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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 74 / 62 / 64 it is the complementary color CMYK 29 / 0 / 5 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 74 / 62 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 74 / 62 / 64: CMYK 0 / 75 / 69 / 62, CMYK 0 / 63 / 57 / 55, CMYK 0 / 54 / 48 / 49, CMYK 0 / 47 / 41 / 42 and CMYK 0 / 42 / 36 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 74 / 62 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 74 / 62 / 64: CMYK 0 / 74 / 62 / 64, CMYK 0 / 92 / 79 / 71, CMYK 0 / 100 / 100 / 77, CMYK 0 / 100 / 100 / 84 and CMYK 0 / 100 / 100 / 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 62 / 64

HEX #5C1823

RGB 92 24 35

HSL 350.29, 0.59%, 0.23%

LAB 20.24, 31.67, 10.49

 

Complementary color

CMYK 29 / 0 / 5 / 9

HEX #A3E7DC

RGB 163 231 220

HSL 170.29, 0.59%, 0.77%

LAB 87.05, -23.52, -1.48

 

CMYK 0 / 75 / 69 / 62

HEX #61181E

RGB 97 24 30

HSL 355.07, 0.6%, 0.24%

LAB 21.16, 33.1, 15.36

 

CMYK 0 / 63 / 57 / 55

HEX #722A31

RGB 114 42 49

HSL 354.17, 0.46%, 0.31%

LAB 27.99, 32.39, 12.14

 

CMYK 0 / 54 / 48 / 49

HEX #833C44

RGB 131 60 68

HSL 353.24, 0.37%, 0.37%

LAB 34.95, 31.35, 9.8

 

CMYK 0 / 47 / 41 / 42

HEX #944E57

RGB 148 78 87

HSL 352.29, 0.31%, 0.44%

LAB 41.9, 30.26, 7.99

 

CMYK 0 / 42 / 36 / 35

HEX #A5606A

RGB 165 96 106

HSL 351.3, 0.28%, 0.51%

LAB 48.77, 29.22, 6.53

 

CMYK 0 / 74 / 62 / 64

HEX #5C1823

RGB 92 24 35

HSL 350.29, 0.59%, 0.23%

LAB 20.24, 31.67, 10.49

 

CMYK 0 / 92 / 79 / 71

HEX #4B0610

RGB 75 6 16

HSL 351.3, 0.85%, 0.16%

LAB 13.61, 31.43, 14.17

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 74 / 62 / 64

HEX #5C1823

RGB 92 24 35

HSL 350.29, 0.59%, 0.23%

LAB 20.24, 31.67, 10.49

 

CMYK 0 / 74 / 74 / 64

HEX #5D1818

RGB 93 24 24

HSL 0, 0.59%, 0.23%

LAB 20.23, 31.26, 18.1

 

CMYK 0 / 62 / 74 / 64

HEX #5D2318

RGB 93 35 24

HSL 9.57, 0.59%, 0.23%

LAB 22.29, 25.76, 20.54

 

CMYK 0 / 49 / 74 / 64

HEX #5D2F18

RGB 93 47 24

HSL 20, 0.59%, 0.23%

LAB 25.03, 18.79, 23.69

 

CMYK 0 / 38 / 74 / 64

HEX #5D3A18

RGB 93 58 24

HSL 29.57, 0.59%, 0.23%

LAB 27.9, 11.98, 26.86

 

CMYK 0 / 74 / 62 / 64

HEX #5C1823

RGB 92 24 35

HSL 350.29, 0.59%, 0.23%

LAB 20.24, 31.67, 10.49

 

CMYK 0 / 74 / 62 / 44

HEX #8F2536

RGB 143 37 54

HSL 350.38, 0.59%, 0.35%

LAB 32.76, 45.12, 16.2

 

CMYK 0 / 74 / 62 / 24

HEX #C2334A

RGB 194 51 74

HSL 350.35, 0.58%, 0.48%

LAB 44.7, 57.28, 21.09

 

CMYK 0 / 74 / 62 / 4

HEX #F5405D

RGB 245 64 93

HSL 350.39, 0.9%, 0.61%

LAB 55.96, 69.06, 26.15

 

CMYK 0 / 73 / 61 / 84

HEX #290B10

RGB 41 11 16

HSL 350, 0.58%, 0.1%

LAB 6.76, 15.94, 3.42

 

CMYK 0 / 74 / 62 / 64

HEX #5C1823

RGB 92 24 35

HSL 350.29, 0.59%, 0.23%

LAB 20.24, 31.67, 10.49

 

CMYK 3 / 0 / 74 / 64

HEX #5A5D18

RGB 90 93 24

HSL 62.61, 0.59%, 0.23%

LAB 37.96, -10.82, 37.2

 

CMYK 74 / 32 / 0 / 64

HEX #183F5D

RGB 24 63 93

HSL 206.09, 0.59%, 0.23%

LAB 25.38, -2.58, -21.84

 

CMYK 0 / 74 / 62 / 64

HEX #5C1823

RGB 92 24 35

HSL 350.29, 0.59%, 0.23%

LAB 20.24, 31.67, 10.49

 

CMYK 62 / 0 / 74 / 64

HEX #235D18

RGB 35 93 24

HSL 110.43, 0.59%, 0.23%

LAB 34.5, -33.22, 32.55

 

CMYK 74 / 62 / 0 / 64

HEX #18235D

RGB 24 35 93

HSL 230.43, 0.59%, 0.23%

LAB 16.44, 17.38, -36.14

 

CMYK 0 / 74 / 62 / 64

HEX #5C1823

RGB 92 24 35

HSL 350.29, 0.59%, 0.23%

LAB 20.24, 31.67, 10.49

 

CMYK 3 / 0 / 74 / 64

HEX #5A5D18

RGB 90 93 24

HSL 62.61, 0.59%, 0.23%

LAB 37.96, -10.82, 37.2

 

CMYK 74 / 0 / 13 / 64

HEX #185D51

RGB 24 93 81

HSL 169.57, 0.59%, 0.23%

LAB 35.24, -24.27, 0.76

 

CMYK 72 / 74 / 0 / 64

HEX #1A185D

RGB 26 24 93

HSL 241.74, 0.59%, 0.23%

LAB 13.61, 25.47, -40.76

 

CMYK 0 / 74 / 62 / 64

HEX #5C1823

RGB 92 24 35

HSL 350.29, 0.59%, 0.23%

LAB 20.24, 31.67, 10.49

 

CMYK 25 / 0 / 74 / 64

HEX #465D18

RGB 70 93 24

HSL 80, 0.59%, 0.23%

LAB 36.36, -20.13, 35.06

 

CMYK 74 / 0 / 13 / 64

HEX #185D51

RGB 24 93 81

HSL 169.57, 0.59%, 0.23%

LAB 35.24, -24.27, 0.76

 

CMYK 49 / 74 / 0 / 64

HEX #2F185D

RGB 47 24 93

HSL 260, 0.59%, 0.23%

LAB 15.74, 29.15, -37.19

 

Description

Color code: CMYK 0 / 74 / 62 / 64 | qconv.com Color code: CMYK 0 / 74 / 62 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 24 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 24 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 62 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 62% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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