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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 25 / 30 it is the complementary color CMYK 37 / 25 / 0 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 25 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 8 / 25 / 30: CMYK 0 / 11 / 30 / 28, CMYK 0 / 9 / 26 / 21, CMYK 0 / 8 / 23 / 15, CMYK 0 / 7 / 21 / 8 and CMYK 0 / 6 / 19 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 25 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 8 / 25 / 30: CMYK 0 / 8 / 25 / 30, CMYK 0 / 10 / 29 / 36, CMYK 0 / 12 / 34 / 43, CMYK 0 / 14 / 40 / 50 and CMYK 0 / 17 / 48 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 25 / 30

HEX #B3A486

RGB 179 164 134

HSL 40, 0.23%, 0.61%

LAB 67.91, 0.63, 17.57

 

Complementary color

CMYK 37 / 25 / 0 / 53

HEX #4C5B79

RGB 76 91 121

HSL 220, 0.23%, 0.39%

LAB 38.55, 2.27, -18.8

 

CMYK 0 / 11 / 30 / 28

HEX #B8A481

RGB 184 164 129

HSL 38.18, 0.28%, 0.61%

LAB 68.26, 1.91, 20.85

 

CMYK 0 / 9 / 26 / 21

HEX #C9B694

RGB 201 182 148

HSL 38.49, 0.33%, 0.68%

LAB 74.83, 1.5, 19.8

 

CMYK 0 / 8 / 23 / 15

HEX #DAC8A7

RGB 218 200 167

HSL 38.82, 0.41%, 0.75%

LAB 81.29, 1.15, 18.81

 

CMYK 0 / 7 / 21 / 8

HEX #EBDABA

RGB 235 218 186

HSL 39.18, 0.55%, 0.83%

LAB 87.65, 0.83, 17.87

 

CMYK 0 / 6 / 19 / 1

HEX #FCECCD

RGB 252 236 205

HSL 39.57, 0.89%, 0.9%

LAB 93.92, 0.55, 16.99

 

CMYK 0 / 8 / 25 / 30

HEX #B3A486

RGB 179 164 134

HSL 40, 0.23%, 0.61%

LAB 67.91, 0.63, 17.57

 

CMYK 0 / 10 / 29 / 36

HEX #A29273

RGB 162 146 115

HSL 39.57, 0.2%, 0.54%

LAB 61.2, 1.01, 18.63

 

CMYK 0 / 12 / 34 / 43

HEX #918060

RGB 145 128 96

HSL 39.18, 0.2%, 0.47%

LAB 54.35, 1.47, 19.77

 

CMYK 0 / 14 / 40 / 50

HEX #806E4D

RGB 128 110 77

HSL 38.82, 0.25%, 0.4%

LAB 47.34, 2.03, 21.03

 

CMYK 0 / 17 / 48 / 56

HEX #6F5C3A

RGB 111 92 58

HSL 38.49, 0.31%, 0.33%

LAB 40.15, 2.73, 22.41

 

CMYK 0 / 8 / 25 / 30

HEX #B3A486

RGB 179 164 134

HSL 40, 0.23%, 0.61%

LAB 67.91, 0.63, 17.57

 

CMYK 0 / 4 / 26 / 30

HEX #B2AA84

RGB 178 170 132

HSL 49.57, 0.23%, 0.61%

LAB 69.38, -3.28, 20.67

 

CMYK 0 / 0 / 26 / 30

HEX #B2B284

RGB 178 178 132

HSL 60, 0.23%, 0.61%

LAB 71.54, -7.53, 23.59

 

CMYK 4 / 0 / 26 / 30

HEX #AAB284

RGB 170 178 132

HSL 70.43, 0.23%, 0.61%

LAB 70.91, -10.63, 22.64

 

CMYK 8 / 0 / 26 / 30

HEX #A3B284

RGB 163 178 132

HSL 79.57, 0.23%, 0.61%

LAB 70.38, -13.3, 21.83

 

