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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 78 / 59 / 13 it is the complementary color CMYK 84 / 0 / 20 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 78 / 59 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 78 / 59 / 13: CMYK 0 / 78 / 62 / 11, CMYK 0 / 73 / 57 / 4, CMYK 0 / 67 / 51 / 0, CMYK 0 / 60 / 44 / 0 and CMYK 0 / 53 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 78 / 59 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 78 / 59 / 13: CMYK 0 / 78 / 59 / 13, CMYK 0 / 85 / 65 / 20, CMYK 0 / 93 / 72 / 26, CMYK 0 / 100 / 80 / 33 and CMYK 0 / 100 / 90 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 59 / 13

HEX #DE315B

RGB 222 49 91

HSL 345.43, 0.72%, 0.53%

LAB 50.08, 67.01, 18.79

 

Complementary color

CMYK 84 / 0 / 20 / 19

HEX #21CEA4

RGB 33 206 164

HSL 165.43, 0.72%, 0.47%

LAB 74.28, -51.01, 9.3

 

CMYK 0 / 78 / 62 / 11

HEX #E33156

RGB 227 49 86

HSL 347.53, 0.76%, 0.54%

LAB 50.92, 68.07, 23.1

 

CMYK 0 / 73 / 57 / 4

HEX #F44369

RGB 244 67 105

HSL 347.12, 0.89%, 0.61%

LAB 56.35, 68.56, 19.56

 

CMYK 0 / 67 / 51 / 0

HEX #FF557C

RGB 255 85 124

HSL 346.24, 1%, 0.67%

LAB 60.97, 66.76, 15.04

 

CMYK 0 / 60 / 44 / 0

HEX #FF678F

RGB 255 103 143

HSL 344.21, 1%, 0.7%

LAB 64.12, 61.1, 8.49

 

CMYK 0 / 53 / 36 / 0

HEX #FF79A2

RGB 255 121 162

HSL 341.64, 1%, 0.74%

LAB 67.68, 54.94, 2.79

 

CMYK 0 / 78 / 59 / 13

HEX #DE315B

RGB 222 49 91

HSL 345.43, 0.72%, 0.53%

LAB 50.08, 67.01, 18.79

 

CMYK 0 / 85 / 65 / 20

HEX #CD1F48

RGB 205 31 72

HSL 345.86, 0.74%, 0.46%

LAB 44.84, 65.78, 22.91

 

CMYK 0 / 93 / 72 / 26

HEX #BC0D35

RGB 188 13 53

HSL 346.29, 0.87%, 0.39%

LAB 39.98, 63.5, 27.86

 

CMYK 0 / 100 / 80 / 33

HEX #AB0022

RGB 171 0 34

HSL 348.07, 1%, 0.34%

LAB 35.54, 60, 33.53

 

CMYK 0 / 100 / 90 / 40

HEX #9A000F

RGB 154 0 15

HSL 354.16, 1%, 0.3%

LAB 31.59, 55.19, 39.11

 

CMYK 0 / 78 / 59 / 13

HEX #DE315B

RGB 222 49 91

HSL 345.43, 0.72%, 0.53%

LAB 50.08, 67.01, 18.79

 

CMYK 0 / 78 / 71 / 13

HEX #DD303F

RGB 221 48 63

HSL 354.8, 0.72%, 0.53%

LAB 49.31, 65.51, 34.54

 

CMYK 0 / 71 / 78 / 13

HEX #DD3F30

RGB 221 63 48

HSL 5.2, 0.72%, 0.53%

LAB 50.85, 60.15, 44.62

 

CMYK 0 / 58 / 78 / 13

HEX #DD5C30

RGB 221 92 48

HSL 15.26, 0.72%, 0.53%

LAB 55.32, 48.15, 49.12

 

CMYK 0 / 46 / 78 / 13

HEX #DD7830

RGB 221 120 48

HSL 24.97, 0.72%, 0.53%

LAB 60.8, 34.28, 54.47

 

