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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 70 / 68 / 17 it is the complementary color CMYK 78 / 0 / 3 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 70 / 68 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 70 / 68 / 17: CMYK 0 / 71 / 71 / 15, CMYK 0 / 65 / 65 / 8, CMYK 0 / 61 / 60 / 2, CMYK 0 / 54 / 53 / 0 and CMYK 0 / 47 / 45 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 70 / 68 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 70 / 68 / 17: CMYK 0 / 70 / 68 / 17, CMYK 0 / 77 / 75 / 24, CMYK 0 / 85 / 83 / 30, CMYK 0 / 94 / 93 / 37 and CMYK 0 / 100 / 100 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 68 / 17

HEX #D43F44

RGB 212 63 68

HSL 357.99, 0.63%, 0.54%

LAB 49.46, 58.18, 31.4

 

Complementary color

CMYK 78 / 0 / 3 / 25

HEX #2BC0BB

RGB 43 192 187

HSL 177.99, 0.63%, 0.46%

LAB 70.73, -37.96, -8.34

 

CMYK 0 / 71 / 71 / 15

HEX #D93F3F

RGB 217 63 63

HSL 0, 0.67%, 0.55%

LAB 50.29, 59.5, 35.51

 

CMYK 0 / 65 / 65 / 8

HEX #EA5152

RGB 234 81 82

HSL 359.61, 0.78%, 0.62%

LAB 56.07, 58.96, 32.29

 

CMYK 0 / 61 / 60 / 2

HEX #FB6365

RGB 251 99 101

HSL 359.21, 0.95%, 0.69%

LAB 61.97, 58.15, 29.52

 

CMYK 0 / 54 / 53 / 0

HEX #FF7578

RGB 255 117 120

HSL 358.7, 1%, 0.73%

LAB 66.01, 52.78, 24.21

 

CMYK 0 / 47 / 45 / 0

HEX #FF878B

RGB 255 135 139

HSL 358, 1%, 0.76%

LAB 69.79, 45.77, 18.71

 

CMYK 0 / 70 / 68 / 17

HEX #D43F44

RGB 212 63 68

HSL 357.99, 0.63%, 0.54%

LAB 49.46, 58.18, 31.4

 

CMYK 0 / 77 / 75 / 24

HEX #C32D31

RGB 195 45 49

HSL 358.4, 0.63%, 0.47%

LAB 43.8, 58.26, 35.07

 

CMYK 0 / 85 / 83 / 30

HEX #B21B1E

RGB 178 27 30

HSL 358.81, 0.74%, 0.4%

LAB 38.45, 57.58, 39.21

 

CMYK 0 / 94 / 93 / 37

HEX #A1090B

RGB 161 9 11

HSL 359.21, 0.89%, 0.33%

LAB 33.56, 55.73, 43.03

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 70 / 68 / 17

HEX #D43F44

RGB 212 63 68

HSL 357.99, 0.63%, 0.54%

LAB 49.46, 58.18, 31.4

 

CMYK 0 / 62 / 70 / 17

HEX #D3513F

RGB 211 81 63

HSL 7.3, 0.63%, 0.54%

LAB 51.94, 50.22, 37.16

 

CMYK 0 / 50 / 70 / 17

HEX #D3693F

RGB 211 105 63

HSL 17.03, 0.63%, 0.54%

LAB 56.4, 38.7, 42.24

 

CMYK 0 / 38 / 70 / 17

HEX #D3823F

RGB 211 130 63

HSL 27.16, 0.63%, 0.54%

LAB 61.8, 25.54, 48.19

 

CMYK 0 / 27 / 70 / 17

HEX #D39A3F

RGB 211 154 63

HSL 36.89, 0.63%, 0.54%

LAB 67.52, 12.57, 54.26

 

CMYK 0 / 70 / 68 / 17

HEX #D43F44

RGB 212 63 68

HSL 357.99, 0.63%, 0.54%

LAB 49.46, 58.18, 31.4

 

CMYK 0 / 75 / 63 / 97

HEX #080203

RGB 8 2 3

HSL 350, 0.6%, 0.02%

LAB 0.92, 1.71, 0.17

 

CMYK 0 / 69 / 68 / 77

HEX #3B1213

RGB 59 18 19

HSL 358.54, 0.53%, 0.15%

LAB 12.02, 20.35, 9.63

 

CMYK 0 / 70 / 68 / 57

HEX #6E2123

RGB 110 33 35

HSL 358.44, 0.54%, 0.28%

LAB 25.33, 34.16, 17.8

 

CMYK 0 / 70 / 68 / 37

HEX #A13034

RGB 161 48 52

HSL 357.88, 0.54%, 0.41%

LAB 37.73, 46.61, 24.51

 

CMYK 0 / 70 / 68 / 17

HEX #D43F44

RGB 212 63 68

HSL 357.99, 0.63%, 0.54%

LAB 49.46, 58.18, 31.4

 

CMYK 10 / 0 / 70 / 17

HEX #BDD33F

RGB 189 211 63

HSL 68.92, 0.63%, 0.54%

LAB 80.61, -26.21, 66.91

 

CMYK 70 / 38 / 0 / 17

HEX #3F82D3

RGB 63 130 211

HSL 212.84, 0.63%, 0.54%

LAB 53.73, 5.44, -47.89

 

CMYK 0 / 70 / 68 / 17

HEX #D43F44

RGB 212 63 68

HSL 357.99, 0.63%, 0.54%

LAB 49.46, 58.18, 31.4

 

CMYK 66 / 0 / 70 / 17

HEX #47D33F

RGB 71 211 63

HSL 116.76, 0.63%, 0.54%

LAB 75.01, -64.44, 59.42

 

CMYK 70 / 66 / 0 / 17

HEX #3F47D3

RGB 63 71 211

HSL 236.76, 0.63%, 0.54%

LAB 38.32, 42.31, -72.8

 

CMYK 0 / 70 / 68 / 17

HEX #D43F44

RGB 212 63 68

HSL 357.99, 0.63%, 0.54%

LAB 49.46, 58.18, 31.4

 

CMYK 10 / 0 / 70 / 17

HEX #BDD33F

RGB 189 211 63

HSL 68.92, 0.63%, 0.54%

LAB 80.61, -26.21, 66.91

 

CMYK 70 / 0 / 3 / 17

HEX #3FD3CC

RGB 63 211 204

HSL 177.16, 0.63%, 0.54%

LAB 77.28, -39.51, -7.79

 

CMYK 60 / 70 / 0 / 17

HEX #553FD3

RGB 85 63 211

HSL 248.92, 0.63%, 0.54%

LAB 38.18, 49.72, -72.96

 

CMYK 0 / 70 / 68 / 17

HEX #D43F44

RGB 212 63 68

HSL 357.99, 0.63%, 0.54%

LAB 49.46, 58.18, 31.4

 

CMYK 31 / 0 / 70 / 17

HEX #91D33F

RGB 145 211 63

HSL 86.76, 0.63%, 0.54%

LAB 77.86, -43.23, 63.25

 

CMYK 70 / 0 / 3 / 17

HEX #3FD3CC

RGB 63 211 204

HSL 177.16, 0.63%, 0.54%

LAB 77.28, -39.51, -7.79

 

CMYK 38 / 70 / 0 / 17

HEX #823FD3

RGB 130 63 211

HSL 267.16, 0.63%, 0.54%

LAB 42.77, 57.09, -65.28

 

Description

Color code: CMYK 0 / 70 / 68 / 17 | qconv.com Color code: CMYK 0 / 70 / 68 / 17 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 63 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 63 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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