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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 5 / 23 / 58 it is the complementary color CMYK 14 / 12 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 5 / 23 / 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 5 / 23 / 58: CMYK 0 / 9 / 31 / 56, CMYK 0 / 7 / 26 / 49, CMYK 0 / 5 / 21 / 43, CMYK 0 / 4 / 18 / 36 and CMYK 0 / 3 / 15 / 29

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 5 / 23 / 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 5 / 23 / 58: CMYK 0 / 5 / 23 / 58, CMYK 0 / 7 / 30 / 65, CMYK 0 / 10 / 40 / 71, CMYK 0 / 14 / 55 / 78 and CMYK 0 / 23 / 85 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 23 / 58

HEX #6B6652

RGB 107 102 82

HSL 48, 0.13%, 0.37%

LAB 43.12, -1.66, 12.03

 

Complementary color

CMYK 14 / 12 / 0 / 32

HEX #9499AD

RGB 148 153 173

HSL 228, 0.13%, 0.63%

LAB 63.42, 2.38, -11.03

 

CMYK 0 / 9 / 31 / 56

HEX #70664D

RGB 112 102 77

HSL 42.86, 0.19%, 0.37%

LAB 43.48, -0.28, 15.59

 

CMYK 0 / 7 / 26 / 49

HEX #817860

RGB 129 120 96

HSL 43.64, 0.15%, 0.44%

LAB 50.62, -0.67, 14.45

 

CMYK 0 / 5 / 21 / 43

HEX #928A73

RGB 146 138 115

HSL 44.52, 0.12%, 0.51%

LAB 57.58, -0.98, 13.41

 

CMYK 0 / 4 / 18 / 36

HEX #A39C86

RGB 163 156 134

HSL 45.52, 0.14%, 0.58%

LAB 64.39, -1.25, 12.45

 

CMYK 0 / 3 / 15 / 29

HEX #B4AE99

RGB 180 174 153

HSL 46.67, 0.15%, 0.65%

LAB 71.06, -1.48, 11.55

 

CMYK 0 / 5 / 23 / 58

HEX #6B6652

RGB 107 102 82

HSL 48, 0.13%, 0.37%

LAB 43.12, -1.66, 12.03

 

CMYK 0 / 7 / 30 / 65

HEX #5A543F

RGB 90 84 63

HSL 46.67, 0.18%, 0.3%

LAB 35.74, -1.33, 13.19

 

CMYK 0 / 10 / 40 / 71

HEX #49422C

RGB 73 66 44

HSL 45.52, 0.25%, 0.23%

LAB 28.1, -0.88, 14.5

 

CMYK 0 / 14 / 55 / 78

HEX #383019

RGB 56 48 25

HSL 44.52, 0.38%, 0.16%

LAB 20.14, -0.21, 16

 

CMYK 0 / 23 / 85 / 85

HEX #271E06

RGB 39 30 6

HSL 43.64, 0.73%, 0.09%

LAB 11.78, 0.87, 15.06

 

CMYK 0 / 5 / 23 / 58

HEX #6B6652

RGB 107 102 82

HSL 48, 0.13%, 0.37%

LAB 43.12, -1.66, 12.03

 

CMYK 0 / 1 / 23 / 58

HEX #6A6952

RGB 106 105 82

HSL 57.5, 0.13%, 0.37%

LAB 43.91, -3.84, 13.11

 

CMYK 3 / 0 / 23 / 58

HEX #676A52

RGB 103 106 82

HSL 67.5, 0.13%, 0.37%

LAB 43.95, -5.68, 13.12

 

CMYK 7 / 0 / 23 / 58

HEX #636A52

RGB 99 106 82

HSL 77.5, 0.13%, 0.37%

LAB 43.61, -7.35, 12.6

 

CMYK 10 / 0 / 23 / 58

HEX #5F6A52

RGB 95 106 82

HSL 87.5, 0.13%, 0.37%

LAB 43.29, -8.99, 12.11

 

