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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 72 / 24 / 4 it is the complementary color CMYK 95 / 0 / 63 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 72 / 24 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 72 / 24 / 4: CMYK 0 / 72 / 28 / 2, CMYK 0 / 66 / 22 / 0, CMYK 0 / 59 / 14 / 0, CMYK 0 / 52 / 7 / 0 and CMYK 0 / 45 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 72 / 24 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 72 / 24 / 4: CMYK 0 / 72 / 24 / 4, CMYK 0 / 78 / 27 / 11, CMYK 0 / 84 / 30 / 17, CMYK 0 / 92 / 34 / 24 and CMYK 0 / 100 / 38 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 24 / 4

HEX #F545BA

RGB 245 69 186

HSL 320.11, 0.9%, 0.62%

LAB 59.17, 75.94, -23.81

 

Complementary color

CMYK 95 / 0 / 63 / 27

HEX #0ABA45

RGB 10 186 69

HSL 140.11, 0.9%, 0.38%

LAB 66.22, -63.3, 47.18

 

CMYK 0 / 72 / 28 / 2

HEX #FA45B5

RGB 250 69 181

HSL 322.87, 0.95%, 0.63%

LAB 59.81, 76.56, -19.87

 

CMYK 0 / 66 / 22 / 0

HEX #FF57C8

RGB 255 87 200

HSL 319.64, 1%, 0.67%

LAB 63.55, 73.97, -24.94

 

CMYK 0 / 59 / 14 / 0

HEX #FF69DB

RGB 255 105 219

HSL 314.4, 1%, 0.71%

LAB 66.88, 69.45, -30.49

 

CMYK 0 / 52 / 7 / 0

HEX #FF7BEE

RGB 255 123 238

HSL 307.73, 1%, 0.74%

LAB 70.59, 64.44, -35.26

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 72 / 24 / 4

HEX #F545BA

RGB 245 69 186

HSL 320.11, 0.9%, 0.62%

LAB 59.17, 75.94, -23.81

 

CMYK 0 / 78 / 27 / 11

HEX #E433A7

RGB 228 51 167

HSL 320.68, 0.77%, 0.55%

LAB 53.66, 74.94, -21.48

 

CMYK 0 / 84 / 30 / 17

HEX #D32194

RGB 211 33 148

HSL 321.24, 0.73%, 0.48%

LAB 48.35, 73.16, -18.59

 

CMYK 0 / 92 / 34 / 24

HEX #C20F81

RGB 194 15 129

HSL 321.79, 0.86%, 0.41%

LAB 43.35, 70.32, -14.96

 

CMYK 0 / 100 / 38 / 31

HEX #B1006E

RGB 177 0 110

HSL 322.71, 1%, 0.35%

LAB 38.68, 66.33, -10.54

 

CMYK 0 / 72 / 24 / 4

HEX #F545BA

RGB 245 69 186

HSL 320.11, 0.9%, 0.62%

LAB 59.17, 75.94, -23.81

 

CMYK 0 / 71 / 36 / 4

HEX #F5469E

RGB 245 70 158

HSL 329.83, 0.9%, 0.62%

LAB 58.28, 72.42, -8.92

 

CMYK 0 / 71 / 47 / 4

HEX #F54681

RGB 245 70 129

HSL 339.77, 0.9%, 0.62%

LAB 57.44, 69.67, 6.9

 

CMYK 0 / 71 / 60 / 4

HEX #F54663

RGB 245 70 99

HSL 350.06, 0.9%, 0.62%

LAB 56.78, 67.45, 23.69

 

CMYK 0 / 71 / 71 / 4

HEX #F54646

RGB 245 70 70

HSL 0, 0.9%, 0.62%

LAB 56.32, 65.91, 39.85

 

CMYK 0 / 72 / 24 / 4

HEX #F545BA

RGB 245 69 186

HSL 320.11, 0.9%, 0.62%

LAB 59.17, 75.94, -23.81

 

CMYK 0 / 71 / 24 / 84

HEX #290C1F

RGB 41 12 31

HSL 320.69, 0.55%, 0.1%

LAB 7.53, 17.96, -6.17

 

CMYK 0 / 72 / 24 / 64

HEX #5C1A46

RGB 92 26 70

HSL 320, 0.56%, 0.23%

LAB 21.79, 34.98, -11.59

 

CMYK 0 / 72 / 24 / 44

HEX #8F286D

RGB 143 40 109

HSL 319.81, 0.56%, 0.36%

LAB 34.93, 49.77, -16.22

 

CMYK 0 / 72 / 24 / 24

HEX #C23793

RGB 194 55 147

HSL 320.29, 0.56%, 0.49%

LAB 47.38, 62.97, -19.75

 

CMYK 0 / 72 / 24 / 4

HEX #F545BA

RGB 245 69 186

HSL 320.11, 0.9%, 0.62%

LAB 59.17, 75.94, -23.81

 

CMYK 0 / 33 / 71 / 4

HEX #F5A346

RGB 245 163 70

HSL 31.89, 0.9%, 0.62%

LAB 73.58, 22.46, 58.69

 

CMYK 71 / 0 / 5 / 4

HEX #46F5E9

RGB 70 245 233

HSL 175.89, 0.9%, 0.62%

LAB 88.2, -45.83, -6.95

 

CMYK 0 / 72 / 24 / 4

HEX #F545BA

RGB 245 69 186

HSL 320.11, 0.9%, 0.62%

LAB 59.17, 75.94, -23.81

 

CMYK 24 / 0 / 71 / 4

HEX #BBF546

RGB 187 245 70

HSL 79.89, 0.9%, 0.62%

LAB 90, -42.16, 73.69

 

CMYK 71 / 24 / 0 / 4

HEX #46BBF5

RGB 70 187 245

HSL 199.89, 0.9%, 0.62%

LAB 71.85, -14.31, -38.18

 

CMYK 0 / 72 / 24 / 4

HEX #F545BA

RGB 245 69 186

HSL 320.11, 0.9%, 0.62%

LAB 59.17, 75.94, -23.81

 

CMYK 0 / 33 / 71 / 4

HEX #F5A346

RGB 245 163 70

HSL 31.89, 0.9%, 0.62%

LAB 73.58, 22.46, 58.69

 

CMYK 71 / 0 / 47 / 4

HEX #46F581

RGB 70 245 129

HSL 140.23, 0.9%, 0.62%

LAB 86.1, -68.1, 43.25

 

CMYK 71 / 38 / 0 / 4

HEX #4698F5

RGB 70 152 245

HSL 211.89, 0.9%, 0.62%

LAB 61.96, 5.3, -53.74

 

CMYK 0 / 72 / 24 / 4

HEX #F545BA

RGB 245 69 186

HSL 320.11, 0.9%, 0.62%

LAB 59.17, 75.94, -23.81

 

CMYK 0 / 12 / 71 / 4

HEX #F5D846

RGB 245 216 70

HSL 50.06, 0.9%, 0.62%

LAB 86.49, -5.07, 71.67

 

CMYK 71 / 0 / 47 / 4

HEX #46F581

RGB 70 245 129

HSL 140.23, 0.9%, 0.62%

LAB 86.1, -68.1, 43.25

 

CMYK 71 / 60 / 0 / 4

HEX #4663F5

RGB 70 99 245

HSL 230.06, 0.9%, 0.62%

LAB 48.03, 37.69, -76.18

 

Description

Color code: CMYK 0 / 72 / 24 / 4 | qconv.com Color code: CMYK 0 / 72 / 24 / 4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 69 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 69 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 24% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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