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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 65 / 49 / 66 it is the complementary color CMYK 25 / 0 / 6 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 65 / 49 / 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 65 / 49 / 66: CMYK 0 / 67 / 58 / 64, CMYK 0 / 56 / 47 / 57, CMYK 0 / 48 / 39 / 51, CMYK 0 / 41 / 33 / 44 and CMYK 0 / 36 / 28 / 37

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 65 / 49 / 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 65 / 49 / 66: CMYK 0 / 66 / 49 / 66, CMYK 0 / 83 / 64 / 73, CMYK 0 / 100 / 89 / 79, CMYK 0 / 100 / 100 / 86 and CMYK 0 / 100 / 100 / 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 49 / 66

HEX #571E2C

RGB 87 30 44

HSL 345.26, 0.49%, 0.23%

LAB 20.58, 27.76, 4.52

 

Complementary color

CMYK 25 / 0 / 6 / 12

HEX #A8E1D3

RGB 168 225 211

HSL 165.26, 0.49%, 0.77%

LAB 85.44, -21.02, 0.94

 

CMYK 0 / 67 / 58 / 64

HEX #5C1E27

RGB 92 30 39

HSL 351.29, 0.51%, 0.24%

LAB 21.4, 29.16, 9.27

 

CMYK 0 / 56 / 47 / 57

HEX #6D303A

RGB 109 48 58

HSL 350.16, 0.39%, 0.31%

LAB 28.57, 28.19, 6.83

 

CMYK 0 / 48 / 39 / 51

HEX #7E424D

RGB 126 66 77

HSL 349, 0.31%, 0.38%

LAB 35.73, 27.11, 5.05

 

CMYK 0 / 41 / 33 / 44

HEX #8F5460

RGB 143 84 96

HSL 347.8, 0.26%, 0.45%

LAB 42.8, 26.09, 3.65

 

CMYK 0 / 36 / 28 / 37

HEX #A06673

RGB 160 102 115

HSL 346.55, 0.23%, 0.51%

LAB 49.75, 25.16, 2.48

 

CMYK 0 / 66 / 49 / 66

HEX #571E2C

RGB 87 30 44

HSL 345.26, 0.49%, 0.23%

LAB 20.58, 27.76, 4.52

 

CMYK 0 / 83 / 64 / 73

HEX #460C19

RGB 70 12 25

HSL 346.55, 0.71%, 0.16%

LAB 13.44, 28.11, 7.71

 

CMYK 0 / 100 / 89 / 79

HEX #350006

RGB 53 0 6

HSL 353.21, 1%, 0.1%

LAB 6.96, 26.5, 8.53

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 66 / 49 / 66

HEX #571E2C

RGB 87 30 44

HSL 345.26, 0.49%, 0.23%

LAB 20.58, 27.76, 4.52

 

CMYK 0 / 67 / 61 / 66

HEX #571D22

RGB 87 29 34

HSL 354.83, 0.5%, 0.23%

LAB 20.13, 27.27, 10.86

 

CMYK 0 / 61 / 67 / 66

HEX #57221D

RGB 87 34 29

HSL 5.17, 0.5%, 0.23%

LAB 21.05, 24.13, 15.49

 

CMYK 0 / 49 / 67 / 66

HEX #572C1D

RGB 87 44 29

HSL 15.52, 0.5%, 0.23%

LAB 23.39, 18.21, 18.41

 

CMYK 0 / 39 / 67 / 66

HEX #57351D

RGB 87 53 29

HSL 24.83, 0.5%, 0.23%

LAB 25.75, 12.57, 21.25

 

CMYK 0 / 66 / 49 / 66

HEX #571E2C

RGB 87 30 44

HSL 345.26, 0.49%, 0.23%

LAB 20.58, 27.76, 4.52

 

CMYK 0 / 65 / 49 / 46

HEX #8A3046

RGB 138 48 70

HSL 345.33, 0.48%, 0.36%

LAB 33.9, 40.16, 7.21

 

CMYK 0 / 66 / 49 / 26

HEX #BD4160

RGB 189 65 96

HSL 345, 0.49%, 0.5%

LAB 46.24, 52.05, 9.51

 

CMYK 0 / 65 / 50 / 6

HEX #F05379

RGB 240 83 121

HSL 345.48, 0.84%, 0.63%

LAB 58.12, 62.78, 12.46

 

CMYK 0 / 67 / 50 / 86

HEX #240C12

RGB 36 12 18

HSL 345, 0.5%, 0.09%

LAB 6.16, 12.88, 1.28

 

CMYK 0 / 66 / 49 / 66

HEX #571E2C

RGB 87 30 44

HSL 345.26, 0.49%, 0.23%

LAB 20.58, 27.76, 4.52

 

CMYK 0 / 3 / 67 / 66

HEX #57541D

RGB 87 84 29

HSL 56.9, 0.5%, 0.23%

LAB 34.91, -6.7, 31.64

 

CMYK 67 / 23 / 0 / 66

HEX #1D4357

RGB 29 67 87

HSL 200.69, 0.5%, 0.23%

LAB 26.63, -6.51, -15.98

 

CMYK 0 / 66 / 49 / 66

HEX #571E2C

RGB 87 30 44

HSL 345.26, 0.49%, 0.23%

LAB 20.58, 27.76, 4.52

 

CMYK 49 / 0 / 67 / 66

HEX #2C571D

RGB 44 87 29

HSL 104.48, 0.5%, 0.23%

LAB 32.79, -27.19, 28.42

 

CMYK 67 / 49 / 0 / 66

HEX #1D2C57

RGB 29 44 87

HSL 224.48, 0.5%, 0.23%

LAB 19.02, 9.29, -27.97

 

CMYK 0 / 66 / 49 / 66

HEX #571E2C

RGB 87 30 44

HSL 345.26, 0.49%, 0.23%

LAB 20.58, 27.76, 4.52

 

CMYK 0 / 3 / 67 / 66

HEX #57541D

RGB 87 84 29

HSL 56.9, 0.5%, 0.23%

LAB 34.91, -6.7, 31.64

 

CMYK 67 / 0 / 16 / 66

HEX #1D5749

RGB 29 87 73

HSL 165.52, 0.5%, 0.23%

LAB 33.05, -22.6, 2.61

 

CMYK 67 / 63 / 0 / 66

HEX #1D2057

RGB 29 32 87

HSL 236.9, 0.5%, 0.23%

LAB 15.39, 18.06, -33.81

 

CMYK 0 / 66 / 49 / 66

HEX #571E2C

RGB 87 30 44

HSL 345.26, 0.49%, 0.23%

LAB 20.58, 27.76, 4.52

 

CMYK 16 / 0 / 67 / 66

HEX #49571D

RGB 73 87 29

HSL 74.48, 0.5%, 0.23%

LAB 34.64, -15.11, 30.99

 

CMYK 67 / 0 / 16 / 66

HEX #1D5749

RGB 29 87 73

HSL 165.52, 0.5%, 0.23%

LAB 33.05, -22.6, 2.61

 

CMYK 49 / 67 / 0 / 66

HEX #2C1D57

RGB 44 29 87

HSL 255.52, 0.5%, 0.23%

LAB 16.02, 23.43, -32.73

 

Description

Color code: CMYK 0 / 65 / 49 / 66 | qconv.com Color code: CMYK 0 / 65 / 49 / 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 30 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 30 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 49 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 49% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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