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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 63 / 73 / 13 it is the complementary color CMYK 83 / 11 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 63 / 73 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 63 / 73 / 13: CMYK 0 / 64 / 76 / 11, CMYK 0 / 59 / 70 / 4, CMYK 0 / 54 / 64 / 0, CMYK 0 / 47 / 56 / 0 and CMYK 0 / 40 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 63 / 73 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 63 / 73 / 13: CMYK 0 / 63 / 73 / 13, CMYK 0 / 69 / 80 / 20, CMYK 0 / 76 / 88 / 26, CMYK 0 / 84 / 98 / 33 and CMYK 0 / 94 / 100 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 73 / 13

HEX #DE523C

RGB 222 82 60

HSL 8.15, 0.71%, 0.55%

LAB 53.91, 53.45, 41.54

 

Complementary color

CMYK 83 / 11 / 0 / 24

HEX #21ADC3

RGB 33 173 195

HSL 188.15, 0.71%, 0.45%

LAB 65.08, -27.34, -21.28

 

CMYK 0 / 64 / 76 / 11

HEX #E35237

RGB 227 82 55

HSL 9.42, 0.75%, 0.55%

LAB 54.7, 54.95, 45.29

 

CMYK 0 / 59 / 70 / 4

HEX #F4644A

RGB 244 100 74

HSL 9.18, 0.89%, 0.62%

LAB 60.64, 53.79, 42.59

 

CMYK 0 / 54 / 64 / 0

HEX #FF765D

RGB 255 118 93

HSL 9.26, 1%, 0.68%

LAB 65.75, 50.41, 38.84

 

CMYK 0 / 47 / 56 / 0

HEX #FF8870

RGB 255 136 112

HSL 10.07, 1%, 0.72%

LAB 69.5, 42.94, 33.22

 

CMYK 0 / 40 / 49 / 0

HEX #FF9A83

RGB 255 154 131

HSL 11.13, 1%, 0.76%

LAB 73.55, 35.38, 28.2

 

CMYK 0 / 63 / 73 / 13

HEX #DE523C

RGB 222 82 60

HSL 8.15, 0.71%, 0.55%

LAB 53.91, 53.45, 41.54

 

CMYK 0 / 69 / 80 / 20

HEX #CD4029

RGB 205 64 41

HSL 8.41, 0.67%, 0.48%

LAB 48.01, 54.42, 44.46

 

CMYK 0 / 76 / 88 / 26

HEX #BC2E16

RGB 188 46 22

HSL 8.67, 0.79%, 0.41%

LAB 42.31, 55, 47.26

 

CMYK 0 / 84 / 98 / 33

HEX #AB1C03

RGB 171 28 3

HSL 8.93, 0.97%, 0.34%

LAB 36.92, 54.85, 49.21

 

CMYK 0 / 94 / 100 / 40

HEX #9A0A00

RGB 154 10 0

HSL 3.9, 1%, 0.3%

LAB 32, 53.54, 45.74

 

CMYK 0 / 63 / 73 / 13

HEX #DE523C

RGB 222 82 60

HSL 8.15, 0.71%, 0.55%

LAB 53.91, 53.45, 41.54

 

CMYK 0 / 52 / 74 / 13

HEX #DD6B3A

RGB 221 107 58

HSL 18.04, 0.71%, 0.55%

LAB 58.22, 41.31, 47.2

 

CMYK 0 / 39 / 74 / 13

HEX #DD863A

RGB 221 134 58

HSL 27.98, 0.71%, 0.55%

LAB 63.94, 27.32, 53.17

 

CMYK 0 / 27 / 74 / 13

HEX #DDA13A

RGB 221 161 58

HSL 37.91, 0.71%, 0.55%

LAB 70.29, 12.86, 59.56

 

CMYK 0 / 14 / 74 / 13

HEX #DDBD3A

RGB 221 189 58

HSL 48.22, 0.71%, 0.55%

LAB 77.32, -1.94, 66.41

 

