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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 65 / 22 / 22 it is the complementary color CMYK 70 / 0 / 46 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 65 / 22 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 65 / 22 / 22: CMYK 0 / 66 / 26 / 20, CMYK 0 / 60 / 24 / 13, CMYK 0 / 55 / 21 / 7, CMYK 0 / 51 / 19 / 0 and CMYK 0 / 44 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 65 / 22 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 65 / 22 / 22: CMYK 0 / 65 / 22 / 22, CMYK 0 / 71 / 25 / 29, CMYK 0 / 79 / 29 / 35, CMYK 0 / 89 / 34 / 42 and CMYK 0 / 100 / 40 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 22 / 22

HEX #C7469B

RGB 199 70 155

HSL 320.47, 0.54%, 0.53%

LAB 50.56, 59.71, -19.57

 

Complementary color

CMYK 70 / 0 / 46 / 27

HEX #38B964

RGB 56 185 100

HSL 140.47, 0.54%, 0.47%

LAB 66.87, -53.58, 33.17

 

CMYK 0 / 66 / 26 / 20

HEX #CC4696

RGB 204 70 150

HSL 324.18, 0.57%, 0.54%

LAB 51.17, 60.44, -15.59

 

CMYK 0 / 60 / 24 / 13

HEX #DD58A9

RGB 221 88 169

HSL 323.46, 0.66%, 0.61%

LAB 57.29, 60.27, -17.21

 

CMYK 0 / 55 / 21 / 7

HEX #EE6ABC

RGB 238 106 188

HSL 322.73, 0.8%, 0.67%

LAB 63.44, 59.84, -18.53

 

CMYK 0 / 51 / 19 / 0

HEX #FF7CCF

RGB 255 124 207

HSL 321.98, 1%, 0.74%

LAB 69.6, 59.27, -19.64

 

CMYK 0 / 44 / 11 / 0

HEX #FF8EE2

RGB 255 142 226

HSL 315.4, 1%, 0.78%

LAB 73.61, 53.46, -24.03

 

CMYK 0 / 65 / 22 / 22

HEX #C7469B

RGB 199 70 155

HSL 320.47, 0.54%, 0.53%

LAB 50.56, 59.71, -19.57

 

CMYK 0 / 71 / 25 / 29

HEX #B63488

RGB 182 52 136

HSL 321.23, 0.56%, 0.46%

LAB 44.49, 59.48, -17.71

 

CMYK 0 / 79 / 29 / 35

HEX #A52275

RGB 165 34 117

HSL 321.98, 0.66%, 0.39%

LAB 38.6, 58.54, -15.27

 

CMYK 0 / 89 / 34 / 42

HEX #941062

RGB 148 16 98

HSL 322.73, 0.8%, 0.32%

LAB 33.02, 56.48, -12.01

 

CMYK 0 / 100 / 40 / 49

HEX #83004F

RGB 131 0 79

HSL 323.82, 1%, 0.26%

LAB 27.82, 53.09, -7.76

 

CMYK 0 / 65 / 22 / 22

HEX #C7469B

RGB 199 70 155

HSL 320.47, 0.54%, 0.53%

LAB 50.56, 59.71, -19.57

 

CMYK 0 / 65 / 32 / 22

HEX #C74687

RGB 199 70 135

HSL 329.77, 0.54%, 0.53%

LAB 49.82, 57.15, -8.75

 

CMYK 0 / 65 / 43 / 22

HEX #C74671

RGB 199 70 113

HSL 340, 0.54%, 0.53%

LAB 49.15, 54.72, 3.53

 

CMYK 0 / 65 / 54 / 22

HEX #C7465C

RGB 199 70 92

HSL 349.77, 0.54%, 0.53%

LAB 48.63, 52.82, 15.53

 

CMYK 0 / 65 / 65 / 22

HEX #C74646

RGB 199 70 70

HSL 0, 0.54%, 0.53%

LAB 48.22, 51.28, 28.18

 

