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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 5 / 52 / 26 it is the complementary color CMYK 60 / 54 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 5 / 52 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 5 / 52 / 26: CMYK 0 / 8 / 56 / 24, CMYK 0 / 7 / 50 / 17, CMYK 0 / 6 / 46 / 11, CMYK 0 / 5 / 42 / 4 and CMYK 0 / 2 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 5 / 52 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 5 / 52 / 26: CMYK 0 / 5 / 52 / 26, CMYK 0 / 6 / 58 / 33, CMYK 0 / 8 / 66 / 39, CMYK 0 / 9 / 75 / 46 and CMYK 0 / 12 / 88 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 52 / 26

HEX #BDB35B

RGB 189 179 91

HSL 53.88, 0.43%, 0.55%

LAB 72.1, -8.23, 45.71

 

Complementary color

CMYK 60 / 54 / 0 / 36

HEX #424CA4

RGB 66 76 164

HSL 233.88, 0.43%, 0.45%

LAB 36, 23.4, -48.97

 

CMYK 0 / 8 / 56 / 24

HEX #C2B356

RGB 194 179 86

HSL 51.67, 0.47%, 0.55%

LAB 72.48, -6.55, 48.67

 

CMYK 0 / 7 / 50 / 17

HEX #D3C569

RGB 211 197 105

HSL 52.08, 0.55%, 0.62%

LAB 78.93, -7.21, 47.49

 

CMYK 0 / 6 / 46 / 11

HEX #E4D77C

RGB 228 215 124

HSL 52.5, 0.66%, 0.69%

LAB 85.28, -7.78, 46.3

 

CMYK 0 / 5 / 42 / 4

HEX #F5E98F

RGB 245 233 143

HSL 52.94, 0.84%, 0.76%

LAB 91.54, -8.25, 45.12

 

CMYK 0 / 2 / 36 / 0

HEX #FFFBA2

RGB 255 251 162

HSL 57.42, 1%, 0.82%

LAB 97.17, -11.32, 43.15

 

CMYK 0 / 5 / 52 / 26

HEX #BDB35B

RGB 189 179 91

HSL 53.88, 0.43%, 0.55%

LAB 72.1, -8.23, 45.71

 

CMYK 0 / 6 / 58 / 33

HEX #ACA148

RGB 172 161 72

HSL 53.4, 0.41%, 0.48%

LAB 65.54, -7.54, 46.86

 

CMYK 0 / 8 / 66 / 39

HEX #9B8F35

RGB 155 143 53

HSL 52.94, 0.49%, 0.41%

LAB 58.85, -6.69, 47.84

 

CMYK 0 / 9 / 75 / 46

HEX #8A7D22

RGB 138 125 34

HSL 52.5, 0.6%, 0.34%

LAB 52.05, -5.62, 48.4

 

CMYK 0 / 12 / 88 / 53

HEX #796B0F

RGB 121 107 15

HSL 52.08, 0.78%, 0.27%

LAB 45.1, -4.25, 47.94

 

CMYK 0 / 5 / 52 / 26

HEX #BDB35B

RGB 189 179 91

HSL 53.88, 0.43%, 0.55%

LAB 72.1, -8.23, 45.71

 

CMYK 3 / 0 / 52 / 26

HEX #B8BD5A

RGB 184 189 90

HSL 63.03, 0.43%, 0.55%

LAB 74.4, -15.54, 48.78

 

CMYK 11 / 0 / 52 / 26

HEX #A8BD5A

RGB 168 189 90

HSL 72.73, 0.43%, 0.55%

LAB 73.19, -22.05, 47.07

 

CMYK 20 / 0 / 52 / 26

HEX #97BD5A

RGB 151 189 90

HSL 83.03, 0.43%, 0.55%

LAB 72.04, -28.74, 45.41

 

CMYK 29 / 0 / 52 / 26

HEX #87BD5A

RGB 135 189 90

HSL 92.73, 0.43%, 0.55%

LAB 71.07, -34.72, 44.02

 

CMYK 0 / 5 / 52 / 26

HEX #BDB35B

RGB 189 179 91

HSL 53.88, 0.43%, 0.55%

LAB 72.1, -8.23, 45.71

 

CMYK 0 / 5 / 52 / 6

HEX #F0E374

RGB 240 227 116

HSL 53.71, 0.81%, 0.7%

LAB 89.26, -9.72, 55.16

 

CMYK 0 / 6 / 53 / 86

HEX #242211

RGB 36 34 17

HSL 53.68, 0.36%, 0.1%

LAB 12.98, -2.34, 11.55

 

CMYK 0 / 6 / 52 / 66

HEX #57522A

RGB 87 82 42

HSL 53.33, 0.35%, 0.25%

LAB 34.45, -4.3, 24.07

 

CMYK 0 / 5 / 52 / 46

HEX #8A8342

RGB 138 131 66

HSL 54.17, 0.35%, 0.4%

LAB 54.06, -6.67, 35.74

 

CMYK 0 / 5 / 52 / 26

HEX #BDB35B

RGB 189 179 91

HSL 53.88, 0.43%, 0.55%

LAB 72.1, -8.23, 45.71

 

CMYK 52 / 0 / 48 / 26

HEX #5ABD63

RGB 90 189 99

HSL 125.45, 0.43%, 0.55%

LAB 69.09, -47.84, 36.69

 

CMYK 27 / 52 / 0 / 26

HEX #8A5ABD

RGB 138 90 189

HSL 269.09, 0.43%, 0.55%

LAB 47.48, 39.4, -44.93

 

CMYK 0 / 5 / 52 / 26

HEX #BDB35B

RGB 189 179 91

HSL 53.88, 0.43%, 0.55%

LAB 72.1, -8.23, 45.71

 

CMYK 52 / 0 / 6 / 26

HEX #5ABDB2

RGB 90 189 178

HSL 173.33, 0.43%, 0.55%

LAB 70.72, -31.67, -3.31

 

CMYK 6 / 52 / 0 / 26

HEX #B25ABD

RGB 178 90 189

HSL 293.33, 0.43%, 0.55%

LAB 52.34, 50.33, -36.92

 

CMYK 0 / 5 / 52 / 26

HEX #BDB35B

RGB 189 179 91

HSL 53.88, 0.43%, 0.55%

LAB 72.1, -8.23, 45.71

 

CMYK 52 / 0 / 48 / 26

HEX #5ABD63

RGB 90 189 99

HSL 125.45, 0.43%, 0.55%

LAB 69.09, -47.84, 36.69

 

CMYK 52 / 46 / 0 / 26

HEX #5A66BD

RGB 90 102 189

HSL 232.73, 0.43%, 0.55%

LAB 46.11, 20.23, -47.37

 

CMYK 0 / 52 / 4 / 26

HEX #BD5AB5

RGB 189 90 181

HSL 304.85, 0.43%, 0.55%

LAB 53.46, 51.98, -30.45

 

CMYK 0 / 5 / 52 / 26

HEX #BDB35B

RGB 189 179 91

HSL 53.88, 0.43%, 0.55%

LAB 72.1, -8.23, 45.71

 

CMYK 52 / 0 / 32 / 26

HEX #5ABD80

RGB 90 189 128

HSL 143.03, 0.43%, 0.55%

LAB 69.56, -42.93, 22.21

 

CMYK 52 / 46 / 0 / 26

HEX #5A66BD

RGB 90 102 189

HSL 232.73, 0.43%, 0.55%

LAB 46.11, 20.23, -47.37

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

Description

Color code: CMYK 0 / 5 / 52 / 26 | qconv.com Color code: CMYK 0 / 5 / 52 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 179 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 179 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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