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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 82 / 39 / 23 it is the complementary color CMYK 73 / 0 / 39 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 82 / 39 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 82 / 39 / 23: CMYK 0 / 83 / 43 / 21, CMYK 0 / 76 / 39 / 15, CMYK 0 / 70 / 35 / 8, CMYK 0 / 65 / 32 / 1 and CMYK 0 / 58 / 25 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 82 / 39 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 82 / 39 / 23: CMYK 0 / 82 / 39 / 23, CMYK 0 / 91 / 44 / 30, CMYK 0 / 100 / 49 / 36, CMYK 0 / 100 / 57 / 43 and CMYK 0 / 100 / 66 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 39 / 23

HEX #C42378

RGB 196 35 120

HSL 328.32, 0.7%, 0.45%

LAB 44.65, 66.26, -7.42

 

Complementary color

CMYK 73 / 0 / 39 / 14

HEX #3BDC87

RGB 59 220 135

HSL 148.32, 0.7%, 0.55%

LAB 78.38, -59.82, 30.25

 

CMYK 0 / 83 / 43 / 21

HEX #C92373

RGB 201 35 115

HSL 331.08, 0.7%, 0.46%

LAB 45.44, 67.01, -3.07

 

CMYK 0 / 76 / 39 / 15

HEX #DA3586

RGB 218 53 134

HSL 330.55, 0.69%, 0.53%

LAB 50.89, 68.32, -6.22

 

CMYK 0 / 70 / 35 / 8

HEX #EB4799

RGB 235 71 153

HSL 330, 0.8%, 0.6%

LAB 56.55, 68.9, -8.75

 

CMYK 0 / 65 / 32 / 1

HEX #FC59AC

RGB 252 89 172

HSL 329.45, 0.96%, 0.67%

LAB 62.35, 69, -10.82

 

CMYK 0 / 58 / 25 / 0

HEX #FF6BBF

RGB 255 107 191

HSL 325.95, 1%, 0.71%

LAB 66.16, 64.76, -15.86

 

CMYK 0 / 82 / 39 / 23

HEX #C42378

RGB 196 35 120

HSL 328.32, 0.7%, 0.45%

LAB 44.65, 66.26, -7.42

 

CMYK 0 / 91 / 44 / 30

HEX #B31165

RGB 179 17 101

HSL 328.89, 0.83%, 0.38%

LAB 39.45, 63.92, -3.64

 

CMYK 0 / 100 / 49 / 36

HEX #A20052

RGB 162 0 82

HSL 329.63, 1%, 0.32%

LAB 34.58, 60.47, 1.01

 

CMYK 0 / 100 / 57 / 43

HEX #91003F

RGB 145 0 63

HSL 333.93, 1%, 0.28%

LAB 30.35, 54.99, 7.02

 

CMYK 0 / 100 / 66 / 50

HEX #80002C

RGB 128 0 44

HSL 339.38, 1%, 0.25%

LAB 26.07, 49.52, 13.43

 

CMYK 0 / 82 / 39 / 23

HEX #C42378

RGB 196 35 120

HSL 328.32, 0.7%, 0.45%

LAB 44.65, 66.26, -7.42

 

CMYK 0 / 83 / 52 / 24

HEX #C3225D

RGB 195 34 93

HSL 338.01, 0.7%, 0.45%

LAB 43.56, 63.86, 7.75

 

CMYK 0 / 83 / 66 / 24

HEX #C32242

RGB 195 34 66

HSL 348.07, 0.7%, 0.45%

LAB 42.97, 62.1, 23.82

 

CMYK 0 / 83 / 80 / 24

HEX #C32227

RGB 195 34 39

HSL 358.14, 0.7%, 0.45%

LAB 42.6, 60.98, 39.49

 

CMYK 0 / 72 / 83 / 24

HEX #C33722

RGB 195 55 34

HSL 7.83, 0.7%, 0.45%

LAB 44.87, 54.36, 44.35

 

