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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 86 / 51 / 38 it is the complementary color CMYK 58 / 0 / 24 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 86 / 51 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 86 / 51 / 38: CMYK 0 / 87 / 56 / 36, CMYK 0 / 78 / 49 / 29, CMYK 0 / 71 / 44 / 23, CMYK 0 / 64 / 40 / 16 and CMYK 0 / 59 / 36 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 86 / 51 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 86 / 51 / 38: CMYK 0 / 86 / 51 / 38, CMYK 0 / 97 / 59 / 45, CMYK 0 / 100 / 69 / 51, CMYK 0 / 100 / 81 / 58 and CMYK 0 / 100 / 99 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 51 / 38

HEX #9E164D

RGB 158 22 77

HSL 335.74, 0.76%, 0.35%

LAB 34.76, 55.71, 4.42

 

Complementary color

CMYK 58 / 0 / 24 / 9

HEX #61E9B2

RGB 97 233 178

HSL 155.74, 0.76%, 0.65%

LAB 83.98, -49.81, 15.79

 

CMYK 0 / 87 / 56 / 36

HEX #A31648

RGB 163 22 72

HSL 338.72, 0.76%, 0.36%

LAB 35.65, 56.63, 9.08

 

CMYK 0 / 78 / 49 / 29

HEX #B4285B

RGB 180 40 91

HSL 338.14, 0.64%, 0.43%

LAB 41.18, 58.05, 5.22

 

CMYK 0 / 71 / 44 / 23

HEX #C53A6E

RGB 197 58 110

HSL 337.55, 0.55%, 0.5%

LAB 47, 58.54, 2.21

 

CMYK 0 / 64 / 40 / 16

HEX #D64C81

RGB 214 76 129

HSL 336.96, 0.63%, 0.57%

LAB 53, 58.47, -0.18

 

CMYK 0 / 59 / 36 / 9

HEX #E75E94

RGB 231 94 148

HSL 336.35, 0.74%, 0.64%

LAB 59.1, 58.06, -2.13

 

CMYK 0 / 86 / 51 / 38

HEX #9E164D

RGB 158 22 77

HSL 335.74, 0.76%, 0.35%

LAB 34.76, 55.71, 4.42

 

CMYK 0 / 97 / 59 / 45

HEX #8D043A

RGB 141 4 58

HSL 336.35, 0.94%, 0.28%

LAB 29.55, 53.03, 9.13

 

CMYK 0 / 100 / 69 / 51

HEX #7C0027

RGB 124 0 39

HSL 341.13, 1%, 0.24%

LAB 25.05, 48.21, 15.35

 

CMYK 0 / 100 / 81 / 58

HEX #6B0014

RGB 107 0 20

HSL 348.79, 1%, 0.21%

LAB 20.74, 42.81, 22.18

 

CMYK 0 / 100 / 99 / 65

HEX #5A0001

RGB 90 0 1

HSL 359.33, 1%, 0.18%

LAB 16.38, 37.49, 25.01

 

CMYK 0 / 86 / 51 / 38

HEX #9E164D

RGB 158 22 77

HSL 335.74, 0.76%, 0.35%

LAB 34.76, 55.71, 4.42

 

CMYK 0 / 87 / 65 / 38

HEX #9D1537

RGB 157 21 55

HSL 345, 0.76%, 0.35%

LAB 33.94, 54.11, 17.62

 

CMYK 0 / 87 / 80 / 38

HEX #9D1520

RGB 157 21 32

HSL 355.15, 0.76%, 0.35%

LAB 33.58, 53.04, 31.74

 

CMYK 0 / 80 / 87 / 38

HEX #9D2015

RGB 157 32 21

HSL 4.85, 0.76%, 0.35%

LAB 34.51, 49.8, 38.76

 

CMYK 0 / 65 / 87 / 38

HEX #9D3715

RGB 157 55 21

HSL 15, 0.76%, 0.35%

LAB 37.76, 40.89, 41.56

 

