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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 83 / 17 / 46 it is the complementary color CMYK 50 / 0 / 39 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 83 / 17 / 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 83 / 17 / 46: CMYK 0 / 84 / 24 / 44, CMYK 0 / 74 / 20 / 37, CMYK 0 / 67 / 17 / 31, CMYK 0 / 60 / 14 / 24 and CMYK 0 / 55 / 12 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 83 / 17 / 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 83 / 17 / 46: CMYK 0 / 83 / 17 / 46, CMYK 0 / 96 / 21 / 53, CMYK 0 / 100 / 27 / 59, CMYK 0 / 100 / 34 / 66 and CMYK 0 / 100 / 46 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

Complementary color

CMYK 50 / 0 / 39 / 9

HEX #75E88D

RGB 117 232 141

HSL 132.52, 0.71%, 0.68%

LAB 83.66, -51.78, 34.46

 

CMYK 0 / 84 / 24 / 44

HEX #8F176D

RGB 143 23 109

HSL 317, 0.72%, 0.33%

LAB 33.04, 55.13, -19.12

 

CMYK 0 / 74 / 20 / 37

HEX #A02980

RGB 160 41 128

HSL 316.13, 0.59%, 0.39%

LAB 38.93, 56.54, -21.69

 

CMYK 0 / 67 / 17 / 31

HEX #B13B93

RGB 177 59 147

HSL 315.25, 0.5%, 0.46%

LAB 45.06, 57.02, -23.56

 

CMYK 0 / 60 / 14 / 24

HEX #C24DA6

RGB 194 77 166

HSL 314.36, 0.49%, 0.53%

LAB 51.3, 56.96, -24.98

 

CMYK 0 / 55 / 12 / 17

HEX #D35FB9

RGB 211 95 185

HSL 313.45, 0.57%, 0.6%

LAB 57.59, 56.58, -26.1

 

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

CMYK 0 / 96 / 21 / 53

HEX #79055F

RGB 121 5 95

HSL 313.45, 0.92%, 0.25%

LAB 26.73, 51.88, -20.21

 

CMYK 0 / 100 / 27 / 59

HEX #68004C

RGB 104 0 76

HSL 316.15, 1%, 0.2%

LAB 21.82, 46.71, -15.44

 

CMYK 0 / 100 / 34 / 66

HEX #570039

RGB 87 0 57

HSL 320.69, 1%, 0.17%

LAB 17.09, 40.48, -9.83

 

CMYK 0 / 100 / 46 / 73

HEX #460026

RGB 70 0 38

HSL 327.43, 1%, 0.14%

LAB 12.23, 34.1, -3.74

 

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

CMYK 0 / 83 / 30 / 45

HEX #8B1761

RGB 139 23 97

HSL 321.72, 0.72%, 0.32%

LAB 31.73, 52.63, -13.5

 

CMYK 0 / 83 / 45 / 45

HEX #8B174D

RGB 139 23 77

HSL 332.07, 0.72%, 0.32%

LAB 30.97, 50.42, -1.57

 

CMYK 0 / 83 / 58 / 45

HEX #8B173A

RGB 139 23 58

HSL 341.9, 0.72%, 0.32%

LAB 30.42, 48.77, 10.26

 

CMYK 0 / 83 / 72 / 45

HEX #8B1727

RGB 139 23 39

HSL 351.72, 0.72%, 0.32%

LAB 30.03, 47.6, 22.3

 

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

CMYK 0 / 83 / 17 / 26

HEX #BD209C

RGB 189 32 156

HSL 312.61, 0.71%, 0.43%

LAB 44.59, 69.54, -29.54

 

CMYK 0 / 83 / 18 / 6

HEX #F028C6

RGB 240 40 198

HSL 312.6, 0.87%, 0.55%

LAB 56.21, 83.83, -35.37

 

CMYK 0 / 83 / 17 / 86

HEX #24061E

RGB 36 6 30

HSL 312, 0.71%, 0.08%

LAB 5.41, 18.25, -8.68

 

CMYK 0 / 83 / 17 / 66

HEX #570F48

RGB 87 15 72

HSL 312.5, 0.71%, 0.2%

LAB 19.37, 38.2, -16.77

 

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

CMYK 0 / 50 / 83 / 45

HEX #8B4617

RGB 139 70 23

HSL 24.31, 0.72%, 0.32%

LAB 37.72, 26.02, 39.47

 

CMYK 83 / 0 / 17 / 45

HEX #178B74

RGB 23 139 116

HSL 168.1, 0.72%, 0.32%

LAB 51.73, -36.08, 3.67

 

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

CMYK 17 / 0 / 83 / 45

HEX #748B17

RGB 116 139 23

HSL 71.9, 0.72%, 0.32%

LAB 54.28, -23.51, 53.44

 

CMYK 83 / 17 / 0 / 45

HEX #17748B

RGB 23 116 139

HSL 191.9, 0.72%, 0.32%

LAB 44.99, -17.34, -19.93

 

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

CMYK 0 / 50 / 83 / 45

HEX #8B4617

RGB 139 70 23

HSL 24.31, 0.72%, 0.32%

LAB 37.72, 26.02, 39.47

 

CMYK 83 / 0 / 67 / 45

HEX #178B2E

RGB 23 139 46

HSL 131.9, 0.72%, 0.32%

LAB 50.5, -50, 39.89

 

CMYK 83 / 33 / 0 / 45

HEX #175D8B

RGB 23 93 139

HSL 203.79, 0.72%, 0.32%

LAB 37.62, -3.82, -31.42

 

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

CMYK 0 / 25 / 83 / 45

HEX #8B6817

RGB 139 104 23

HSL 41.9, 0.72%, 0.32%

LAB 46.25, 6.34, 47.17

 

CMYK 83 / 0 / 67 / 45

HEX #178B2E

RGB 23 139 46

HSL 131.9, 0.72%, 0.32%

LAB 50.5, -50, 39.89

 

CMYK 83 / 58 / 0 / 45

HEX #173A8B

RGB 23 58 139

HSL 221.9, 0.72%, 0.32%

LAB 26.94, 19.66, -48.53

 

Description

Color code: CMYK 0 / 83 / 17 / 46 | qconv.com Color code: CMYK 0 / 83 / 17 / 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 23 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 23 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 17 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 17% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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