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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 71 / 8 / 44 it is the complementary color CMYK 48 / 0 / 42 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 71 / 8 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 71 / 8 / 44: CMYK 0 / 72 / 15 / 42, CMYK 0 / 64 / 12 / 35, CMYK 0 / 58 / 10 / 29, CMYK 0 / 52 / 8 / 22 and CMYK 0 / 48 / 6 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 71 / 8 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 71 / 8 / 44: CMYK 0 / 71 / 8 / 44, CMYK 0 / 82 / 11 / 51, CMYK 0 / 95 / 15 / 57, CMYK 0 / 100 / 20 / 64 and CMYK 0 / 100 / 27 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 8 / 44

HEX #8F2983

RGB 143 41 131

HSL 307.06, 0.55%, 0.36%

LAB 36.11, 52.72, -28.17

 

Complementary color

CMYK 48 / 0 / 42 / 16

HEX #70D67C

RGB 112 214 124

HSL 127.06, 0.55%, 0.64%

LAB 77.87, -48.41, 35.45

 

CMYK 0 / 72 / 15 / 42

HEX #94297E

RGB 148 41 126

HSL 312.34, 0.57%, 0.37%

LAB 36.72, 53.2, -24.04

 

CMYK 0 / 64 / 12 / 35

HEX #A53B91

RGB 165 59 145

HSL 311.32, 0.47%, 0.44%

LAB 43.02, 53.49, -25.67

 

CMYK 0 / 58 / 10 / 29

HEX #B64DA4

RGB 182 77 164

HSL 310.29, 0.42%, 0.51%

LAB 49.41, 53.27, -26.87

 

CMYK 0 / 52 / 8 / 22

HEX #C75FB7

RGB 199 95 183

HSL 309.23, 0.48%, 0.58%

LAB 55.83, 52.79, -27.81

 

CMYK 0 / 48 / 6 / 15

HEX #D871CA

RGB 216 113 202

HSL 308.16, 0.57%, 0.65%

LAB 62.23, 52.16, -28.57

 

CMYK 0 / 71 / 8 / 44

HEX #8F2983

RGB 143 41 131

HSL 307.06, 0.55%, 0.36%

LAB 36.11, 52.72, -28.17

 

CMYK 0 / 82 / 11 / 51

HEX #7E1770

RGB 126 23 112

HSL 308.16, 0.69%, 0.29%

LAB 29.96, 51.59, -26.1

 

CMYK 0 / 95 / 15 / 57

HEX #6D055D

RGB 109 5 93

HSL 309.23, 0.91%, 0.22%

LAB 24.16, 49.05, -23.1

 

CMYK 0 / 100 / 20 / 64

HEX #5C004A

RGB 92 0 74

HSL 311.74, 1%, 0.18%

LAB 19.1, 43.85, -18.51

 

CMYK 0 / 100 / 27 / 71

HEX #4B0037

RGB 75 0 55

HSL 316, 1%, 0.15%

LAB 14.24, 37.43, -13.03

 

CMYK 0 / 71 / 8 / 44

HEX #8F2983

RGB 143 41 131

HSL 307.06, 0.55%, 0.36%

LAB 36.11, 52.72, -28.17

 

CMYK 0 / 71 / 20 / 44

HEX #8E2971

RGB 142 41 113

HSL 317.23, 0.55%, 0.36%

LAB 35.06, 49.68, -18.55

 

CMYK 0 / 71 / 32 / 44

HEX #8E2960

RGB 142 41 96

HSL 327.33, 0.55%, 0.36%

LAB 34.36, 47.37, -8.81

 

CMYK 0 / 71 / 44 / 44

HEX #8E2950

RGB 142 41 80

HSL 336.83, 0.55%, 0.36%

LAB 33.81, 45.52, 0.7

 

CMYK 0 / 71 / 56 / 44

HEX #8E293F

RGB 142 41 63

HSL 346.93, 0.55%, 0.36%

LAB 33.34, 43.92, 11.09

 