CMYK 0 / 86 / 51 / 38

HEX #9E164D

RGB 158 22 77

HSL 335.74, 0.76%, 0.35%

LAB 34.76, 55.71, 4.42

 

CMYK 0 / 86 / 51 / 18

HEX #D11D66

RGB 209 29 102

HSL 335.67, 0.76%, 0.47%

LAB 46.17, 69.15, 6.23

 

CMYK 0 / 80 / 60 / 98

HEX #050102

RGB 5 1 2

HSL 345, 0.67%, 0.01%

LAB 0.53, 1.19, -0.01

 

CMYK 0 / 86 / 52 / 78

HEX #38081B

RGB 56 8 27

HSL 336.25, 0.75%, 0.13%

LAB 9.75, 25.09, 0.55

 

CMYK 0 / 86 / 51 / 58

HEX #6B0F34

RGB 107 15 52

HSL 335.87, 0.75%, 0.24%

LAB 22.71, 41.27, 2.52

 

CMYK 0 / 86 / 51 / 38

HEX #9E164D

RGB 158 22 77

HSL 335.74, 0.76%, 0.35%

LAB 34.76, 55.71, 4.42

 

CMYK 0 / 19 / 87 / 38

HEX #9D7F15

RGB 157 127 21

HSL 46.76, 0.76%, 0.35%

LAB 54.45, 1.6, 55.58

 

CMYK 87 / 16 / 0 / 38

HEX #15849D

RGB 21 132 157

HSL 191.03, 0.76%, 0.35%

LAB 50.8, -19.87, -21.59

 

CMYK 0 / 86 / 51 / 38

HEX #9E164D

RGB 158 22 77

HSL 335.74, 0.76%, 0.35%

LAB 34.76, 55.71, 4.42

 

CMYK 51 / 0 / 87 / 38

HEX #4D9D15

RGB 77 157 21

HSL 95.29, 0.76%, 0.35%

LAB 57.8, -46.37, 56.21

 

CMYK 87 / 51 / 0 / 38

HEX #154D9D

RGB 21 77 157

HSL 215.29, 0.76%, 0.35%

LAB 33.78, 13.75, -48.45

 

CMYK 0 / 86 / 51 / 38

HEX #9E164D

RGB 158 22 77

HSL 335.74, 0.76%, 0.35%

LAB 34.76, 55.71, 4.42

 

CMYK 0 / 19 / 87 / 38

HEX #9D7F15

RGB 157 127 21

HSL 46.76, 0.76%, 0.35%

LAB 54.45, 1.6, 55.58

 

CMYK 87 / 0 / 36 / 38

HEX #159D64

RGB 21 157 100

HSL 154.85, 0.76%, 0.35%

LAB 57.26, -47.61, 20.46

 

CMYK 87 / 68 / 0 / 38

HEX #15329D

RGB 21 50 157

HSL 227.21, 0.76%, 0.35%

LAB 26.38, 32.15, -60.52

 

CMYK 0 / 86 / 51 / 38

HEX #9E164D

RGB 158 22 77

HSL 335.74, 0.76%, 0.35%

LAB 34.76, 55.71, 4.42

 

CMYK 8 / 0 / 87 / 38

HEX #919D15

RGB 145 157 21

HSL 65.29, 0.76%, 0.35%

LAB 61.82, -19.96, 61.24

 

CMYK 87 / 0 / 36 / 38

HEX #159D64

RGB 21 157 100

HSL 154.85, 0.76%, 0.35%

LAB 57.26, -47.61, 20.46

 

CMYK 80 / 87 / 0 / 38

HEX #20159D

RGB 32 21 157

HSL 244.85, 0.76%, 0.35%

LAB 21.12, 49.06, -69.19

 

Description

Color code: CMYK 0 / 86 / 51 / 38 | qconv.com Color code: CMYK 0 / 86 / 51 / 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 22 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 22 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 51 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 51% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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