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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 79 / 93 / 0 it is the complementary color CMYK 100 / 15 / 0 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 79 / 93 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 79 / 93 / 0: CMYK 0 / 79 / 95 / 0, CMYK 0 / 72 / 87 / 0, CMYK 0 / 65 / 80 / 0, CMYK 0 / 58 / 73 / 0 and CMYK 0 / 51 / 65 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 79 / 93 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 79 / 93 / 0: CMYK 0 / 79 / 93 / 0, CMYK 0 / 85 / 100 / 7, CMYK 0 / 92 / 100 / 13, CMYK 0 / 100 / 100 / 20 and CMYK 0 / 100 / 100 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 93 / 0

HEX #FF3612

RGB 255 54 18

HSL 9.11, 1%, 0.54%

LAB 56.03, 72.37, 64.16

 

Complementary color

CMYK 100 / 15 / 0 / 7

HEX #00C9ED

RGB 0 201 237

HSL 189.11, 1%, 0.46%

LAB 74.75, -28.84, -29.44

 

CMYK 0 / 79 / 95 / 0

HEX #FF360D

RGB 255 54 13

HSL 10.17, 1%, 0.53%

LAB 56.02, 72.33, 65.47

 

CMYK 0 / 72 / 87 / 0

HEX #FF4820

RGB 255 72 32

HSL 10.76, 1%, 0.56%

LAB 58.04, 67.13, 60.75

 

CMYK 0 / 65 / 80 / 0

HEX #FF5A33

RGB 255 90 51

HSL 11.47, 1%, 0.6%

LAB 60.61, 60.88, 54.76

 

CMYK 0 / 58 / 73 / 0

HEX #FF6C46

RGB 255 108 70

HSL 12.32, 1%, 0.64%

LAB 63.69, 53.85, 48.58

 

CMYK 0 / 51 / 65 / 0

HEX #FF7E59

RGB 255 126 89

HSL 13.37, 1%, 0.67%

LAB 67.2, 46.34, 42.72

 

CMYK 0 / 79 / 93 / 0

HEX #FF3612

RGB 255 54 18

HSL 9.11, 1%, 0.54%

LAB 56.03, 72.37, 64.16

 

CMYK 0 / 85 / 100 / 7

HEX #EE2400

RGB 238 36 0

HSL 9.08, 1%, 0.47%

LAB 51.2, 71.76, 64.34

 

CMYK 0 / 92 / 100 / 13

HEX #DD1200

RGB 221 18 0

HSL 4.89, 1%, 0.43%

LAB 46.72, 70.23, 60.54

 

CMYK 0 / 100 / 100 / 20

HEX #CC0000

RGB 204 0 0

HSL 0, 1%, 0.4%

LAB 42.52, 67.71, 56.82

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 79 / 93 / 0

HEX #FF3612

RGB 255 54 18

HSL 9.11, 1%, 0.54%

LAB 56.03, 72.37, 64.16

 

CMYK 0 / 63 / 92 / 0

HEX #FF5E14

RGB 255 94 20

HSL 18.89, 1%, 0.54%

LAB 61.06, 58.61, 66.77

 

CMYK 0 / 48 / 92 / 0

HEX #FF8514

RGB 255 133 20

HSL 28.85, 1%, 0.54%

LAB 68.08, 40.53, 71.53

 

CMYK 0 / 33 / 92 / 0

HEX #FFAC14

RGB 255 172 20

HSL 38.81, 1%, 0.54%

LAB 76.57, 20.47, 77.57

 

CMYK 0 / 17 / 92 / 0

HEX #FFD314

RGB 255 211 20

HSL 48.77, 1%, 0.54%

LAB 85.96, 0.28, 84.48

 

CMYK 0 / 79 / 93 / 0

HEX #FF3612

RGB 255 54 18

HSL 9.11, 1%, 0.54%

LAB 56.03, 72.37, 64.16

 

CMYK 0 / 78 / 92 / 80

HEX #330B04

RGB 51 11 4

HSL 8.94, 0.85%, 0.11%

LAB 8.58, 19.64, 11.67

 

CMYK 0 / 78 / 93 / 60

HEX #661607

RGB 102 22 7

HSL 9.47, 0.87%, 0.21%

LAB 21.63, 34.7, 29.37

 

CMYK 0 / 79 / 93 / 40

HEX #99200B

RGB 153 32 11

HSL 8.87, 0.87%, 0.32%

LAB 33.63, 48.34, 42.26

 

CMYK 0 / 79 / 93 / 20

HEX #CC2B0E

RGB 204 43 14

HSL 9.16, 0.87%, 0.43%

LAB 45.08, 60.67, 53.7

 

CMYK 0 / 79 / 93 / 0

HEX #FF3612

RGB 255 54 18

HSL 9.11, 1%, 0.54%

LAB 56.03, 72.37, 64.16

 

CMYK 33 / 0 / 92 / 0

HEX #ACFF14

RGB 172 255 20

HSL 81.19, 1%, 0.54%

LAB 91.84, -53.53, 86.49

 

CMYK 92 / 69 / 0 / 0

HEX #144FFF

RGB 20 79 255

HSL 224.94, 1%, 0.54%

LAB 42.7, 49.88, -90.56

 

CMYK 0 / 79 / 93 / 0

HEX #FF3612

RGB 255 54 18

HSL 9.11, 1%, 0.54%

LAB 56.03, 72.37, 64.16

 

CMYK 92 / 0 / 78 / 0

HEX #14FF37

RGB 20 255 55

HSL 128.94, 1%, 0.54%

LAB 87.94, -83.81, 74.64

 

CMYK 78 / 92 / 0 / 0

HEX #3714FF

RGB 55 20 255

HSL 248.94, 1%, 0.54%

LAB 35.07, 76.66, -103.2

 

CMYK 0 / 79 / 93 / 0

HEX #FF3612

RGB 255 54 18

HSL 9.11, 1%, 0.54%

LAB 56.03, 72.37, 64.16

 

CMYK 33 / 0 / 92 / 0

HEX #ACFF14

RGB 172 255 20

HSL 81.19, 1%, 0.54%

LAB 91.84, -53.53, 86.49

 

CMYK 92 / 14 / 0 / 0

HEX #14DBFF

RGB 20 219 255

HSL 189.19, 1%, 0.54%

LAB 80.76, -31.23, -29.83

 

CMYK 60 / 92 / 0 / 0

HEX #6614FF

RGB 102 20 255

HSL 260.94, 1%, 0.54%

LAB 38.8, 78.84, -96.88

 

CMYK 0 / 79 / 93 / 0

HEX #FF3612

RGB 255 54 18

HSL 9.11, 1%, 0.54%

LAB 56.03, 72.37, 64.16

 

CMYK 60 / 0 / 92 / 0

HEX #66FF14

RGB 102 255 20

HSL 99.06, 1%, 0.54%

LAB 89.11, -74.14, 83.14

 

CMYK 92 / 14 / 0 / 0

HEX #14DBFF

RGB 20 219 255

HSL 189.19, 1%, 0.54%

LAB 80.76, -31.23, -29.83

 

CMYK 33 / 92 / 0 / 0

HEX #AC14FF

RGB 172 20 255

HSL 278.81, 1%, 0.54%

LAB 47.61, 85.26, -82.06

 

Description

Color code: CMYK 0 / 79 / 93 / 0 | qconv.com Color code: CMYK 0 / 79 / 93 / 0 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 54 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 54 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 93 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 93% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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