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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 73 / 84 / 26 it is the complementary color CMYK 71 / 9 / 0 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 73 / 84 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 73 / 84 / 26: CMYK 0 / 74 / 87 / 24, CMYK 0 / 67 / 79 / 17, CMYK 0 / 62 / 72 / 11, CMYK 0 / 57 / 67 / 4 and CMYK 0 / 52 / 60 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 73 / 84 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 73 / 84 / 26: CMYK 0 / 73 / 84 / 26, CMYK 0 / 81 / 94 / 33, CMYK 0 / 90 / 100 / 39, CMYK 0 / 100 / 100 / 46 and CMYK 0 / 100 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 84 / 26

HEX #BD331E

RGB 189 51 30

HSL 7.92, 0.73%, 0.43%

LAB 43.18, 53.77, 44.37

 

Complementary color

CMYK 71 / 9 / 0 / 12

HEX #42CCE1

RGB 66 204 225

HSL 187.92, 0.73%, 0.57%

LAB 75.93, -29.78, -21.11

 

CMYK 0 / 74 / 87 / 24

HEX #C23319

RGB 194 51 25

HSL 9.23, 0.77%, 0.43%

LAB 44.1, 55.25, 47.86

 

CMYK 0 / 67 / 79 / 17

HEX #D3452C

RGB 211 69 44

HSL 8.98, 0.65%, 0.5%

LAB 49.84, 54.52, 45.09

 

CMYK 0 / 62 / 72 / 11

HEX #E4573F

RGB 228 87 63

HSL 8.73, 0.75%, 0.57%

LAB 55.76, 53.48, 42.25

 

CMYK 0 / 57 / 67 / 4

HEX #F56952

RGB 245 105 82

HSL 8.47, 0.89%, 0.64%

LAB 61.76, 52.28, 39.63

 

CMYK 0 / 52 / 60 / 0

HEX #FF7B65

RGB 255 123 101

HSL 8.57, 1%, 0.7%

LAB 66.8, 48.54, 35.78

 

CMYK 0 / 73 / 84 / 26

HEX #BD331E

RGB 189 51 30

HSL 7.92, 0.73%, 0.43%

LAB 43.18, 53.77, 44.37

 

CMYK 0 / 81 / 94 / 33

HEX #AC210B

RGB 172 33 11

HSL 8.2, 0.88%, 0.36%

LAB 37.63, 53.92, 46.81

 

CMYK 0 / 90 / 100 / 39

HEX #9B0F00

RGB 155 15 0

HSL 5.81, 1%, 0.3%

LAB 32.5, 53.02, 46.18

 

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 73 / 84 / 26

HEX #BD331E

RGB 189 51 30

HSL 7.92, 0.73%, 0.43%

LAB 43.18, 53.77, 44.37

 

CMYK 0 / 61 / 85 / 26

HEX #BD4A1D

RGB 189 74 29

HSL 16.88, 0.73%, 0.43%

LAB 46.72, 44.18, 47.95

 

CMYK 0 / 47 / 85 / 26

HEX #BD651D

RGB 189 101 29

HSL 27, 0.73%, 0.43%

LAB 52.08, 30.55, 52.59

 

CMYK 0 / 32 / 85 / 26

HEX #BD801D

RGB 189 128 29

HSL 37.13, 0.73%, 0.43%

LAB 58.36, 15.79, 57.94

 

CMYK 0 / 18 / 85 / 26

HEX #BD9B1D

RGB 189 155 29

HSL 47.25, 0.73%, 0.43%

LAB 65.24, 1, 63.72

 

CMYK 0 / 73 / 84 / 26

HEX #BD331E

RGB 189 51 30

HSL 7.92, 0.73%, 0.43%

LAB 43.18, 53.77, 44.37

 

CMYK 0 / 73 / 84 / 6

HEX #F04126

RGB 240 65 38

HSL 8.02, 0.87%, 0.55%

LAB 54.5, 65.04, 54.22

 

CMYK 0 / 72 / 83 / 86

HEX #240A06

RGB 36 10 6

HSL 8, 0.71%, 0.08%

LAB 5.47, 12.02, 5.95

 

CMYK 0 / 74 / 84 / 66

HEX #57170E

RGB 87 23 14

HSL 7.4, 0.72%, 0.2%

LAB 18.67, 28.93, 22.13

 

CMYK 0 / 73 / 84 / 46

HEX #8A2516

RGB 138 37 22

HSL 7.76, 0.73%, 0.31%

LAB 31.31, 41.84, 33.91

 

CMYK 0 / 73 / 84 / 26

HEX #BD331E

RGB 189 51 30

HSL 7.92, 0.73%, 0.43%

LAB 43.18, 53.77, 44.37

 

CMYK 27 / 0 / 85 / 26

HEX #8ABD1D

RGB 138 189 29

HSL 79.13, 0.73%, 0.43%

LAB 70.79, -37.89, 66.85

 

CMYK 85 / 61 / 0 / 26

HEX #1D4ABD

RGB 29 74 189

HSL 223.13, 0.73%, 0.43%

LAB 35.66, 29.14, -64.41

 

CMYK 0 / 73 / 84 / 26

HEX #BD331E

RGB 189 51 30

HSL 7.92, 0.73%, 0.43%

LAB 43.18, 53.77, 44.37

 

CMYK 85 / 0 / 75 / 26

HEX #1DBD30

RGB 29 189 48

HSL 127.13, 0.73%, 0.43%

LAB 67.18, -64.96, 56.62

 

CMYK 75 / 85 / 0 / 26

HEX #301DBD

RGB 48 29 189

HSL 247.13, 0.73%, 0.43%

LAB 27.24, 56.1, -78.26

 

CMYK 0 / 73 / 84 / 26

HEX #BD331E

RGB 189 51 30

HSL 7.92, 0.73%, 0.43%

LAB 43.18, 53.77, 44.37

 

CMYK 27 / 0 / 85 / 26

HEX #8ABD1D

RGB 138 189 29

HSL 79.13, 0.73%, 0.43%

LAB 70.79, -37.89, 66.85

 

CMYK 85 / 10 / 0 / 26

HEX #1DABBD

RGB 29 171 189

HSL 186.75, 0.73%, 0.43%

LAB 64.21, -28.59, -19.28

 

CMYK 58 / 85 / 0 / 26

HEX #501DBD

RGB 80 29 189

HSL 259.13, 0.73%, 0.43%

LAB 30.06, 58.66, -73.51

 

CMYK 0 / 73 / 84 / 26

HEX #BD331E

RGB 189 51 30

HSL 7.92, 0.73%, 0.43%

LAB 43.18, 53.77, 44.37

 

CMYK 52 / 0 / 85 / 26

HEX #5ABD1D

RGB 90 189 29

HSL 97.13, 0.73%, 0.43%

LAB 68.5, -54.31, 63.96

 

CMYK 85 / 10 / 0 / 26

HEX #1DABBD

RGB 29 171 189

HSL 186.75, 0.73%, 0.43%

LAB 64.21, -28.59, -19.28

 

CMYK 32 / 85 / 0 / 26

HEX #801DBD

RGB 128 29 189

HSL 277.13, 0.73%, 0.43%

LAB 36.26, 64.66, -63.1

 

Description

Color code: CMYK 0 / 73 / 84 / 26 | qconv.com Color code: CMYK 0 / 73 / 84 / 26 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 51 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 51 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 84 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 84% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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