CMYK 0 / 63 / 73 / 13

HEX #DE523C

RGB 222 82 60

HSL 8.15, 0.71%, 0.55%

LAB 53.91, 53.45, 41.54

 

CMYK 0 / 61 / 72 / 93

HEX #120705

RGB 18 7 5

HSL 9.23, 0.57%, 0.05%

LAB 2.63, 3.1, 1.95

 

CMYK 0 / 64 / 72 / 73

HEX #451913

RGB 69 25 19

HSL 7.2, 0.57%, 0.17%

LAB 15.53, 20.7, 14.62

 

CMYK 0 / 63 / 73 / 53

HEX #782C20

RGB 120 44 32

HSL 8.18, 0.58%, 0.3%

LAB 29.16, 32.47, 24.77

 

CMYK 0 / 63 / 73 / 33

HEX #AB3F2E

RGB 171 63 46

HSL 8.16, 0.58%, 0.43%

LAB 41.86, 43.29, 33.41

 

CMYK 0 / 63 / 73 / 13

HEX #DE523C

RGB 222 82 60

HSL 8.15, 0.71%, 0.55%

LAB 53.91, 53.45, 41.54

 

CMYK 24 / 0 / 74 / 13

HEX #A7DD3A

RGB 167 221 58

HSL 79.88, 0.71%, 0.55%

LAB 81.97, -39.75, 69.46

 

CMYK 74 / 54 / 0 / 13

HEX #3A66DD

RGB 58 102 221

HSL 223.8, 0.71%, 0.55%

LAB 46.48, 25.84, -65.22

 

CMYK 0 / 63 / 73 / 13

HEX #DE523C

RGB 222 82 60

HSL 8.15, 0.71%, 0.55%

LAB 53.91, 53.45, 41.54

 

CMYK 74 / 0 / 64 / 13

HEX #3ADD50

RGB 58 221 80

HSL 128.1, 0.71%, 0.55%

LAB 77.99, -68.32, 55.8

 

CMYK 64 / 74 / 0 / 13

HEX #503ADD

RGB 80 58 221

HSL 248.1, 0.71%, 0.55%

LAB 37.76, 54.74, -79.42

 

CMYK 0 / 63 / 73 / 13

HEX #DE523C

RGB 222 82 60

HSL 8.15, 0.71%, 0.55%

LAB 53.91, 53.45, 41.54

 

CMYK 24 / 0 / 74 / 13

HEX #A7DD3A

RGB 167 221 58

HSL 79.88, 0.71%, 0.55%

LAB 81.97, -39.75, 69.46

 

CMYK 74 / 10 / 0 / 13

HEX #3AC7DD

RGB 58 199 221

HSL 188.1, 0.71%, 0.55%

LAB 74.17, -29.53, -21.65

 

CMYK 49 / 74 / 0 / 13

HEX #713ADD

RGB 113 58 221

HSL 260.25, 0.71%, 0.55%

LAB 40.83, 59.11, -74.26

 

CMYK 0 / 63 / 73 / 13

HEX #DE523C

RGB 222 82 60

HSL 8.15, 0.71%, 0.55%

LAB 53.91, 53.45, 41.54

 

CMYK 47 / 0 / 74 / 13

HEX #76DD3A

RGB 118 221 58

HSL 97.91, 0.71%, 0.55%

LAB 79.54, -56.56, 66.27

 

CMYK 74 / 10 / 0 / 13

HEX #3AC7DD

RGB 58 199 221

HSL 188.1, 0.71%, 0.55%

LAB 74.17, -29.53, -21.65

 

CMYK 27 / 74 / 0 / 13

HEX #A13ADD

RGB 161 58 221

HSL 277.91, 0.71%, 0.55%

LAB 46.74, 67.18, -64.37

 

Description

Color code: CMYK 0 / 63 / 73 / 13 | qconv.com Color code: CMYK 0 / 63 / 73 / 13 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 82 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 82 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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