CMYK 0 / 82 / 39 / 23

HEX #C42378

RGB 196 35 120

HSL 328.32, 0.7%, 0.45%

LAB 44.65, 66.26, -7.42

 

CMYK 0 / 82 / 39 / 3

HEX #F72C97

RGB 247 44 151

HSL 328.37, 0.93%, 0.57%

LAB 55.9, 79.35, -8.33

 

CMYK 0 / 81 / 40 / 83

HEX #2B081A

RGB 43 8 26

HSL 329.14, 0.69%, 0.1%

LAB 6.88, 20.01, -3.22

 

CMYK 0 / 82 / 38 / 63

HEX #5E113A

RGB 94 17 58

HSL 328.05, 0.69%, 0.22%

LAB 20.39, 37.5, -5.4

 

CMYK 0 / 82 / 39 / 43

HEX #911A59

RGB 145 26 89

HSL 328.24, 0.7%, 0.34%

LAB 32.88, 52.44, -6.46

 

CMYK 0 / 82 / 39 / 23

HEX #C42378

RGB 196 35 120

HSL 328.32, 0.7%, 0.45%

LAB 44.65, 66.26, -7.42

 

CMYK 0 / 28 / 83 / 24

HEX #C38D22

RGB 195 141 34

HSL 39.88, 0.7%, 0.45%

LAB 62.31, 11.44, 59.99

 

CMYK 83 / 6 / 0 / 24

HEX #22B8C3

RGB 34 184 195

HSL 184.1, 0.7%, 0.45%

LAB 68.43, -32.63, -16.19

 

CMYK 0 / 82 / 39 / 23

HEX #C42378

RGB 196 35 120

HSL 328.32, 0.7%, 0.45%

LAB 44.65, 66.26, -7.42

 

CMYK 38 / 0 / 83 / 24

HEX #78C322

RGB 120 195 34

HSL 87.95, 0.7%, 0.45%

LAB 71.65, -46.9, 66.02

 

CMYK 83 / 38 / 0 / 24

HEX #2278C3

RGB 34 120 195

HSL 207.95, 0.7%, 0.45%

LAB 49.15, 2.16, -46.13

 

CMYK 0 / 82 / 39 / 23

HEX #C42378

RGB 196 35 120

HSL 328.32, 0.7%, 0.45%

LAB 44.65, 66.26, -7.42

 

CMYK 0 / 28 / 83 / 24

HEX #C38D22

RGB 195 141 34

HSL 39.88, 0.7%, 0.45%

LAB 62.31, 11.44, 59.99

 

CMYK 83 / 0 / 44 / 24

HEX #22C36D

RGB 34 195 109

HSL 147.95, 0.7%, 0.45%

LAB 69.81, -58.57, 32.26

 

CMYK 83 / 55 / 0 / 24

HEX #2257C3

RGB 34 87 195

HSL 220.25, 0.7%, 0.45%

LAB 39.74, 23.27, -61.26

 

CMYK 0 / 82 / 39 / 23

HEX #C42378

RGB 196 35 120

HSL 328.32, 0.7%, 0.45%

LAB 44.65, 66.26, -7.42

 

CMYK 0 / 3 / 83 / 24

HEX #C3BD22

RGB 195 189 34

HSL 57.76, 0.7%, 0.45%

LAB 74.9, -14.03, 70.77

 

CMYK 83 / 0 / 44 / 24

HEX #22C36D

RGB 34 195 109

HSL 147.95, 0.7%, 0.45%

LAB 69.81, -58.57, 32.26

 

CMYK 83 / 80 / 0 / 24

HEX #2227C3

RGB 34 39 195

HSL 238.14, 0.7%, 0.45%

LAB 28.72, 52.61, -79.36

 

Description

Color code: CMYK 0 / 82 / 39 / 23 | qconv.com Color code: CMYK 0 / 82 / 39 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 35 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 35 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 39 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 39% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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