CMYK 0 / 8 / 25 / 30

HEX #B3A486

RGB 179 164 134

HSL 40, 0.23%, 0.61%

LAB 67.91, 0.63, 17.57

 

CMYK 0 / 8 / 25 / 10

HEX #E6D3AC

RGB 230 211 172

HSL 40.34, 0.54%, 0.79%

LAB 85.2, 0.63, 21.73

 

CMYK 0 / 8 / 27 / 90

HEX #1A1813

RGB 26 24 19

HSL 42.86, 0.16%, 0.09%

LAB 8.31, -0.17, 3.62

 

CMYK 0 / 8 / 25 / 70

HEX #4D473A

RGB 77 71 58

HSL 41.05, 0.14%, 0.26%

LAB 30.38, 0.05, 8.74

 

CMYK 0 / 9 / 25 / 50

HEX #807560

RGB 128 117 96

HSL 39.38, 0.14%, 0.44%

LAB 49.69, 0.64, 13.14

 

CMYK 0 / 8 / 25 / 30

HEX #B3A486

RGB 179 164 134

HSL 40, 0.23%, 0.61%

LAB 67.91, 0.63, 17.57

 

CMYK 22 / 0 / 26 / 30

HEX #8AB284

RGB 138 178 132

HSL 112.17, 0.23%, 0.61%

LAB 68.69, -22.46, 19.24

 

CMYK 19 / 26 / 0 / 30

HEX #9084B2

RGB 144 132 178

HSL 255.65, 0.23%, 0.61%

LAB 57.7, 14.18, -22.57

 

CMYK 0 / 8 / 25 / 30

HEX #B3A486

RGB 179 164 134

HSL 40, 0.23%, 0.61%

LAB 67.91, 0.63, 17.57

 

CMYK 26 / 0 / 8 / 30

HEX #84B2A3

RGB 132 178 163

HSL 160.43, 0.23%, 0.61%

LAB 69.03, -18.52, 2.7

 

CMYK 8 / 26 / 0 / 30

HEX #A384B2

RGB 163 132 178

HSL 280.43, 0.23%, 0.61%

LAB 59.44, 20.45, -19.76

 

CMYK 0 / 8 / 25 / 30

HEX #B3A486

RGB 179 164 134

HSL 40, 0.23%, 0.61%

LAB 67.91, 0.63, 17.57

 

CMYK 22 / 0 / 26 / 30

HEX #8AB284

RGB 138 178 132

HSL 112.17, 0.23%, 0.61%

LAB 68.69, -22.46, 19.24

 

CMYK 26 / 17 / 0 / 30

HEX #8493B2

RGB 132 147 178

HSL 220.43, 0.23%, 0.61%

LAB 60.77, 1.73, -17.97

 

CMYK 3 / 26 / 0 / 30

HEX #AC84B2

RGB 172 132 178

HSL 292.17, 0.23%, 0.61%

LAB 60.33, 23.49, -18.32

 

CMYK 0 / 8 / 25 / 30

HEX #B3A486

RGB 179 164 134

HSL 40, 0.23%, 0.61%

LAB 67.91, 0.63, 17.57

 

CMYK 26 / 0 / 21 / 30

HEX #84B28C

RGB 132 178 140

HSL 130.43, 0.23%, 0.61%

LAB 68.49, -23.11, 14.56

 

CMYK 26 / 17 / 0 / 30

HEX #8493B2

RGB 132 147 178

HSL 220.43, 0.23%, 0.61%

LAB 60.77, 1.73, -17.97

 

CMYK 0 / 26 / 4 / 30

HEX #B284AA

RGB 178 132 170

HSL 310.43, 0.23%, 0.61%

LAB 60.67, 24.01, -13.19

 

Description

Color code: CMYK 0 / 8 / 25 / 30 | qconv.com Color code: CMYK 0 / 8 / 25 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 164 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 164 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 25 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 25% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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