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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 64 / 27 / 12 it is the complementary color CMYK 82 / 0 / 48 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 64 / 27 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 64 / 27 / 12: CMYK 0 / 65 / 31 / 10, CMYK 0 / 60 / 28 / 4, CMYK 0 / 54 / 23 / 0, CMYK 0 / 47 / 15 / 0 and CMYK 0 / 40 / 8 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 64 / 27 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 64 / 27 / 12: CMYK 0 / 64 / 27 / 12, CMYK 0 / 70 / 30 / 19, CMYK 0 / 76 / 34 / 25, CMYK 0 / 84 / 38 / 32 and CMYK 0 / 94 / 44 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 27 / 12

HEX #E051A4

RGB 224 81 164

HSL 325.17, 0.7%, 0.6%

LAB 56.5, 63.4, -15.45

 

Complementary color

CMYK 82 / 0 / 48 / 32

HEX #1FAE5B

RGB 31 174 91

HSL 145.17, 0.7%, 0.4%

LAB 62.78, -54.62, 32.49

 

CMYK 0 / 65 / 31 / 10

HEX #E5519F

RGB 229 81 159

HSL 328.38, 0.74%, 0.61%

LAB 57.12, 64.19, -11.52

 

CMYK 0 / 60 / 28 / 4

HEX #F663B2

RGB 246 99 178

HSL 327.76, 0.89%, 0.68%

LAB 63.12, 63.94, -13.2

 

CMYK 0 / 54 / 23 / 0

HEX #FF75C5

RGB 255 117 197

HSL 325.22, 1%, 0.73%

LAB 68.03, 61.11, -16.42

 

CMYK 0 / 47 / 15 / 0

HEX #FF87D8

RGB 255 135 216

HSL 319.5, 1%, 0.76%

LAB 71.92, 55.34, -21.09

 

CMYK 0 / 40 / 8 / 0

HEX #FF99EB

RGB 255 153 235

HSL 311.76, 1%, 0.8%

LAB 76.09, 49.41, -25.15

 

CMYK 0 / 64 / 27 / 12

HEX #E051A4

RGB 224 81 164

HSL 325.17, 0.7%, 0.6%

LAB 56.5, 63.4, -15.45

 

CMYK 0 / 70 / 30 / 19

HEX #CF3F91

RGB 207 63 145

HSL 325.83, 0.6%, 0.53%

LAB 50.53, 63.31, -13.54

 

CMYK 0 / 76 / 34 / 25

HEX #BE2D7E

RGB 190 45 126

HSL 326.48, 0.62%, 0.46%

LAB 44.7, 62.67, -11.14

 

CMYK 0 / 84 / 38 / 32

HEX #AD1B6B

RGB 173 27 107

HSL 327.12, 0.73%, 0.39%

LAB 39.12, 61.18, -8.05

 

CMYK 0 / 94 / 44 / 39

HEX #9C0958

RGB 156 9 88

HSL 327.76, 0.89%, 0.32%

LAB 33.92, 58.42, -4.02

 

CMYK 0 / 64 / 27 / 12

HEX #E051A4

RGB 224 81 164

HSL 325.17, 0.7%, 0.6%

LAB 56.5, 63.4, -15.45

 

CMYK 0 / 64 / 37 / 12

HEX #E0518D

RGB 224 81 141

HSL 334.83, 0.7%, 0.6%

LAB 55.74, 60.69, -3.09

 

CMYK 0 / 64 / 48 / 12

HEX #E05175

RGB 224 81 117

HSL 344.9, 0.7%, 0.6%

LAB 55.09, 58.31, 10.17

 

CMYK 0 / 64 / 58 / 12

HEX #E0515D

RGB 224 81 93

HSL 354.97, 0.7%, 0.6%

LAB 54.58, 56.41, 23.65

 

CMYK 0 / 58 / 64 / 12

HEX #E05D51

RGB 224 93 81

HSL 5.03, 0.7%, 0.6%

LAB 56.36, 50.35, 32.85

 

