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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 80 / 60 / 11 it is the complementary color CMYK 87 / 0 / 22 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 80 / 60 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 80 / 60 / 11: CMYK 0 / 81 / 63 / 9, CMYK 0 / 75 / 58 / 2, CMYK 0 / 68 / 51 / 0, CMYK 0 / 61 / 44 / 0 and CMYK 0 / 54 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 80 / 60 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 80 / 60 / 11: CMYK 0 / 80 / 60 / 11, CMYK 0 / 87 / 66 / 18, CMYK 0 / 95 / 73 / 24, CMYK 0 / 100 / 81 / 31 and CMYK 0 / 100 / 91 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 60 / 11

HEX #E32D5B

RGB 227 45 91

HSL 344.84, 0.76%, 0.53%

LAB 50.64, 69.43, 19.71

 

Complementary color

CMYK 87 / 0 / 22 / 18

HEX #1CD2A4

RGB 28 210 164

HSL 164.84, 0.76%, 0.47%

LAB 75.46, -52.96, 10.97

 

CMYK 0 / 81 / 63 / 9

HEX #E82D56

RGB 232 45 86

HSL 346.84, 0.8%, 0.54%

LAB 51.5, 70.46, 24.04

 

CMYK 0 / 75 / 58 / 2

HEX #F93F69

RGB 249 63 105

HSL 346.45, 0.94%, 0.61%

LAB 56.8, 71.23, 20.31

 

CMYK 0 / 68 / 51 / 0

HEX #FF517C

RGB 255 81 124

HSL 345.17, 1%, 0.66%

LAB 60.43, 68.25, 14.29

 

CMYK 0 / 61 / 44 / 0

HEX #FF638F

RGB 255 99 143

HSL 343.08, 1%, 0.69%

LAB 63.48, 62.81, 7.58

 

CMYK 0 / 54 / 36 / 0

HEX #FF75A2

RGB 255 117 162

HSL 340.43, 1%, 0.73%

LAB 66.97, 56.8, 1.76

 

CMYK 0 / 80 / 60 / 11

HEX #E32D5B

RGB 227 45 91

HSL 344.84, 0.76%, 0.53%

LAB 50.64, 69.43, 19.71

 

CMYK 0 / 87 / 66 / 18

HEX #D21B48

RGB 210 27 72

HSL 345.25, 0.77%, 0.46%

LAB 45.57, 67.86, 24.05

 

CMYK 0 / 95 / 73 / 24

HEX #C10935

RGB 193 9 53

HSL 345.65, 0.91%, 0.4%

LAB 40.88, 65.19, 29.2

 

CMYK 0 / 100 / 81 / 31

HEX #B00022

RGB 176 0 34

HSL 348.41, 1%, 0.35%

LAB 36.64, 61.25, 35.01

 

CMYK 0 / 100 / 91 / 38

HEX #9F000F

RGB 159 0 15

HSL 354.34, 1%, 0.31%

LAB 32.71, 56.48, 40.45

 

CMYK 0 / 80 / 60 / 11

HEX #E32D5B

RGB 227 45 91

HSL 344.84, 0.76%, 0.53%

LAB 50.64, 69.43, 19.71

 

CMYK 0 / 81 / 73 / 11

HEX #E22C3E

RGB 226 44 62

HSL 354.07, 0.76%, 0.53%

LAB 49.88, 67.93, 36.04

 

CMYK 0 / 75 / 81 / 11

HEX #E2382C

RGB 226 56 44

HSL 3.96, 0.76%, 0.53%

LAB 50.9, 63.9, 47.05

 

CMYK 0 / 62 / 81 / 11

HEX #E2562C

RGB 226 86 44

HSL 13.85, 0.76%, 0.53%

LAB 55.08, 52.51, 51.07

 

CMYK 0 / 49 / 81 / 11

HEX #E2742C

RGB 226 116 44

HSL 23.74, 0.76%, 0.53%

LAB 60.64, 38.2, 56.27

 

