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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 88 / 55 / 12 it is the complementary color CMYK 86 / 0 / 32 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 88 / 55 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 88 / 55 / 12: CMYK 0 / 88 / 58 / 10, CMYK 0 / 82 / 53 / 4, CMYK 0 / 75 / 47 / 0, CMYK 0 / 68 / 40 / 0 and CMYK 0 / 61 / 33 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 88 / 55 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 88 / 55 / 12: CMYK 0 / 88 / 55 / 12, CMYK 0 / 96 / 60 / 19, CMYK 0 / 100 / 67 / 25, CMYK 0 / 100 / 75 / 32 and CMYK 0 / 100 / 84 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 55 / 12

HEX #E01B65

RGB 224 27 101

HSL 337.46, 0.78%, 0.49%

LAB 48.97, 73.07, 11.22

 

Complementary color

CMYK 86 / 0 / 32 / 11

HEX #1FE49A

RGB 31 228 154

HSL 157.46, 0.78%, 0.51%

LAB 80.8, -61.82, 23.67

 

CMYK 0 / 88 / 58 / 10

HEX #E51B60

RGB 229 27 96

HSL 339.5, 0.8%, 0.5%

LAB 49.84, 73.95, 15.65

 

CMYK 0 / 82 / 53 / 4

HEX #F62D73

RGB 246 45 115

HSL 339.1, 0.92%, 0.57%

LAB 54.77, 75.91, 11.47

 

CMYK 0 / 75 / 47 / 0

HEX #FF3F86

RGB 255 63 134

HSL 337.81, 1%, 0.62%

LAB 58.54, 74.98, 5.76

 

CMYK 0 / 68 / 40 / 0

HEX #FF5199

RGB 255 81 153

HSL 335.17, 1%, 0.66%

LAB 61.17, 70.81, -1.54

 

CMYK 0 / 61 / 33 / 0

HEX #FF63AC

RGB 255 99 172

HSL 331.92, 1%, 0.69%

LAB 64.29, 65.84, -7.88

 

CMYK 0 / 88 / 55 / 12

HEX #E01B65

RGB 224 27 101

HSL 337.46, 0.78%, 0.49%

LAB 48.97, 73.07, 11.22

 

CMYK 0 / 96 / 60 / 19

HEX #CF0952

RGB 207 9 82

HSL 337.88, 0.92%, 0.42%

LAB 44.33, 70.05, 16.08

 

CMYK 0 / 100 / 67 / 25

HEX #BE003F

RGB 190 0 63

HSL 340.11, 1%, 0.37%

LAB 40.09, 65.84, 21.81

 

CMYK 0 / 100 / 75 / 32

HEX #AD002C

RGB 173 0 44

HSL 344.74, 1%, 0.34%

LAB 36.11, 60.85, 28.12

 

CMYK 0 / 100 / 84 / 39

HEX #9C0019

RGB 156 0 25

HSL 350.38, 1%, 0.31%

LAB 32.12, 55.93, 34.33

 

CMYK 0 / 88 / 55 / 12

HEX #E01B65

RGB 224 27 101

HSL 337.46, 0.78%, 0.49%

LAB 48.97, 73.07, 11.22

 

CMYK 0 / 88 / 69 / 13

HEX #DE1B45

RGB 222 27 69

HSL 347.08, 0.78%, 0.49%

LAB 47.93, 70.76, 29.37

 

CMYK 0 / 88 / 83 / 13

HEX #DE1B25

RGB 222 27 37

HSL 356.92, 0.78%, 0.49%

LAB 47.56, 69.67, 47.23

 

CMYK 0 / 77 / 88 / 13

HEX #DE321B

RGB 222 50 27

HSL 7.08, 0.78%, 0.49%

LAB 49.36, 64.14, 53.44

 

CMYK 0 / 63 / 88 / 13

HEX #DE521B

RGB 222 82 27

HSL 16.92, 0.78%, 0.49%

LAB 53.65, 52.42, 56.75

 