CMYK 0 / 64 / 27 / 12

HEX #E051A4

RGB 224 81 164

HSL 325.17, 0.7%, 0.6%

LAB 56.5, 63.4, -15.45

 

CMYK 0 / 65 / 25 / 92

HEX #14070F

RGB 20 7 15

HSL 323.08, 0.48%, 0.05%

LAB 3.03, 5.41, -1.83

 

CMYK 0 / 63 / 27 / 72

HEX #471A34

RGB 71 26 52

HSL 325.33, 0.46%, 0.19%

LAB 17.11, 24.99, -6.55

 

CMYK 0 / 64 / 27 / 52

HEX #7A2C59

RGB 122 44 89

HSL 325.38, 0.47%, 0.33%

LAB 31.02, 38.98, -9.68

 

CMYK 0 / 64 / 27 / 32

HEX #AD3F7F

RGB 173 63 127

HSL 325.09, 0.47%, 0.46%

LAB 44.19, 51.41, -12.81

 

CMYK 0 / 64 / 27 / 12

HEX #E051A4

RGB 224 81 164

HSL 325.17, 0.7%, 0.6%

LAB 56.5, 63.4, -15.45

 

CMYK 0 / 25 / 64 / 12

HEX #E0A951

RGB 224 169 81

HSL 36.92, 0.7%, 0.6%

LAB 72.77, 11.1, 52.14

 

CMYK 64 / 1 / 0 / 12

HEX #51DEE0

RGB 81 222 224

HSL 180.84, 0.7%, 0.6%

LAB 81.5, -36.5, -12.16

 

CMYK 0 / 64 / 27 / 12

HEX #E051A4

RGB 224 81 164

HSL 325.17, 0.7%, 0.6%

LAB 56.5, 63.4, -15.45

 

CMYK 27 / 0 / 64 / 12

HEX #A4E051

RGB 164 224 81

HSL 85.17, 0.7%, 0.6%

LAB 82.81, -40.71, 61.78

 

CMYK 64 / 27 / 0 / 12

HEX #51A4E0

RGB 81 164 224

HSL 205.17, 0.7%, 0.6%

LAB 64.71, -6.99, -37.82

 

CMYK 0 / 64 / 27 / 12

HEX #E051A4

RGB 224 81 164

HSL 325.17, 0.7%, 0.6%

LAB 56.5, 63.4, -15.45

 

CMYK 0 / 25 / 64 / 12

HEX #E0A951

RGB 224 169 81

HSL 36.92, 0.7%, 0.6%

LAB 72.77, 11.1, 52.14

 

CMYK 64 / 0 / 37 / 12

HEX #51E08D

RGB 81 224 141

HSL 145.17, 0.7%, 0.6%

LAB 80.17, -56.64, 29.65

 

CMYK 64 / 39 / 0 / 12

HEX #5188E0

RGB 81 136 224

HSL 216.92, 0.7%, 0.6%

LAB 56.82, 9.24, -50.24

 

CMYK 0 / 64 / 27 / 12

HEX #E051A4

RGB 224 81 164

HSL 325.17, 0.7%, 0.6%

LAB 56.5, 63.4, -15.45

 

CMYK 0 / 5 / 64 / 12

HEX #E0D451

RGB 224 212 81

HSL 54.97, 0.7%, 0.6%

LAB 83.72, -11.24, 64.01

 

CMYK 64 / 0 / 37 / 12

HEX #51E08D

RGB 81 224 141

HSL 145.17, 0.7%, 0.6%

LAB 80.17, -56.64, 29.65

 

CMYK 64 / 58 / 0 / 12

HEX #515DE0

RGB 81 93 224

HSL 234.97, 0.7%, 0.6%

LAB 45.58, 35.7, -68.32

 

Description

Color code: CMYK 0 / 64 / 27 / 12 | qconv.com Color code: CMYK 0 / 64 / 27 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 81 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 81 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 27 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 27% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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