.84, -55.58, 51.27

 

CMYK 99 / 59 / 0 / 44

HEX #023B90

RGB 2 59 144

HSL 215.92, 0.97%, 0.29%

LAB 27.17, 19.67, -51.27

 

Description

Color code: CMYK 0 / 98 / 10 / 44 | qconv.com Color code: CMYK 0 / 98 / 10 / 44 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 3 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 3 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 10 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 10% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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