CMYK 0 / 88 / 55 / 12

HEX #E01B65

RGB 224 27 101

HSL 337.46, 0.78%, 0.49%

LAB 48.97, 73.07, 11.22

 

CMYK 0 / 90 / 55 / 92

HEX #140209

RGB 20 2 9

HSL 336.67, 0.82%, 0.04%

LAB 1.91, 6.48, -0.71

 

CMYK 0 / 87 / 55 / 72

HEX #470920

RGB 71 9 32

HSL 337.74, 0.78%, 0.16%

LAB 13.47, 30.24, 2.57

 

CMYK 0 / 88 / 55 / 52

HEX #7A0F37

RGB 122 15 55

HSL 337.57, 0.78%, 0.27%

LAB 26.03, 45.79, 5.62

 

CMYK 0 / 88 / 55 / 32

HEX #AD154E

RGB 173 21 78

HSL 337.5, 0.78%, 0.38%

LAB 37.79, 59.87, 8.5

 

CMYK 0 / 88 / 55 / 12

HEX #E01B65

RGB 224 27 101

HSL 337.46, 0.78%, 0.49%

LAB 48.97, 73.07, 11.22

 

CMYK 0 / 16 / 88 / 13

HEX #DEBA1B

RGB 222 186 27

HSL 48.92, 0.78%, 0.49%

LAB 76.51, -0.92, 74.69

 

CMYK 88 / 19 / 0 / 13

HEX #1BB4DE

RGB 27 180 222

HSL 192.92, 0.78%, 0.49%

LAB 68.13, -22.36, -31.49

 

CMYK 0 / 88 / 55 / 12

HEX #E01B65

RGB 224 27 101

HSL 337.46, 0.78%, 0.49%

LAB 48.97, 73.07, 11.22

 

CMYK 54 / 0 / 88 / 13

HEX #66DE1B

RGB 102 222 27

HSL 96.92, 0.78%, 0.49%

LAB 79.13, -62.92, 73.76

 

CMYK 88 / 54 / 0 / 13

HEX #1B66DE

RGB 27 102 222

HSL 216.92, 0.78%, 0.49%

LAB 45.65, 23.46, -67.17

 

CMYK 0 / 88 / 55 / 12

HEX #E01B65

RGB 224 27 101

HSL 337.46, 0.78%, 0.49%

LAB 48.97, 73.07, 11.22

 

CMYK 0 / 16 / 88 / 13

HEX #DEBA1B

RGB 222 186 27

HSL 48.92, 0.78%, 0.49%

LAB 76.51, -0.92, 74.69

 

CMYK 88 / 0 / 34 / 13

HEX #1BDE93

RGB 27 222 147

HSL 156.92, 0.78%, 0.49%

LAB 78.8, -61.37, 24.56

 

CMYK 88 / 72 / 0 / 13

HEX #1B3FDE

RGB 27 63 222

HSL 228.92, 0.78%, 0.49%

LAB 36.1, 48.08, -82.82

 

CMYK 0 / 88 / 55 / 12

HEX #E01B65

RGB 224 27 101

HSL 337.46, 0.78%, 0.49%

LAB 48.97, 73.07, 11.22

 

CMYK 10 / 0 / 88 / 13

HEX #C7DE1B

RGB 199 222 27

HSL 67.08, 0.78%, 0.49%

LAB 84.21, -28.64, 80.04

 

CMYK 88 / 0 / 34 / 13

HEX #1BDE93

RGB 27 222 147

HSL 156.92, 0.78%, 0.49%

LAB 78.8, -61.37, 24.56

 

CMYK 77 / 88 / 0 / 13

HEX #321BDE

RGB 50 27 222

HSL 247.08, 0.78%, 0.49%

LAB 31.2, 66.11, -90.93

 

Description

Color code: CMYK 0 / 88 / 55 / 12 | qconv.com Color code: CMYK 0 / 88 / 55 / 12 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 27 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 27 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 55 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 55% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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