CMYK 0 / 71 / 8 / 44

HEX #8F2983

RGB 143 41 131

HSL 307.06, 0.55%, 0.36%

LAB 36.11, 52.72, -28.17

 

CMYK 0 / 71 / 8 / 24

HEX #C238B2

RGB 194 56 178

HSL 306.96, 0.55%, 0.49%

LAB 48.9, 67, -35.78

 

CMYK 0 / 71 / 9 / 4

HEX #F546E0

RGB 245 70 224

HSL 307.2, 0.9%, 0.62%

LAB 60.94, 80.7, -42.67

 

CMYK 0 / 71 / 7 / 84

HEX #290C26

RGB 41 12 38

HSL 306.21, 0.55%, 0.1%

LAB 7.9, 19.44, -10.93

 

CMYK 0 / 72 / 9 / 64

HEX #5C1A54

RGB 92 26 84

HSL 307.27, 0.56%, 0.23%

LAB 22.49, 37.32, -19.96

 

CMYK 0 / 71 / 8 / 44

HEX #8F2983

RGB 143 41 131

HSL 307.06, 0.55%, 0.36%

LAB 36.11, 52.72, -28.17

 

CMYK 0 / 49 / 71 / 44

HEX #8E4929

RGB 142 73 41

HSL 19.01, 0.55%, 0.36%

LAB 39.03, 26.47, 31.75

 

CMYK 71 / 0 / 20 / 44

HEX #298E71

RGB 41 142 113

HSL 162.77, 0.55%, 0.36%

LAB 52.96, -35.93, 7.21

 

CMYK 0 / 71 / 8 / 44

HEX #8F2983

RGB 143 41 131

HSL 307.06, 0.55%, 0.36%

LAB 36.11, 52.72, -28.17

 

CMYK 8 / 0 / 71 / 44

HEX #828E29

RGB 130 142 41

HSL 67.13, 0.55%, 0.36%

LAB 56.34, -18.03, 49.63

 

CMYK 71 / 8 / 0 / 44

HEX #29828E

RGB 41 130 142

HSL 187.13, 0.55%, 0.36%

LAB 49.97, -21.67, -14.07

 

CMYK 0 / 71 / 8 / 44

HEX #8F2983

RGB 143 41 131

HSL 307.06, 0.55%, 0.36%

LAB 36.11, 52.72, -28.17

 

CMYK 0 / 49 / 71 / 44

HEX #8E4929

RGB 142 73 41

HSL 19.01, 0.55%, 0.36%

LAB 39.03, 26.47, 31.75

 

CMYK 71 / 0 / 63 / 44

HEX #298E35

RGB 41 142 53

HSL 127.13, 0.55%, 0.36%

LAB 51.92, -47.42, 38.34

 

CMYK 71 / 23 / 0 / 44

HEX #296E8E

RGB 41 110 142

HSL 199.01, 0.55%, 0.36%

LAB 43.62, -10.59, -23.8

 

CMYK 0 / 71 / 8 / 44

HEX #8F2983

RGB 143 41 131

HSL 307.06, 0.55%, 0.36%

LAB 36.11, 52.72, -28.17

 

CMYK 0 / 27 / 71 / 44

HEX #8E6729

RGB 142 103 41

HSL 36.83, 0.55%, 0.36%

LAB 46.46, 9.17, 39.87

 

CMYK 71 / 0 / 63 / 44

HEX #298E35

RGB 41 142 53

HSL 127.13, 0.55%, 0.36%

LAB 51.92, -47.42, 38.34

 

CMYK 71 / 44 / 0 / 44

HEX #29508E

RGB 41 80 142

HSL 216.83, 0.55%, 0.36%

LAB 34.32, 8.15, -38.44

 

Description

Color code: CMYK 0 / 71 / 8 / 44 | qconv.com Color code: CMYK 0 / 71 / 8 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 41 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 41 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 8 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 8% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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