CMYK 0 / 80 / 60 / 11

HEX #E32D5B

RGB 227 45 91

HSL 344.84, 0.76%, 0.53%

LAB 50.64, 69.43, 19.71

 

CMYK 0 / 78 / 61 / 91

HEX #170509

RGB 23 5 9

HSL 346.67, 0.64%, 0.05%

LAB 2.8, 6.63, 0.63

 

CMYK 0 / 80 / 59 / 71

HEX #4A0F1E

RGB 74 15 30

HSL 344.75, 0.66%, 0.17%

LAB 14.91, 28.73, 6.17

 

CMYK 0 / 80 / 60 / 51

HEX #7D1932

RGB 125 25 50

HSL 345, 0.67%, 0.29%

LAB 27.53, 43.42, 11.2

 

CMYK 0 / 80 / 60 / 31

HEX #B02347

RGB 176 35 71

HSL 344.68, 0.67%, 0.41%

LAB 39.39, 56.87, 15.27

 

CMYK 0 / 80 / 60 / 11

HEX #E32D5B

RGB 227 45 91

HSL 344.84, 0.76%, 0.53%

LAB 50.64, 69.43, 19.71

 

CMYK 0 / 5 / 81 / 11

HEX #E2D62C

RGB 226 214 44

HSL 56.04, 0.76%, 0.53%

LAB 84.2, -13.05, 77.19

 

CMYK 81 / 27 / 0 / 11

HEX #2CA5E2

RGB 44 165 226

HSL 200.11, 0.76%, 0.53%

LAB 64.11, -11.73, -39.93

 

CMYK 0 / 80 / 60 / 11

HEX #E32D5B

RGB 227 45 91

HSL 344.84, 0.76%, 0.53%

LAB 50.64, 69.43, 19.71

 

CMYK 59 / 0 / 81 / 11

HEX #5CE22C

RGB 92 226 44

HSL 104.18, 0.76%, 0.53%

LAB 80.1, -66.13, 70.69

 

CMYK 81 / 59 / 0 / 11

HEX #2C5CE2

RGB 44 92 226

HSL 224.18, 0.76%, 0.53%

LAB 43.77, 32.62, -72.48

 

CMYK 0 / 80 / 60 / 11

HEX #E32D5B

RGB 227 45 91

HSL 344.84, 0.76%, 0.53%

LAB 50.64, 69.43, 19.71

 

CMYK 0 / 5 / 81 / 11

HEX #E2D62C

RGB 226 214 44

HSL 56.04, 0.76%, 0.53%

LAB 84.2, -13.05, 77.19

 

CMYK 81 / 0 / 22 / 11

HEX #2CE2B1

RGB 44 226 177

HSL 163.85, 0.76%, 0.53%

LAB 80.8, -54.89, 11.67

 

CMYK 81 / 75 / 0 / 11

HEX #2C38E2

RGB 44 56 226

HSL 236.04, 0.76%, 0.53%

LAB 35.7, 54.25, -85.75

 

CMYK 0 / 80 / 60 / 11

HEX #E32D5B

RGB 227 45 91

HSL 344.84, 0.76%, 0.53%

LAB 50.64, 69.43, 19.71

 

CMYK 19 / 0 / 81 / 11

HEX #B7E22C

RGB 183 226 44

HSL 74.18, 0.76%, 0.53%

LAB 84.3, -36.43, 76.06

 

CMYK 81 / 0 / 22 / 11

HEX #2CE2B1

RGB 44 226 177

HSL 163.85, 0.76%, 0.53%

LAB 80.8, -54.89, 11.67

 

CMYK 62 / 81 / 0 / 11

HEX #562CE2

RGB 86 44 226

HSL 253.85, 0.76%, 0.53%

LAB 36.5, 63.29, -84.34

 

Description

Color code: CMYK 0 / 80 / 60 / 11 | qconv.com Color code: CMYK 0 / 80 / 60 / 11 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 45 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 45 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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