CMYK 0 / 65 / 22 / 22

HEX #C7469B

RGB 199 70 155

HSL 320.47, 0.54%, 0.53%

LAB 50.56, 59.71, -19.57

 

CMYK 0 / 65 / 22 / 2

HEX #FA58C3

RGB 250 88 195

HSL 320.37, 0.94%, 0.66%

LAB 62.71, 71.65, -23.45

 

CMYK 0 / 65 / 22 / 82

HEX #2E1024

RGB 46 16 36

HSL 320, 0.48%, 0.12%

LAB 9.63, 18.47, -6.68

 

CMYK 0 / 65 / 22 / 62

HEX #61224C

RGB 97 34 76

HSL 320, 0.48%, 0.26%

LAB 24.35, 33.73, -11.65

 

CMYK 0 / 65 / 22 / 42

HEX #943473

RGB 148 52 115

HSL 320.63, 0.48%, 0.39%

LAB 37.82, 47.12, -15.47

 

CMYK 0 / 65 / 22 / 22

HEX #C7469B

RGB 199 70 155

HSL 320.47, 0.54%, 0.53%

LAB 50.56, 59.71, -19.57

 

CMYK 0 / 30 / 65 / 22

HEX #C78B46

RGB 199 139 70

HSL 32.09, 0.54%, 0.53%

LAB 62.55, 15.98, 45.19

 

CMYK 65 / 0 / 4 / 22

HEX #46C7BF

RGB 70 199 191

HSL 176.28, 0.54%, 0.53%

LAB 73.49, -36.61, -6.38

 

CMYK 0 / 65 / 22 / 22

HEX #C7469B

RGB 199 70 155

HSL 320.47, 0.54%, 0.53%

LAB 50.56, 59.71, -19.57

 

CMYK 22 / 0 / 65 / 22

HEX #9CC746

RGB 156 199 70

HSL 80, 0.54%, 0.53%

LAB 75.05, -33.26, 57.82

 

CMYK 65 / 22 / 0 / 22

HEX #469CC7

RGB 70 156 199

HSL 200, 0.54%, 0.53%

LAB 60.96, -12.55, -29.78

 

CMYK 0 / 65 / 22 / 22

HEX #C7469B

RGB 199 70 155

HSL 320.47, 0.54%, 0.53%

LAB 50.56, 59.71, -19.57

 

CMYK 0 / 30 / 65 / 22

HEX #C78B46

RGB 199 139 70

HSL 32.09, 0.54%, 0.53%

LAB 62.55, 15.98, 45.19

 

CMYK 65 / 0 / 43 / 22

HEX #46C771

RGB 70 199 113

HSL 140, 0.54%, 0.53%

LAB 71.79, -54.1, 32.9

 

CMYK 65 / 35 / 0 / 22

HEX #4682C7

RGB 70 130 199

HSL 212.09, 0.54%, 0.53%

LAB 53.37, 2.36, -41.64

 

CMYK 0 / 65 / 22 / 22

HEX #C7469B

RGB 199 70 155

HSL 320.47, 0.54%, 0.53%

LAB 50.56, 59.71, -19.57

 

CMYK 0 / 11 / 65 / 22

HEX #C7B246

RGB 199 178 70

HSL 50.23, 0.54%, 0.53%

LAB 72.51, -5.02, 56.11

 

CMYK 65 / 0 / 43 / 22

HEX #46C771

RGB 70 199 113

HSL 140, 0.54%, 0.53%

LAB 71.79, -54.1, 32.9

 

CMYK 65 / 54 / 0 / 22

HEX #465CC7

RGB 70 92 199

HSL 229.77, 0.54%, 0.53%

LAB 42.88, 26.02, -58.41

 

Description

Color code: CMYK 0 / 65 / 22 / 22 | qconv.com Color code: CMYK 0 / 65 / 22 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 70 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 70 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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