CMYK 0 / 78 / 59 / 13

HEX #DE315B

RGB 222 49 91

HSL 345.43, 0.72%, 0.53%

LAB 50.08, 67.01, 18.79

 

CMYK 0 / 78 / 61 / 93

HEX #120407

RGB 18 4 7

HSL 347.14, 0.64%, 0.04%

LAB 2.08, 4.58, 0.33

 

CMYK 0 / 78 / 59 / 73

HEX #450F1C

RGB 69 15 28

HSL 345.56, 0.64%, 0.16%

LAB 13.77, 26.73, 5.91

 

CMYK 0 / 78 / 59 / 53

HEX #781A31

RGB 120 26 49

HSL 345.32, 0.64%, 0.29%

LAB 26.6, 41.44, 10.44

 

CMYK 0 / 78 / 59 / 33

HEX #AB2646

RGB 171 38 70

HSL 345.56, 0.64%, 0.41%

LAB 38.7, 54.47, 14.81

 

CMYK 0 / 78 / 59 / 13

HEX #DE315B

RGB 222 49 91

HSL 345.43, 0.72%, 0.53%

LAB 50.08, 67.01, 18.79

 

CMYK 0 / 4 / 78 / 13

HEX #DDD430

RGB 221 212 48

HSL 56.88, 0.72%, 0.53%

LAB 83.27, -14.04, 75.13

 

CMYK 78 / 27 / 0 / 13

HEX #30A1DD

RGB 48 161 221

HSL 200.81, 0.72%, 0.53%

LAB 62.79, -10.88, -39.22

 

CMYK 0 / 78 / 59 / 13

HEX #DE315B

RGB 222 49 91

HSL 345.43, 0.72%, 0.53%

LAB 50.08, 67.01, 18.79

 

CMYK 58 / 0 / 78 / 13

HEX #5CDD30

RGB 92 221 48

HSL 104.74, 0.72%, 0.53%

LAB 78.58, -64.22, 68.16

 

CMYK 78 / 58 / 0 / 13

HEX #305CDD

RGB 48 92 221

HSL 224.74, 0.72%, 0.53%

LAB 43.51, 31.13, -70.06

 

CMYK 0 / 78 / 59 / 13

HEX #DE315B

RGB 222 49 91

HSL 345.43, 0.72%, 0.53%

LAB 50.08, 67.01, 18.79

 

CMYK 0 / 4 / 78 / 13

HEX #DDD430

RGB 221 212 48

HSL 56.88, 0.72%, 0.53%

LAB 83.27, -14.04, 75.13

 

CMYK 78 / 0 / 19 / 13

HEX #30DDB2

RGB 48 221 178

HSL 165.09, 0.72%, 0.53%

LAB 79.36, -52.27, 9.1

 

CMYK 78 / 74 / 0 / 13

HEX #3039DD

RGB 48 57 221

HSL 236.88, 0.72%, 0.53%

LAB 35.55, 52.35, -83.14

 

CMYK 0 / 78 / 59 / 13

HEX #DE315B

RGB 222 49 91

HSL 345.43, 0.72%, 0.53%

LAB 50.08, 67.01, 18.79

 

CMYK 19 / 0 / 78 / 13

HEX #B2DD30

RGB 178 221 48

HSL 74.91, 0.72%, 0.53%

LAB 82.59, -35.98, 73.33

 

CMYK 78 / 0 / 19 / 13

HEX #30DDB2

RGB 48 221 178

HSL 165.09, 0.72%, 0.53%

LAB 79.36, -52.27, 9.1

 

CMYK 58 / 78 / 0 / 13

HEX #5C30DD

RGB 92 48 221

HSL 255.26, 0.72%, 0.53%

LAB 37.13, 60.86, -80.42

 

Description

Color code: CMYK 0 / 78 / 59 / 13 | qconv.com Color code: CMYK 0 / 78 / 59 / 13 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 49 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 49 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 59 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 59% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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