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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 62 / 88 / 20 it is the complementary color CMYK 78 / 23 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 62 / 88 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 62 / 88 / 20: CMYK 0 / 63 / 91 / 18, CMYK 0 / 58 / 83 / 11, CMYK 0 / 53 / 77 / 5, CMYK 0 / 48 / 70 / 0 and CMYK 0 / 41 / 63 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 62 / 88 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 62 / 88 / 20: CMYK 0 / 62 / 88 / 20, CMYK 0 / 68 / 97 / 27, CMYK 0 / 75 / 100 / 33, CMYK 0 / 84 / 100 / 40 and CMYK 0 / 96 / 100 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 88 / 20

HEX #CC4E18

RGB 204 78 24

HSL 18, 0.79%, 0.45%

LAB 49.92, 47.72, 53.64

 

Complementary color

CMYK 78 / 23 / 0 / 9

HEX #33B1E7

RGB 51 177 231

HSL 198, 0.79%, 0.55%

LAB 67.96, -15.84, -36.65

 

CMYK 0 / 63 / 91 / 18

HEX #D14E13

RGB 209 78 19

HSL 18.63, 0.83%, 0.45%

LAB 50.75, 49.43, 56.35

 

CMYK 0 / 58 / 83 / 11

HEX #E26026

RGB 226 96 38

HSL 18.51, 0.76%, 0.52%

LAB 56.76, 47.81, 55.26

 

CMYK 0 / 53 / 77 / 5

HEX #F37239

RGB 243 114 57

HSL 18.39, 0.89%, 0.59%

LAB 62.83, 46.17, 53.48

 

CMYK 0 / 48 / 70 / 0

HEX #FF844C

RGB 255 132 76

HSL 18.77, 1%, 0.65%

LAB 68.23, 42.7, 50.55

 

CMYK 0 / 41 / 63 / 0

HEX #FF965F

RGB 255 150 95

HSL 20.63, 1%, 0.69%

LAB 72.16, 34.65, 45.5

 

CMYK 0 / 62 / 88 / 20

HEX #CC4E18

RGB 204 78 24

HSL 18, 0.79%, 0.45%

LAB 49.92, 47.72, 53.64

 

CMYK 0 / 68 / 97 / 27

HEX #BB3C05

RGB 187 60 5

HSL 18.13, 0.95%, 0.38%

LAB 43.96, 49.2, 53.96

 

CMYK 0 / 75 / 100 / 33

HEX #AA2A00

RGB 170 42 0

HSL 14.82, 1%, 0.33%

LAB 38.2, 50.3, 50.86

 

CMYK 0 / 84 / 100 / 40

HEX #991800

RGB 153 24 0

HSL 9.41, 1%, 0.3%

LAB 32.76, 50.48, 46.13

 

CMYK 0 / 96 / 100 / 47

HEX #880600

RGB 136 6 0

HSL 2.65, 1%, 0.27%

LAB 27.75, 49.18, 40.74

 

CMYK 0 / 62 / 88 / 20

HEX #CC4E18

RGB 204 78 24

HSL 18, 0.79%, 0.45%

LAB 49.92, 47.72, 53.64

 

CMYK 0 / 47 / 88 / 20

HEX #CD6C18

RGB 205 108 24

HSL 27.85, 0.79%, 0.45%

LAB 55.86, 33.35, 58.34

 

CMYK 0 / 33 / 88 / 20

HEX #CD8A18

RGB 205 138 24

HSL 37.79, 0.79%, 0.45%

LAB 62.69, 17.23, 63.7

 

CMYK 0 / 18 / 88 / 20

HEX #CDA918

RGB 205 169 24

HSL 48.07, 0.79%, 0.45%

LAB 70.47, 0.5, 69.83

 

CMYK 0 / 3 / 88 / 20

HEX #CDC718

RGB 205 199 24

HSL 58.01, 0.79%, 0.45%

LAB 78.4, -15, 76.11

 

CMYK 0 / 62 / 88 / 20

HEX #CC4E18

RGB 204 78 24

HSL 18, 0.79%, 0.45%

LAB 49.92, 47.72, 53.64

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 61 / 88 / 80

HEX #331406

RGB 51 20 6

HSL 18.67, 0.79%, 0.11%

LAB 10.68, 14.4, 13.84

 

CMYK 0 / 62 / 88 / 60

HEX #66270C

RGB 102 39 12

HSL 18, 0.79%, 0.22%

LAB 24.65, 26.84, 30.37

 

CMYK 0 / 61 / 88 / 40

HEX #993B12

RGB 153 59 18

HSL 18.22, 0.79%, 0.34%

LAB 37.74, 37.41, 42.56

 

CMYK 0 / 62 / 88 / 20

HEX #CC4E18

RGB 204 78 24

HSL 18, 0.79%, 0.45%

LAB 49.92, 47.72, 53.64

 

CMYK 44 / 0 / 88 / 20

HEX #72CD18

RGB 114 205 24

HSL 90.17, 0.79%, 0.45%

LAB 74.39, -53.23, 70.46

 

CMYK 88 / 80 / 0 / 20

HEX #182ACD

RGB 24 42 205

HSL 234.03, 0.79%, 0.45%

LAB 30.05, 53.88, -83.02

 

CMYK 0 / 62 / 88 / 20

HEX #CC4E18

RGB 204 78 24

HSL 18, 0.79%, 0.45%

LAB 49.92, 47.72, 53.64

 

CMYK 88 / 0 / 62 / 20

HEX #18CD4E

RGB 24 205 78

HSL 137.9, 0.79%, 0.45%

LAB 72.5, -67.27, 50.37

 

CMYK 62 / 88 / 0 / 20

HEX #4E18CD

RGB 78 24 205

HSL 257.9, 0.79%, 0.45%

LAB 31.07, 64.21, -81.24

 

CMYK 0 / 62 / 88 / 20

HEX #CC4E18

RGB 204 78 24

HSL 18, 0.79%, 0.45%

LAB 49.92, 47.72, 53.64

 

CMYK 44 / 0 / 88 / 20

HEX #72CD18

RGB 114 205 24

HSL 90.17, 0.79%, 0.45%

LAB 74.39, -53.23, 70.46

 

CMYK 88 / 26 / 0 / 20

HEX #1897CD

RGB 24 151 205

HSL 197.9, 0.79%, 0.45%

LAB 58.73, -12.97, -36.69

 

CMYK 44 / 88 / 0 / 20

HEX #7218CD

RGB 114 24 205

HSL 269.83, 0.79%, 0.45%

LAB 35.28, 67.61, -74.14

 

CMYK 0 / 62 / 88 / 20

HEX #CC4E18

RGB 204 78 24

HSL 18, 0.79%, 0.45%

LAB 49.92, 47.72, 53.64

 

CMYK 71 / 0 / 88 / 20

HEX #3CCD18

RGB 60 205 24

HSL 108.07, 0.79%, 0.45%

LAB 72.69, -66.86, 68.34

 

CMYK 88 / 26 / 0 / 20

HEX #1897CD

RGB 24 151 205

HSL 197.9, 0.79%, 0.45%

LAB 58.73, -12.97, -36.69

 

CMYK 18 / 88 / 0 / 20

HEX #A918CD

RGB 169 24 205

HSL 288.07, 0.79%, 0.45%

LAB 43.5, 75.06, -60.37

 

Description

Color code: CMYK 0 / 62 / 88 / 20 | qconv.com Color code: CMYK 0 / 62 / 88 / 20 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 78 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 78 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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