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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 83 / 78 / 60 it is the complementary color CMYK 36 / 0 / 2 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 83 / 78 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 83 / 78 / 60: CMYK 0 / 84 / 84 / 58, CMYK 0 / 72 / 71 / 51, CMYK 0 / 62 / 61 / 45, CMYK 0 / 55 / 53 / 38 and CMYK 0 / 49 / 47 / 31

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 83 / 78 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 83 / 78 / 60: CMYK 0 / 83 / 78 / 60, CMYK 0 / 100 / 96 / 67, CMYK 0 / 100 / 100 / 73, CMYK 0 / 100 / 100 / 80 and CMYK 0 / 100 / 100 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 78 / 60

HEX #661116

RGB 102 17 22

HSL 356.47, 0.71%, 0.23%

LAB 21.15, 37.02, 20.99

 

Complementary color

CMYK 36 / 0 / 2 / 7

HEX #99EEE9

RGB 153 238 233

HSL 176.47, 0.71%, 0.77%

LAB 88.83, -26.74, -5.74

 

CMYK 0 / 84 / 84 / 58

HEX #6B1111

RGB 107 17 17

HSL 0, 0.73%, 0.24%

LAB 22.19, 38.45, 25.62

 

CMYK 0 / 72 / 71 / 51

HEX #7C2324

RGB 124 35 36

HSL 359.33, 0.56%, 0.31%

LAB 28.42, 38.38, 21.57

 

CMYK 0 / 62 / 61 / 45

HEX #8D3537

RGB 141 53 55

HSL 358.64, 0.45%, 0.38%

LAB 34.97, 37.56, 18.38

 

CMYK 0 / 55 / 53 / 38

HEX #9E474A

RGB 158 71 74

HSL 357.93, 0.38%, 0.45%

LAB 41.64, 36.48, 15.9

 

CMYK 0 / 49 / 47 / 31

HEX #AF595D

RGB 175 89 93

HSL 357.21, 0.35%, 0.52%

LAB 48.32, 35.35, 13.9

 

CMYK 0 / 83 / 78 / 60

HEX #661116

RGB 102 17 22

HSL 356.47, 0.71%, 0.23%

LAB 21.15, 37.02, 20.99

 

CMYK 0 / 100 / 96 / 67

HEX #550003

RGB 85 0 3

HSL 357.88, 1%, 0.17%

LAB 15.16, 36.11, 22.39

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 100 / 100 / 87

HEX #220000

RGB 34 0 0

HSL 0, 1%, 0.07%

LAB 3.07, 13.78, 4.85

 

CMYK 0 / 83 / 78 / 60

HEX #661116

RGB 102 17 22

HSL 356.47, 0.71%, 0.23%

LAB 21.15, 37.02, 20.99

 

CMYK 0 / 75 / 83 / 61

HEX #641911

RGB 100 25 17

HSL 5.78, 0.71%, 0.23%

LAB 21.74, 33.07, 24.69

 

CMYK 0 / 61 / 83 / 61

HEX #642711

RGB 100 39 17

HSL 15.9, 0.71%, 0.23%

LAB 24.32, 26.18, 27.36

 

CMYK 0 / 47 / 83 / 61

HEX #643511

RGB 100 53 17

HSL 26.02, 0.71%, 0.23%

LAB 27.56, 18.05, 30.56

 

CMYK 0 / 34 / 83 / 61

HEX #644211

RGB 100 66 17

HSL 35.42, 0.71%, 0.23%

LAB 30.99, 10.05, 33.85

 

CMYK 0 / 83 / 78 / 60

HEX #661116

RGB 102 17 22

HSL 356.47, 0.71%, 0.23%

LAB 21.15, 37.02, 20.99

 

CMYK 0 / 83 / 78 / 40

HEX #991A21

RGB 153 26 33

HSL 356.69, 0.71%, 0.35%

LAB 33.18, 50.69, 30.46

 

CMYK 0 / 83 / 78 / 20

HEX #CC222C

RGB 204 34 44

HSL 356.47, 0.71%, 0.47%

LAB 44.47, 63.65, 39.18

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 84 / 78 / 80

HEX #33080B

RGB 51 8 11

HSL 355.81, 0.73%, 0.12%

LAB 8.14, 21.7, 8.16

 

CMYK 0 / 83 / 78 / 60

HEX #661116

RGB 102 17 22

HSL 356.47, 0.71%, 0.23%

LAB 21.15, 37.02, 20.99

 

CMYK 11 / 0 / 83 / 61

HEX #596411

RGB 89 100 17

HSL 67.95, 0.71%, 0.23%

LAB 40.05, -15.57, 41.79

 

CMYK 83 / 45 / 0 / 61

HEX #113764

RGB 17 55 100

HSL 212.53, 0.71%, 0.23%

LAB 22.9, 4.74, -30.34

 

CMYK 0 / 83 / 78 / 60

HEX #661116

RGB 102 17 22

HSL 356.47, 0.71%, 0.23%

LAB 21.15, 37.02, 20.99

 

CMYK 78 / 0 / 83 / 61

HEX #166411

RGB 22 100 17

HSL 116.39, 0.71%, 0.23%

LAB 36.6, -39.53, 37.34

 

CMYK 83 / 78 / 0 / 61

HEX #111664

RGB 17 22 100

HSL 236.39, 0.71%, 0.23%

LAB 13.31, 28.42, -45.94

 

CMYK 0 / 83 / 78 / 60

HEX #661116

RGB 102 17 22

HSL 356.47, 0.71%, 0.23%

LAB 21.15, 37.02, 20.99

 

CMYK 11 / 0 / 83 / 61

HEX #596411

RGB 89 100 17

HSL 67.95, 0.71%, 0.23%

LAB 40.05, -15.57, 41.79

 

CMYK 83 / 0 / 6 / 61

HEX #11645E

RGB 17 100 94

HSL 175.66, 0.71%, 0.23%

LAB 37.92, -24.74, -3.38

 

CMYK 72 / 83 / 0 / 61

HEX #1C1164

RGB 28 17 100

HSL 247.95, 0.71%, 0.23%

LAB 13.03, 32.51, -46.37

 

CMYK 0 / 83 / 78 / 60

HEX #661116

RGB 102 17 22

HSL 356.47, 0.71%, 0.23%

LAB 21.15, 37.02, 20.99

 

CMYK 36 / 0 / 83 / 61

HEX #406411

RGB 64 100 17

HSL 86.02, 0.71%, 0.23%

LAB 38.28, -26.67, 39.52

 

CMYK 83 / 0 / 6 / 61

HEX #11645E

RGB 17 100 94

HSL 175.66, 0.71%, 0.23%

LAB 37.92, -24.74, -3.38

 

CMYK 47 / 83 / 0 / 61

HEX #351164

RGB 53 17 100

HSL 266.02, 0.71%, 0.23%

LAB 15.89, 36.01, -41.56

 

Description

Color code: CMYK 0 / 83 / 78 / 60 | qconv.com Color code: CMYK 0 / 83 / 78 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 17 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 17 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 78 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 78% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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