CMYK 0 / 5 / 23 / 58

HEX #6B6652

RGB 107 102 82

HSL 48, 0.13%, 0.37%

LAB 43.12, -1.66, 12.03

 

CMYK 0 / 4 / 23 / 38

HEX #9E9779

RGB 158 151 121

HSL 48.65, 0.16%, 0.55%

LAB 62.32, -2.48, 16.76

 

CMYK 0 / 5 / 23 / 18

HEX #D1C7A0

RGB 209 199 160

HSL 47.76, 0.35%, 0.72%

LAB 80.15, -2.72, 20.82

 

CMYK 0 / 0 / 20 / 98

HEX #050504

RGB 5 5 4

HSL 60, 0.11%, 0.02%

LAB 1.35, -0.14, 0.38

 

CMYK 0 / 5 / 23 / 78

HEX #38352B

RGB 56 53 43

HSL 46.15, 0.13%, 0.19%

LAB 22.16, -0.73, 6.79

 

CMYK 0 / 5 / 23 / 58

HEX #6B6652

RGB 107 102 82

HSL 48, 0.13%, 0.37%

LAB 43.12, -1.66, 12.03

 

CMYK 23 / 0 / 23 / 58

HEX #526A52

RGB 82 106 82

HSL 120, 0.13%, 0.37%

LAB 42.32, -14.13, 10.62

 

CMYK 14 / 23 / 0 / 58

HEX #5B526A

RGB 91 82 106

HSL 262.5, 0.13%, 0.37%

LAB 36.55, 8.99, -12.47

 

CMYK 0 / 5 / 23 / 58

HEX #6B6652

RGB 107 102 82

HSL 48, 0.13%, 0.37%

LAB 43.12, -1.66, 12.03

 

CMYK 23 / 0 / 5 / 58

HEX #526A65

RGB 82 106 101

HSL 167.5, 0.13%, 0.37%

LAB 42.83, -10.02, -0.12

 

CMYK 5 / 23 / 0 / 58

HEX #65526A

RGB 101 82 106

HSL 287.5, 0.13%, 0.37%

LAB 37.56, 12.71, -10.85

 

CMYK 0 / 5 / 23 / 58

HEX #6B6652

RGB 107 102 82

HSL 48, 0.13%, 0.37%

LAB 43.12, -1.66, 12.03

 

CMYK 23 / 0 / 23 / 58

HEX #526A52

RGB 82 106 82

HSL 120, 0.13%, 0.37%

LAB 42.32, -14.13, 10.62

 

CMYK 23 / 19 / 0 / 58

HEX #52566A

RGB 82 86 106

HSL 230, 0.13%, 0.37%

LAB 36.91, 3.23, -12

 

CMYK 0 / 23 / 0 / 58

HEX #6A526A

RGB 106 82 106

HSL 300, 0.13%, 0.37%

LAB 38.09, 14.6, -9.99

 

CMYK 0 / 5 / 23 / 58

HEX #6B6652

RGB 107 102 82

HSL 48, 0.13%, 0.37%

LAB 43.12, -1.66, 12.03

 

CMYK 23 / 0 / 16 / 58

HEX #526A59

RGB 82 106 89

HSL 137.5, 0.13%, 0.37%

LAB 42.5, -12.7, 6.66

 

CMYK 23 / 19 / 0 / 58

HEX #52566A

RGB 82 86 106

HSL 230, 0.13%, 0.37%

LAB 36.91, 3.23, -12

 

CMYK 0 / 23 / 7 / 58

HEX #6A5263

RGB 106 82 99

HSL 317.5, 0.13%, 0.37%

LAB 37.84, 13.15, -6.01

 

Description

Color code: CMYK 0 / 5 / 23 / 58 | qconv.com Color code: CMYK 0 / 5 / 23 / 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 102 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 102 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 23 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 23% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

93% - Great Wine Capitals
Link: http://www.greatwinecapitals.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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