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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 70 / 61 / 22 it is the complementary color CMYK 71 / 0 / 9 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 70 / 61 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 70 / 61 / 22: CMYK 0 / 71 / 64 / 20, CMYK 0 / 65 / 58 / 13, CMYK 0 / 60 / 53 / 7, CMYK 0 / 55 / 49 / 0 and CMYK 0 / 48 / 42 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 70 / 61 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 70 / 61 / 22: CMYK 0 / 70 / 61 / 22, CMYK 0 / 77 / 68 / 29, CMYK 0 / 85 / 76 / 35, CMYK 0 / 96 / 86 / 42 and CMYK 0 / 100 / 98 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 61 / 22

HEX #C73C4E

RGB 199 60 78

HSL 352.23, 0.55%, 0.51%

LAB 46.87, 55.81, 21.66

 

Complementary color

CMYK 71 / 0 / 9 / 24

HEX #38C3B1

RGB 56 195 177

HSL 172.23, 0.55%, 0.49%

LAB 71.59, -40.6, -1.6

 

CMYK 0 / 71 / 64 / 20

HEX #CC3C49

RGB 204 60 73

HSL 354.58, 0.59%, 0.52%

LAB 47.69, 57.06, 25.91

 

CMYK 0 / 65 / 58 / 13

HEX #DD4E5C

RGB 221 78 92

HSL 354.13, 0.68%, 0.59%

LAB 53.59, 56.61, 22.85

 

CMYK 0 / 60 / 53 / 7

HEX #EE606F

RGB 238 96 111

HSL 353.66, 0.81%, 0.65%

LAB 59.61, 55.88, 20.28

 

CMYK 0 / 55 / 49 / 0

HEX #FF7282

RGB 255 114 130

HSL 353.19, 1%, 0.72%

LAB 65.68, 55.01, 18.1

 

CMYK 0 / 48 / 42 / 0

HEX #FF8495

RGB 255 132 149

HSL 351.71, 1%, 0.76%

LAB 69.42, 48.25, 12.6

 

CMYK 0 / 70 / 61 / 22

HEX #C73C4E

RGB 199 60 78

HSL 352.23, 0.55%, 0.51%

LAB 46.87, 55.81, 21.66

 

CMYK 0 / 77 / 68 / 29

HEX #B62A3B

RGB 182 42 59

HSL 352.71, 0.63%, 0.44%

LAB 41.08, 55.78, 25.23

 

CMYK 0 / 85 / 76 / 35

HEX #A51828

RGB 165 24 40

HSL 353.19, 0.75%, 0.37%

LAB 35.61, 54.93, 29.58

 

CMYK 0 / 96 / 86 / 42

HEX #940615

RGB 148 6 21

HSL 353.66, 0.92%, 0.3%

LAB 30.59, 52.85, 34.55

 

CMYK 0 / 100 / 98 / 49

HEX #830002

RGB 131 0 2

HSL 359.08, 1%, 0.26%

LAB 26.24, 48.9, 38.16

 

CMYK 0 / 70 / 61 / 22

HEX #C73C4E

RGB 199 60 78

HSL 352.23, 0.55%, 0.51%

LAB 46.87, 55.81, 21.66

 

CMYK 0 / 67 / 69 / 22

HEX #C6413D

RGB 198 65 61

HSL 1.75, 0.55%, 0.51%

LAB 47.14, 52.53, 32.1

 

CMYK 0 / 56 / 69 / 22

HEX #C6583D

RGB 198 88 61

HSL 11.82, 0.55%, 0.51%

LAB 51.06, 42.12, 36.71

 

CMYK 0 / 44 / 69 / 22

HEX #C66F3D

RGB 198 111 61

HSL 21.9, 0.55%, 0.51%

LAB 55.8, 30.26, 42.1

 

CMYK 0 / 32 / 69 / 22

HEX #C6863D

RGB 198 134 61

HSL 31.97, 0.55%, 0.51%

LAB 61.13, 17.75, 47.95

 

