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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 63 / 13 / 23 it is the complementary color CMYK 68 / 0 / 54 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 63 / 13 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 63 / 13 / 23: CMYK 0 / 64 / 17 / 21, CMYK 0 / 58 / 15 / 15, CMYK 0 / 54 / 13 / 8, CMYK 0 / 50 / 12 / 1 and CMYK 0 / 43 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 63 / 13 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 63 / 13 / 23: CMYK 0 / 63 / 13 / 23, CMYK 0 / 69 / 15 / 30, CMYK 0 / 77 / 18 / 36, CMYK 0 / 87 / 21 / 43 and CMYK 0 / 99 / 26 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 13 / 23

HEX #C449AB

RGB 196 73 171

HSL 312.2, 0.51%, 0.53%

LAB 51.2, 59.98, -28.05

 

Complementary color

CMYK 68 / 0 / 54 / 29

HEX #3BB654

RGB 59 182 84

HSL 132.2, 0.51%, 0.47%

LAB 65.77, -54.4, 39.83

 

CMYK 0 / 64 / 17 / 21

HEX #C949A6

RGB 201 73 166

HSL 316.41, 0.54%, 0.54%

LAB 51.76, 60.58, -24.18

 

CMYK 0 / 58 / 15 / 15

HEX #DA5BB9

RGB 218 91 185

HSL 315.59, 0.63%, 0.61%

LAB 57.93, 60.37, -25.5

 

CMYK 0 / 54 / 13 / 8

HEX #EB6DCC

RGB 235 109 204

HSL 314.76, 0.76%, 0.67%

LAB 64.13, 59.93, -26.56

 

CMYK 0 / 50 / 12 / 1

HEX #FC7FDF

RGB 252 127 223

HSL 313.92, 0.95%, 0.74%

LAB 70.32, 59.36, -27.45

 

CMYK 0 / 43 / 5 / 0

HEX #FF91F2

RGB 255 145 242

HSL 307.09, 1%, 0.78%

LAB 74.78, 54.58, -30.98

 

CMYK 0 / 63 / 13 / 23

HEX #C449AB

RGB 196 73 171

HSL 312.2, 0.51%, 0.53%

LAB 51.2, 59.98, -28.05

 

CMYK 0 / 69 / 15 / 30

HEX #B33798

RGB 179 55 152

HSL 313.06, 0.53%, 0.46%

LAB 45.06, 59.82, -26.54

 

CMYK 0 / 77 / 18 / 36

HEX #A22585

RGB 162 37 133

HSL 313.92, 0.63%, 0.39%

LAB 39.07, 59.02, -24.53

 

CMYK 0 / 87 / 21 / 43

HEX #911372

RGB 145 19 114

HSL 314.76, 0.77%, 0.32%

LAB 33.35, 57.16, -21.79

 

CMYK 0 / 99 / 26 / 50

HEX #80015F

RGB 128 1 95

HSL 315.59, 0.98%, 0.25%

LAB 27.95, 54.08, -18.21

 

CMYK 0 / 63 / 13 / 23

HEX #C449AB

RGB 196 73 171

HSL 312.2, 0.51%, 0.53%

LAB 51.2, 59.98, -28.05

 

CMYK 0 / 62 / 23 / 23

HEX #C44A97

RGB 196 74 151

HSL 322.13, 0.51%, 0.53%

LAB 50.53, 56.65, -17.28

 

CMYK 0 / 62 / 33 / 23

HEX #C44A83

RGB 196 74 131

HSL 331.97, 0.51%, 0.53%

LAB 49.82, 54.08, -6.4

 

CMYK 0 / 62 / 44 / 23

HEX #C44A6E

RGB 196 74 110

HSL 342.3, 0.51%, 0.53%

LAB 49.2, 51.76, 5.36

 

CMYK 0 / 62 / 54 / 23

HEX #C44A5A

RGB 196 74 90

HSL 352.13, 0.51%, 0.53%

LAB 48.72, 49.94, 16.78

 

CMYK 0 / 63 / 13 / 23

HEX #C449AB

RGB 196 73 171

HSL 312.2, 0.51%, 0.53%

LAB 51.2, 59.98, -28.05

 

CMYK 0 / 63 / 13 / 3

HEX #F75CD7

RGB 247 92 215

HSL 312.39, 0.91%, 0.66%

LAB 63.62, 72.08, -33.4

 

CMYK 0 / 63 / 12 / 83

HEX #2B1026

RGB 43 16 38

HSL 311.11, 0.46%, 0.12%

LAB 9.19, 17.7, -8.9

 

CMYK 0 / 63 / 13 / 63

HEX #5E2352

RGB 94 35 82

HSL 312.2, 0.46%, 0.25%

LAB 24.29, 33.28, -15.79

 

CMYK 0 / 63 / 12 / 43

HEX #91367F

RGB 145 54 127

HSL 311.87, 0.46%, 0.39%

LAB 38.18, 47.21, -22.43

 

CMYK 0 / 63 / 13 / 23

HEX #C449AB

RGB 196 73 171

HSL 312.2, 0.51%, 0.53%

LAB 51.2, 59.98, -28.05

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 62 / 0 / 13 / 23

HEX #4AC4AB

RGB 74 196 171

HSL 167.7, 0.51%, 0.53%

LAB 72.15, -39.83, 2.54

 

CMYK 0 / 63 / 13 / 23

HEX #C449AB

RGB 196 73 171

HSL 312.2, 0.51%, 0.53%

LAB 51.2, 59.98, -28.05

 

CMYK 13 / 0 / 62 / 23

HEX #ABC44A

RGB 171 196 74

HSL 72.3, 0.51%, 0.53%

LAB 75.22, -25.6, 56.64

 

CMYK 62 / 13 / 0 / 23

HEX #4AABC4

RGB 74 171 196

HSL 192.3, 0.51%, 0.53%

LAB 65.41, -20.81, -21.25

 

CMYK 0 / 63 / 13 / 23

HEX #C449AB

RGB 196 73 171

HSL 312.2, 0.51%, 0.53%

LAB 51.2, 59.98, -28.05

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 62 / 0 / 50 / 23

HEX #4AC462

RGB 74 196 98

HSL 131.8, 0.51%, 0.53%

LAB 70.74, -54.53, 39.14

 

CMYK 62 / 25 / 0 / 23

HEX #4A93C4

RGB 74 147 196

HSL 204.1, 0.51%, 0.53%

LAB 58.33, -7.81, -32.16

 

CMYK 0 / 63 / 13 / 23

HEX #C449AB

RGB 196 73 171

HSL 312.2, 0.51%, 0.53%

LAB 51.2, 59.98, -28.05

 

CMYK 0 / 19 / 62 / 23

HEX #C49F4A

RGB 196 159 74

HSL 41.8, 0.51%, 0.53%

LAB 67.3, 4.06, 48.51

 

CMYK 62 / 0 / 50 / 23

HEX #4AC462

RGB 74 196 98

HSL 131.8, 0.51%, 0.53%

LAB 70.74, -54.53, 39.14

 

CMYK 62 / 44 / 0 / 23

HEX #4A6EC4

RGB 74 110 196

HSL 222.3, 0.51%, 0.53%

LAB 47.74, 14.3, -48.86

 

Description

Color code: CMYK 0 / 63 / 13 / 23 | qconv.com Color code: CMYK 0 / 63 / 13 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 73 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 73 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 13 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 13% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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