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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 67 / 83 / 46 it is the complementary color CMYK 50 / 9 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 67 / 83 / 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 67 / 83 / 46: CMYK 0 / 69 / 87 / 44, CMYK 0 / 61 / 77 / 37, CMYK 0 / 54 / 68 / 31, CMYK 0 / 49 / 61 / 24 and CMYK 0 / 45 / 55 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 67 / 83 / 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 67 / 83 / 46: CMYK 0 / 67 / 83 / 46, CMYK 0 / 78 / 97 / 53, CMYK 0 / 91 / 100 / 59, CMYK 0 / 100 / 100 / 66 and CMYK 0 / 100 / 100 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 83 / 46

HEX #8A2D17

RGB 138 45 23

HSL 11.48, 0.71%, 0.32%

LAB 32.57, 38.46, 34.58

 

Complementary color

CMYK 50 / 9 / 0 / 9

HEX #75D2E8

RGB 117 210 232

HSL 191.48, 0.71%, 0.68%

LAB 79.44, -21.85, -19.4

 

CMYK 0 / 69 / 87 / 44

HEX #8F2D12

RGB 143 45 18

HSL 12.96, 0.78%, 0.32%

LAB 33.48, 40.15, 38.25

 

CMYK 0 / 61 / 77 / 37

HEX #A03F25

RGB 160 63 37

HSL 12.68, 0.62%, 0.39%

LAB 39.85, 38.79, 35.69

 

CMYK 0 / 54 / 68 / 31

HEX #B15138

RGB 177 81 56

HSL 12.4, 0.52%, 0.46%

LAB 46.33, 37.32, 33.15

 

CMYK 0 / 49 / 61 / 24

HEX #C2634B

RGB 194 99 75

HSL 12.1, 0.49%, 0.53%

LAB 52.84, 35.88, 30.88

 

CMYK 0 / 45 / 55 / 17

HEX #D3755E

RGB 211 117 94

HSL 11.79, 0.57%, 0.6%

LAB 59.32, 34.55, 28.88

 

CMYK 0 / 67 / 83 / 46

HEX #8A2D17

RGB 138 45 23

HSL 11.48, 0.71%, 0.32%

LAB 32.57, 38.46, 34.58

 

CMYK 0 / 78 / 97 / 53

HEX #791B04

RGB 121 27 4

HSL 11.79, 0.94%, 0.25%

LAB 26.33, 39.38, 36.59

 

CMYK 0 / 91 / 100 / 59

HEX #680900

RGB 104 9 0

HSL 5.19, 1%, 0.2%

LAB 20.59, 39.21, 31.21

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 67 / 83 / 46

HEX #8A2D17

RGB 138 45 23

HSL 11.48, 0.71%, 0.32%

LAB 32.57, 38.46, 34.58

 

CMYK 0 / 54 / 83 / 45

HEX #8B4017

RGB 139 64 23

HSL 21.21, 0.72%, 0.32%

LAB 36.4, 29.32, 38.25

 

CMYK 0 / 40 / 83 / 45

HEX #8B5317

RGB 139 83 23

HSL 31.03, 0.72%, 0.32%

LAB 40.8, 18.59, 42.29

 

CMYK 0 / 27 / 83 / 45

HEX #8B6617

RGB 139 102 23

HSL 40.86, 0.72%, 0.32%

LAB 45.71, 7.5, 46.69

 

CMYK 0 / 12 / 83 / 45

HEX #8B7A17

RGB 139 122 23

HSL 51.21, 0.72%, 0.32%

LAB 51.23, -3.94, 51.53

 

CMYK 0 / 67 / 83 / 46

HEX #8A2D17

RGB 138 45 23

HSL 11.48, 0.71%, 0.32%

LAB 32.57, 38.46, 34.58

 

CMYK 0 / 67 / 83 / 26

HEX #BD3E20

RGB 189 62 32

HSL 11.46, 0.71%, 0.43%

LAB 44.76, 49.56, 44.83

 

CMYK 0 / 68 / 83 / 6

HEX #F04E28

RGB 240 78 40

HSL 11.4, 0.87%, 0.55%

LAB 56.21, 60.41, 54.82

 

CMYK 0 / 67 / 83 / 86

HEX #240C06

RGB 36 12 6

HSL 12, 0.71%, 0.08%

LAB 5.88, 11.14, 6.55

 

CMYK 0 / 68 / 83 / 66

HEX #571C0F

RGB 87 28 15

HSL 10.83, 0.71%, 0.2%

LAB 19.6, 26.5, 22.69

 

CMYK 0 / 67 / 83 / 46

HEX #8A2D17

RGB 138 45 23

HSL 11.48, 0.71%, 0.32%

LAB 32.57, 38.46, 34.58

 

CMYK 32 / 0 / 83 / 45

HEX #5F8B17

RGB 95 139 23

HSL 82.76, 0.72%, 0.32%

LAB 52.91, -32.28, 51.7

 

CMYK 83 / 65 / 0 / 45

HEX #17308B

RGB 23 48 139

HSL 227.07, 0.72%, 0.32%

LAB 24.19, 26.61, -53.02

 

CMYK 0 / 67 / 83 / 46

HEX #8A2D17

RGB 138 45 23

HSL 11.48, 0.71%, 0.32%

LAB 32.57, 38.46, 34.58

 

CMYK 83 / 0 / 68 / 45

HEX #178B2C

RGB 23 139 44

HSL 130.86, 0.72%, 0.32%

LAB 50.49, -50.22, 40.75

 

CMYK 68 / 83 / 0 / 45

HEX #2C178B

RGB 44 23 139

HSL 250.86, 0.72%, 0.32%

LAB 20.09, 43.57, -59.73

 

CMYK 0 / 67 / 83 / 46

HEX #8A2D17

RGB 138 45 23

HSL 11.48, 0.71%, 0.32%

LAB 32.57, 38.46, 34.58

 

CMYK 32 / 0 / 83 / 45

HEX #5F8B17

RGB 95 139 23

HSL 82.76, 0.72%, 0.32%

LAB 52.91, -32.28, 51.7

 

CMYK 83 / 15 / 0 / 45

HEX #17768B

RGB 23 118 139

HSL 190.86, 0.72%, 0.32%

LAB 45.64, -18.44, -18.94

 

CMYK 51 / 83 / 0 / 45

HEX #44178B

RGB 68 23 139

HSL 263.28, 0.72%, 0.32%

LAB 22.67, 46.33, -55.39

 

CMYK 0 / 67 / 83 / 46

HEX #8A2D17

RGB 138 45 23

HSL 11.48, 0.71%, 0.32%

LAB 32.57, 38.46, 34.58

 

CMYK 57 / 0 / 83 / 45

HEX #3C8B17

RGB 60 139 23

HSL 100.86, 0.72%, 0.32%

LAB 51.25, -44.38, 49.58

 

CMYK 83 / 15 / 0 / 45

HEX #17768B

RGB 23 118 139

HSL 190.86, 0.72%, 0.32%

LAB 45.64, -18.44, -18.94

 

CMYK 27 / 83 / 0 / 45

HEX #66178B

RGB 102 23 139

HSL 280.86, 0.72%, 0.32%

LAB 27.58, 51.67, -47.17

 

Description

Color code: CMYK 0 / 67 / 83 / 46 | qconv.com Color code: CMYK 0 / 67 / 83 / 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 45 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 45 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 83 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 83% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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