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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 6 / 34 / 10 it is the complementary color CMYK 76 / 63 / 0 / 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 6 / 34 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 6 / 34 / 10: CMYK 0 / 8 / 38 / 8, CMYK 0 / 7 / 35 / 1, CMYK 0 / 1 / 28 / 0, CMYK 0 / 0 / 20 / 0 and CMYK 0 / 0 / 13 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 6 / 34 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 6 / 34 / 10: CMYK 0 / 6 / 34 / 10, CMYK 0 / 7 / 38 / 16, CMYK 0 / 8 / 42 / 23, CMYK 0 / 9 / 47 / 30 and CMYK 0 / 11 / 54 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 34 / 10

HEX #E6D897

RGB 230 216 151

HSL 49.37, 0.61%, 0.75%

LAB 86.09, -4.62, 33.83

 

Complementary color

CMYK 76 / 63 / 0 / 59

HEX #192768

RGB 25 39 104

HSL 229.37, 0.61%, 0.25%

LAB 18.62, 19.1, -39.85

 

CMYK 0 / 8 / 38 / 8

HEX #EBD892

RGB 235 216 146

HSL 47.19, 0.69%, 0.75%

LAB 86.43, -3.25, 36.9

 

CMYK 0 / 7 / 35 / 1

HEX #FCEAA5

RGB 252 234 165

HSL 47.59, 0.94%, 0.82%

LAB 92.69, -3.67, 35.76

 

CMYK 0 / 1 / 28 / 0

HEX #FFFCB8

RGB 255 252 184

HSL 57.46, 1%, 0.86%

LAB 97.77, -9.23, 33.02

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 6 / 34 / 10

HEX #E6D897

RGB 230 216 151

HSL 49.37, 0.61%, 0.75%

LAB 86.09, -4.62, 33.83

 

CMYK 0 / 7 / 38 / 16

HEX #D5C684

RGB 213 198 132

HSL 48.89, 0.49%, 0.68%

LAB 79.73, -4.21, 34.98

 

CMYK 0 / 8 / 42 / 23

HEX #C4B471

RGB 196 180 113

HSL 48.43, 0.41%, 0.61%

LAB 73.27, -3.73, 36.19

 

CMYK 0 / 9 / 47 / 30

HEX #B3A25E

RGB 179 162 94

HSL 48, 0.36%, 0.54%

LAB 66.7, -3.16, 37.45

 

CMYK 0 / 11 / 54 / 36

HEX #A2904B

RGB 162 144 75

HSL 47.59, 0.37%, 0.46%

LAB 60.01, -2.46, 38.73

 

CMYK 0 / 6 / 34 / 10

HEX #E6D897

RGB 230 216 151

HSL 49.37, 0.61%, 0.75%

LAB 86.09, -4.62, 33.83

 

CMYK 0 / 1 / 34 / 10

HEX #E6E498

RGB 230 228 152

HSL 58.46, 0.61%, 0.75%

LAB 89.19, -10.56, 37.39

 

CMYK 5 / 0 / 34 / 10

HEX #DAE698

RGB 218 230 152

HSL 69.23, 0.61%, 0.75%

LAB 88.81, -16.11, 36.72

 

CMYK 11 / 0 / 34 / 10

HEX #CDE698

RGB 205 230 152

HSL 79.23, 0.61%, 0.75%

LAB 87.89, -20.95, 35.34

 

CMYK 17 / 0 / 34 / 10

HEX #C0E698

RGB 192 230 152

HSL 89.23, 0.61%, 0.75%

LAB 87.03, -25.67, 34.05

 

CMYK 0 / 6 / 34 / 10

HEX #E6D897

RGB 230 216 151

HSL 49.37, 0.61%, 0.75%

LAB 86.09, -4.62, 33.83

 

CMYK 0 / 8 / 35 / 90

HEX #1A1811

RGB 26 24 17

HSL 46.67, 0.21%, 0.08%

LAB 8.25, -0.58, 4.76

 

CMYK 0 / 6 / 34 / 70

HEX #4D4833

RGB 77 72 51

HSL 48.46, 0.2%, 0.25%

LAB 30.52, -1.72, 13.38

 

CMYK 0 / 6 / 34 / 50

HEX #807854

RGB 128 120 84

HSL 49.09, 0.21%, 0.42%

LAB 50.29, -2.81, 20.91

 

CMYK 0 / 6 / 34 / 30

HEX #B3A876

RGB 179 168 118

HSL 49.18, 0.29%, 0.58%

LAB 68.68, -3.68, 27.3

 

CMYK 0 / 6 / 34 / 10

HEX #E6D897

RGB 230 216 151

HSL 49.37, 0.61%, 0.75%

LAB 86.09, -4.62, 33.83

 

CMYK 34 / 0 / 33 / 10

HEX #98E699

RGB 152 230 153

HSL 120.77, 0.61%, 0.75%

LAB 84.78, -39, 30.14

 

CMYK 20 / 34 / 0 / 10

HEX #B898E6

RGB 184 152 230

HSL 264.62, 0.61%, 0.75%

LAB 68.29, 27.2, -35.06

 

CMYK 0 / 6 / 34 / 10

HEX #E6D897

RGB 230 216 151

HSL 49.37, 0.61%, 0.75%

LAB 86.09, -4.62, 33.83

 

CMYK 34 / 0 / 7 / 10

HEX #98E6D7

RGB 152 230 215

HSL 168.46, 0.61%, 0.75%

LAB 86.09, -27.2, -0.31

 

CMYK 7 / 34 / 0 / 10

HEX #D798E6

RGB 215 152 230

HSL 288.46, 0.61%, 0.75%

LAB 71.29, 36.66, -30.16

 

CMYK 0 / 6 / 34 / 10

HEX #E6D897

RGB 230 216 151

HSL 49.37, 0.61%, 0.75%

LAB 86.09, -4.62, 33.83

 

CMYK 34 / 0 / 33 / 10

HEX #98E699

RGB 152 230 153

HSL 120.77, 0.61%, 0.75%

LAB 84.78, -39, 30.14

 

CMYK 34 / 28 / 0 / 10

HEX #98A6E6

RGB 152 166 230

HSL 229.23, 0.61%, 0.75%

LAB 69.23, 10.03, -33.8

 

CMYK 0 / 34 / 1 / 10

HEX #E698E4

RGB 230 152 228

HSL 301.54, 0.61%, 0.75%

LAB 72.81, 40.95, -26.6

 

CMYK 0 / 6 / 34 / 10

HEX #E6D897

RGB 230 216 151

HSL 49.37, 0.61%, 0.75%

LAB 86.09, -4.62, 33.83

 

CMYK 34 / 0 / 23 / 10

HEX #98E6B0

RGB 152 230 176

HSL 138.46, 0.61%, 0.75%

LAB 85.2, -35.07, 18.86

 

CMYK 34 / 28 / 0 / 10

HEX #98A6E6

RGB 152 166 230

HSL 229.23, 0.61%, 0.75%

LAB 69.23, 10.03, -33.8

 

CMYK 0 / 34 / 11 / 10

HEX #E698CD

RGB 230 152 205

HSL 319.23, 0.61%, 0.75%

LAB 72.02, 36.96, -15.16

 

Description

Color code: CMYK 0 / 6 / 34 / 10 | qconv.com Color code: CMYK 0 / 6 / 34 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 216 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 216 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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