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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 93 / 28 / 59 it is the complementary color CMYK 40 / 0 / 27 / 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 93 / 28 / 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 93 / 28 / 59: CMYK 0 / 94 / 36 / 57, CMYK 0 / 80 / 30 / 50, CMYK 0 / 70 / 25 / 44, CMYK 0 / 62 / 21 / 37 and CMYK 0 / 56 / 18 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 93 / 28 / 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 93 / 28 / 59: CMYK 0 / 93 / 29 / 59, CMYK 0 / 100 / 36 / 65, CMYK 0 / 100 / 48 / 72, CMYK 0 / 100 / 67 / 79 and CMYK 0 / 100 / 100 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 28 / 59

HEX #69074B

RGB 105 7 75

HSL 318.37, 0.88%, 0.22%

LAB 22.53, 45.23, -13.64

 

Complementary color

CMYK 40 / 0 / 27 / 3

HEX #96F8B4

RGB 150 248 180

HSL 138.37, 0.88%, 0.78%

LAB 90.28, -43.02, 23.81

 

CMYK 0 / 94 / 36 / 57

HEX #6E0746

RGB 110 7 70

HSL 323.3, 0.88%, 0.23%

LAB 23.37, 45.83, -8.85

 

CMYK 0 / 80 / 30 / 50

HEX #7F1959

RGB 127 25 89

HSL 322.35, 0.67%, 0.3%

LAB 29.23, 47.98, -12.31

 

CMYK 0 / 70 / 25 / 44

HEX #902B6C

RGB 144 43 108

HSL 321.39, 0.54%, 0.37%

LAB 35.48, 48.75, -14.72

 

CMYK 0 / 62 / 21 / 37

HEX #A13D7F

RGB 161 61 127

HSL 320.4, 0.45%, 0.44%

LAB 41.92, 48.73, -16.45

 

CMYK 0 / 56 / 18 / 30

HEX #B24F92

RGB 178 79 146

HSL 319.39, 0.39%, 0.5%

LAB 48.43, 48.3, -17.77

 

CMYK 0 / 93 / 29 / 59

HEX #69074B

RGB 105 7 75

HSL 318.37, 0.88%, 0.22%

LAB 22.53, 45.23, -13.64

 

CMYK 0 / 100 / 36 / 65

HEX #580038

RGB 88 0 56

HSL 321.82, 1%, 0.17%

LAB 17.27, 40.6, -8.82

 

CMYK 0 / 100 / 48 / 72

HEX #470025

RGB 71 0 37

HSL 328.73, 1%, 0.14%

LAB 12.44, 34.25, -2.66

 

CMYK 0 / 100 / 67 / 79

HEX #360012

RGB 54 0 18

HSL 340, 1%, 0.11%

LAB 7.48, 27.75, 3.65

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 93 / 29 / 59

HEX #69074B

RGB 105 7 75

HSL 318.37, 0.88%, 0.22%

LAB 22.53, 45.23, -13.64

 

CMYK 0 / 94 / 44 / 59

HEX #69063B

RGB 105 6 59

HSL 327.88, 0.89%, 0.22%

LAB 21.76, 43.58, -3.79

 

CMYK 0 / 94 / 60 / 59

HEX #69062A

RGB 105 6 42

HSL 338.18, 0.89%, 0.22%

LAB 21.21, 42.06, 7.35

 

CMYK 0 / 94 / 75 / 59

HEX #69061A

RGB 105 6 26

HSL 347.88, 0.89%, 0.22%

LAB 20.86, 41.06, 18.12

 

CMYK 0 / 94 / 90 / 59

HEX #69060A

RGB 105 6 10

HSL 357.58, 0.89%, 0.22%

LAB 20.66, 40.48, 27.28

 

CMYK 0 / 93 / 29 / 59

HEX #69074B

RGB 105 7 75

HSL 318.37, 0.88%, 0.22%

LAB 22.53, 45.23, -13.64

 

CMYK 0 / 94 / 29 / 39

HEX #9C0A6F

RGB 156 10 111

HSL 318.49, 0.88%, 0.33%

LAB 34.87, 60.72, -17.37

 

CMYK 0 / 93 / 29 / 19

HEX #CF0E94

RGB 207 14 148

HSL 318.34, 0.87%, 0.43%

LAB 46.6, 75.2, -21.34

 

CMYK 0 / 100 / 33 / 99

HEX #030002

RGB 3 0 2

HSL 320, 1%, 0.01%

LAB 0.21, 1.06, -0.48

 

CMYK 0 / 93 / 28 / 79

HEX #360427

RGB 54 4 39

HSL 318, 0.86%, 0.11%

LAB 9.14, 28.08, -9.55

 

CMYK 0 / 93 / 29 / 59

HEX #69074B

RGB 105 7 75

HSL 318.37, 0.88%, 0.22%

LAB 22.53, 45.23, -13.64

 

CMYK 0 / 47 / 94 / 59

HEX #693806

RGB 105 56 6

HSL 30.3, 0.89%, 0.22%

LAB 29.02, 18.23, 36.91

 

CMYK 94 / 0 / 10 / 59

HEX #06695F

RGB 6 105 95

HSL 173.94, 0.89%, 0.22%

LAB 39.53, -27.85, -1.63

 

CMYK 0 / 93 / 29 / 59

HEX #69074B

RGB 105 7 75

HSL 318.37, 0.88%, 0.22%

LAB 22.53, 45.23, -13.64

 

CMYK 29 / 0 / 94 / 59

HEX #4B6906

RGB 75 105 6

HSL 78.18, 0.89%, 0.22%

LAB 40.59, -24.94, 44.87

 

CMYK 94 / 29 / 0 / 59

HEX #064B69

RGB 6 75 105

HSL 198.18, 0.89%, 0.22%

LAB 29.64, -7.63, -22.9

 

CMYK 0 / 93 / 29 / 59

HEX #69074B

RGB 105 7 75

HSL 318.37, 0.88%, 0.22%

LAB 22.53, 45.23, -13.64

 

CMYK 0 / 47 / 94 / 59

HEX #693806

RGB 105 56 6

HSL 30.3, 0.89%, 0.22%

LAB 29.02, 18.23, 36.91

 

CMYK 94 / 0 / 66 / 59

HEX #066924

RGB 6 105 36

HSL 138.18, 0.89%, 0.22%

LAB 38.32, -41.39, 30.9

 

CMYK 94 / 47 / 0 / 59

HEX #063869

RGB 6 56 105

HSL 209.7, 0.89%, 0.22%

LAB 23.29, 5.11, -32.96

 

CMYK 0 / 93 / 29 / 59

HEX #69074B

RGB 105 7 75

HSL 318.37, 0.88%, 0.22%

LAB 22.53, 45.23, -13.64

 

CMYK 0 / 19 / 94 / 59

HEX #695506

RGB 105 85 6

HSL 47.88, 0.89%, 0.22%

LAB 36.95, 0.54, 43.05

 

CMYK 94 / 0 / 66 / 59

HEX #066924

RGB 6 105 36

HSL 138.18, 0.89%, 0.22%

LAB 38.32, -41.39, 30.9

 

CMYK 94 / 75 / 0 / 59

HEX #061A69

RGB 6 26 105

HSL 227.88, 0.89%, 0.22%

LAB 14.39, 26.94, -47.47

 

Description

Color code: CMYK 0 / 93 / 28 / 59 | qconv.com Color code: CMYK 0 / 93 / 28 / 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 7 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 7 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 28 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 28% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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