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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 70 / 95 / 24 it is the complementary color CMYK 75 / 20 / 0 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 70 / 95 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 70 / 95 / 24: CMYK 0 / 71 / 97 / 22, CMYK 0 / 65 / 89 / 15, CMYK 0 / 60 / 82 / 9, CMYK 0 / 55 / 75 / 2 and CMYK 0 / 49 / 68 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 70 / 95 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 70 / 95 / 24: CMYK 0 / 70 / 95 / 24, CMYK 0 / 77 / 100 / 31, CMYK 0 / 86 / 100 / 37, CMYK 0 / 97 / 100 / 44 and CMYK 0 / 100 / 100 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 95 / 24

HEX #C23A0A

RGB 194 58 10

HSL 15.65, 0.9%, 0.4%

LAB 44.97, 52.44, 53.85

 

Complementary color

CMYK 75 / 20 / 0 / 4

HEX #3DC5F5

RGB 61 197 245

HSL 195.65, 0.9%, 0.6%

LAB 74.52, -20.63, -34.06

 

CMYK 0 / 71 / 97 / 22

HEX #C73A05

RGB 199 58 5

HSL 16.39, 0.95%, 0.4%

LAB 45.88, 54.04, 56.21

 

CMYK 0 / 65 / 89 / 15

HEX #D84C18

RGB 216 76 24

HSL 16.25, 0.8%, 0.47%

LAB 51.65, 52.84, 55.86

 

CMYK 0 / 60 / 82 / 9

HEX #E95E2B

RGB 233 94 43

HSL 16.11, 0.81%, 0.54%

LAB 57.56, 51.4, 54.26

 

CMYK 0 / 55 / 75 / 2

HEX #FA703E

RGB 250 112 62

HSL 15.96, 0.95%, 0.61%

LAB 63.56, 49.89, 52.18

 

CMYK 0 / 49 / 68 / 0

HEX #FF8251

RGB 255 130 81

HSL 16.9, 1%, 0.66%

LAB 67.89, 43.94, 47.66

 

CMYK 0 / 70 / 95 / 24

HEX #C23A0A

RGB 194 58 10

HSL 15.65, 0.9%, 0.4%

LAB 44.97, 52.44, 53.85

 

CMYK 0 / 77 / 100 / 31

HEX #B12800

RGB 177 40 0

HSL 13.56, 1%, 0.35%

LAB 39.35, 53.2, 52.18

 

CMYK 0 / 86 / 100 / 37

HEX #A01600

RGB 160 22 0

HSL 8.25, 1%, 0.31%

LAB 34.08, 53.03, 47.69

 

CMYK 0 / 97 / 100 / 44

HEX #8F0400

RGB 143 4 0

HSL 1.68, 1%, 0.28%

LAB 29.23, 51.43, 42.6

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 70 / 95 / 24

HEX #C23A0A

RGB 194 58 10

HSL 15.65, 0.9%, 0.4%

LAB 44.97, 52.44, 53.85

 

CMYK 0 / 55 / 95 / 24

HEX #C1560A

RGB 193 86 10

HSL 24.92, 0.9%, 0.4%

LAB 49.51, 39.56, 56.67

 

CMYK 0 / 39 / 95 / 24

HEX #C1750A

RGB 193 117 10

HSL 35.08, 0.9%, 0.4%

LAB 56.17, 23.23, 61.22

 

CMYK 0 / 24 / 95 / 24

HEX #C1930A

RGB 193 147 10

HSL 44.92, 0.9%, 0.4%

LAB 63.53, 6.77, 66.49

 

CMYK 0 / 8 / 95 / 24

HEX #C1B20A

RGB 193 178 10

HSL 55.08, 0.9%, 0.4%

LAB 71.69, -9.74, 72.53

 

CMYK 0 / 70 / 95 / 24

HEX #C23A0A

RGB 194 58 10

HSL 15.65, 0.9%, 0.4%

LAB 44.97, 52.44, 53.85

 

CMYK 0 / 70 / 95 / 4

HEX #F5490D

RGB 245 73 13

HSL 15.52, 0.92%, 0.51%

LAB 56.29, 63.43, 64.65

 

CMYK 0 / 71 / 95 / 84

HEX #290C02

RGB 41 12 2

HSL 15.38, 0.91%, 0.08%

LAB 6.67, 13.87, 9.44

 

CMYK 0 / 70 / 95 / 64

HEX #5C1C05

RGB 92 28 5

HSL 15.86, 0.9%, 0.19%

LAB 20.51, 28.18, 28.36

 

CMYK 0 / 70 / 95 / 44

HEX #8F2B07

RGB 143 43 7

HSL 15.88, 0.91%, 0.29%

LAB 33.1, 40.79, 42.49

 

CMYK 0 / 70 / 95 / 24

HEX #C23A0A

RGB 194 58 10

HSL 15.65, 0.9%, 0.4%

LAB 44.97, 52.44, 53.85

 

CMYK 42 / 0 / 95 / 24

HEX #6FC10A

RGB 111 193 10

HSL 86.89, 0.9%, 0.4%

LAB 70.55, -49.84, 69.29

 

CMYK 95 / 81 / 0 / 24

HEX #0A25C1

RGB 10 37 193

HSL 231.15, 0.9%, 0.4%

LAB 27.4, 52.17, -80.4

 

CMYK 0 / 70 / 95 / 24

HEX #C23A0A

RGB 194 58 10

HSL 15.65, 0.9%, 0.4%

LAB 44.97, 52.44, 53.85

 

CMYK 95 / 0 / 71 / 24

HEX #0AC138

RGB 10 193 56

HSL 135.08, 0.9%, 0.4%

LAB 68.38, -66.76, 54.88

 

CMYK 71 / 95 / 0 / 24

HEX #380AC1

RGB 56 10 193

HSL 255.08, 0.9%, 0.4%

LAB 26.47, 63.26, -81.89

 

CMYK 0 / 70 / 95 / 24

HEX #C23A0A

RGB 194 58 10

HSL 15.65, 0.9%, 0.4%

LAB 44.97, 52.44, 53.85

 

CMYK 42 / 0 / 95 / 24

HEX #6FC10A

RGB 111 193 10

HSL 86.89, 0.9%, 0.4%

LAB 70.55, -49.84, 69.29

 

CMYK 95 / 24 / 0 / 24

HEX #0A93C1

RGB 10 147 193

HSL 195.08, 0.9%, 0.4%

LAB 56.86, -15.76, -32.85

 

CMYK 52 / 95 / 0 / 24

HEX #5C0AC1

RGB 92 10 193

HSL 266.89, 0.9%, 0.4%

LAB 30.26, 65.58, -75.49

 

CMYK 0 / 70 / 95 / 24

HEX #C23A0A

RGB 194 58 10

HSL 15.65, 0.9%, 0.4%

LAB 44.97, 52.44, 53.85

 

CMYK 71 / 0 / 95 / 24

HEX #38C10A

RGB 56 193 10

HSL 104.92, 0.9%, 0.4%

LAB 68.75, -64.22, 67.08

 

CMYK 95 / 24 / 0 / 24

HEX #0A93C1

RGB 10 147 193

HSL 195.08, 0.9%, 0.4%

LAB 56.86, -15.76, -32.85

 

CMYK 24 / 95 / 0 / 24

HEX #930AC1

RGB 147 10 193

HSL 284.92, 0.9%, 0.4%

LAB 38.32, 71.75, -61.95

 

Description

Color code: CMYK 0 / 70 / 95 / 24 | qconv.com Color code: CMYK 0 / 70 / 95 / 24 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 58 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 58 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 95 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 95% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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