CMYK 0 / 70 / 61 / 22

HEX #C73C4E

RGB 199 60 78

HSL 352.23, 0.55%, 0.51%

LAB 46.87, 55.81, 21.66

 

CMYK 0 / 70 / 61 / 2

HEX #FA4B62

RGB 250 75 98

HSL 352.11, 0.95%, 0.64%

LAB 58.26, 67.12, 26.39

 

CMYK 0 / 70 / 61 / 82

HEX #2E0E12

RGB 46 14 18

HSL 352.5, 0.53%, 0.12%

LAB 8.47, 16.89, 4.88

 

CMYK 0 / 70 / 61 / 62

HEX #611D26

RGB 97 29 38

HSL 352.06, 0.54%, 0.25%

LAB 22.16, 31.44, 11.16

 

CMYK 0 / 70 / 61 / 42

HEX #942D3A

RGB 148 45 58

HSL 352.43, 0.53%, 0.38%

LAB 34.96, 43.87, 16.69

 

CMYK 0 / 70 / 61 / 22

HEX #C73C4E

RGB 199 60 78

HSL 352.23, 0.55%, 0.51%

LAB 46.87, 55.81, 21.66

 

CMYK 5 / 0 / 69 / 22

HEX #BDC63D

RGB 189 198 61

HSL 63.94, 0.55%, 0.51%

LAB 77.01, -19.99, 64.07

 

CMYK 69 / 32 / 0 / 22

HEX #3D86C6

RGB 61 134 198

HSL 208.03, 0.55%, 0.51%

LAB 54.15, -1.84, -39.86

 

CMYK 0 / 70 / 61 / 22

HEX #C73C4E

RGB 199 60 78

HSL 352.23, 0.55%, 0.51%

LAB 46.87, 55.81, 21.66

 

CMYK 60 / 0 / 69 / 22

HEX #4FC63D

RGB 79 198 61

HSL 112.12, 0.55%, 0.51%

LAB 71.14, -58.42, 56.2

 

CMYK 69 / 60 / 0 / 22

HEX #3D4FC6

RGB 61 79 198

HSL 232.12, 0.55%, 0.51%

LAB 39, 32.59, -64.15

 

CMYK 0 / 70 / 61 / 22

HEX #C73C4E

RGB 199 60 78

HSL 352.23, 0.55%, 0.51%

LAB 46.87, 55.81, 21.66

 

CMYK 5 / 0 / 69 / 22

HEX #BDC63D

RGB 189 198 61

HSL 63.94, 0.55%, 0.51%

LAB 77.01, -19.99, 64.07

 

CMYK 69 / 0 / 9 / 22

HEX #3DC6B4

RGB 61 198 180

HSL 172.12, 0.55%, 0.51%

LAB 72.68, -40.46, -1.62

 

CMYK 65 / 69 / 0 / 22

HEX #463DC6

RGB 70 61 198

HSL 243.94, 0.55%, 0.51%

LAB 35.43, 44.78, -69.97

 

CMYK 0 / 70 / 61 / 22

HEX #C73C4E

RGB 199 60 78

HSL 352.23, 0.55%, 0.51%

LAB 46.87, 55.81, 21.66

 

CMYK 25 / 0 / 69 / 22

HEX #94C63D

RGB 148 198 61

HSL 81.9, 0.55%, 0.51%

LAB 74.2, -36.5, 60.34

 

CMYK 69 / 0 / 9 / 22

HEX #3DC6B4

RGB 61 198 180

HSL 172.12, 0.55%, 0.51%

LAB 72.68, -40.46, -1.62

 

CMYK 44 / 69 / 0 / 22

HEX #6F3DC6

RGB 111 61 198

HSL 261.9, 0.55%, 0.51%

LAB 39.23, 51.27, -63.61

 

Description

Color code: CMYK 0 / 70 / 61 / 22 | qconv.com Color code: CMYK 0 / 70 / 61 / 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 60 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 60 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 61% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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